Patreon Year End Awards: Martina’s Year In Dramas!

Hey everyone!

We’re having guest posts from the lovely folks on Patreon, to help us take stock of our drama years, kinda-sorta like what we had last year, woot! 🥳

We’ll be seeing about 2 guest posts per week, and this will unfold into January 2023, and that’s perfectly ok. AND, my annual year-in-review, which usually comes out in December, will also come out in January (or thereabouts 😅), after all the guest posts have been published.

If you missed our earlier posts, you can check them out as follows: phl1rxd, j3ffc, Uyen, Sean.

Today, I’m pleased to announce that Martina is sharing her drama year!

Martina is based in Italy, and while she often says that she’s not confident of her English, I think that she’s got a very interesting way with words; her sentiments are often delivered with a lovely sense of poetry about them, which I think is pretty darn awesome.

I also love that Martina’s a Junho-loving fangirl; I know that I can always count on her to swoon over Junho with me. 😁😍🫠

I hope you guys enjoy!

KFG ❤️


Introducing myself requires a few words: I am an Italian psychotherapist and have been watching k-drama since 2017. By that I mean I have been watching only k drama and movies since then.

Before then I had my own personal dislike for Western series and movies that I had not watched for years.

I’m currently attracted to c-dramas and j-dramas but I’m held back by the language barrier, although I’ve been studying Korean for years and understand it well by now which makes my watching great, but probably in 2023 I’ll dare to watch some c-dramas and j-dramas mainly because KFG reviews many of them on Patreon and I always feel like I’m missing out on something.

By the way, I have been reading KFG’s blog, more or less since I started watching k-dramas and I read her wonderful reviews on Patreon every day, an experience per se, which I would recommend to everyone.

What do I like about k-dramas?

Their narrative richness (something that probably belongs to all oriental dramas), the ability to create original and emotionally wealthy character plots.

One of my favourite things is to see how certain types of characters are brought into tension by events that require them to undergo profound change in order to see them resolved and dealt with.

In this sense there are many healing, life-changing, underdog stories through which characters withstand their adversity and change as they do so that reminds me closely of my clients’ stories, their richness, and the poignant and original way in which they learn to navigate life.

These kinds of situations are the ones that create the storylines and they are very common in all plots (Star Wars (1977) is not the story of one reluctant hero, indeed two, who are caught up in a completely different situation that allows for their change?)

Actually, it is the way this transformation happens in k-dramas that each time seems so unexpected and interesting to me as I hope to explain later in this post.

My Top 5 Dramas

Here there is the list of my top five dramas of 2022 in reverse order of preference:

5) Through the darkness

It is a crime story inspired by an autobiography written by Korea’s first criminal profiler, Kwon Il Yong with the journalist Ko Na Mu. At the end of 1990s in Seoul one of Korea’s first serial killers appeared, dubbed “Red Cap”, who was killing women who lived alone.

His habit of randomly choosing victims made it impossible for detectives to predict his next move.

Aware of the success of the U.S. FBI and its use of criminal profilers to identify serial killers, the head of the Criminal Behavioral Analysis team, Gook Young Soo (actor Jin Seon Kyu), recruits Song Ha Young (Kim Nam Gil) a quiet, reserved and former detective, for his team.

He has a never -give-up-spirit, a fighting spirit and has an open mind, intuition, common sense, ability to analyze the situation logically and “gamsuseong”, a special gift for being in tune with the minds of victims and their loved ones or relatives but also for understanding criminal minds.

It is interesting to see how, in South Korea, a country particularly attached to its traditions, Song Ha Young’s very different way of investigating is initially opposed by fellow police officers and institutions.

In fact, the Criminal Behavioral Analysis team gets a room that is a dusty basement, very few resources, and only one young analyst to work alongside Kook Young Soo and Song Ha Young.

It takes years of success before this small, peripheral team’s importance is recognized by institutions and is put in the best working conditions, gaining the full esteem of their initially distrustful colleagues.

Kim Nam Gil plays the protagonist in a mesmerizing way, rendering Song Ha Young’s two sides.

The calm, systematic and rational one that makes him seem anodyne and disconnected at times and the “gamsuseong,” extremely sensitive one capable of connecting on a deep level with the victims but also with psychopathic minds.

It is precisely this ability to open sensory and mental doors to criminals to understand and anticipate their moves, that will be what will create in the protagonist a post-traumatic stress disorder typical of those witnessing violent events (even through the narration or recollection of events).

This is something I know well as a psychotherapist who often witnesses the recollection of heinous stories and events.

It is precisely through this nonverbal communication channel that is created with the victims and criminals that a wave of evil creeps into him and that makes him sick.

Please watch the drama to see how he comes out of it….

Although this drama deserves a higher position than the fifth, I think I put it last because crime stories make me suffer too much. You see a lot of crime and criminals, so it’s not exactly a walk in the park watching this.

4) Reborn Rich

It is a kind of “makjang” fusion of sci-fi and the story of a dynasty of a rich Korean family dedicated to business through monopoly in vast commercial sectors (“chaebol”).

This kind of big business, ruled by one family and named “conglomerates” really exists in South Korea.

A makjang is a story which is too excessive to be taken as realistic.

Excess is meant in the emotional sense and in the quantity and quality of the twists and turns; its purpose, I believe, is to tell the emotional truth of the story without regard to verisimilitude.

I like it, when I find it well done because it frees writers or directors up from the conventions of plots and allows them to convey compelling meanings.

This drama is also a multi-star-drama that brings together some of the best actors on the Korean scene.

Yoon Hyun Woo (played by the star Song Joong Ki) is a dedicated, hard-working and faithful secretary to the Jin family, which runs the Sunyang Group business empire.

One day, however, he is ruthlessly betrayed by the family, who frame him for embezzlement and have him killed.

He is miraculously brought “back to life” when he awakens in the body of the youngest male member of the family, Jin Do Joo, the grandson of Jin Yang Chul (played by the star Lee Sung Min) the tycoon of the Sunyang Group.

While the death of the faithful secretary occurs in 2022, the return to life as the youngest grandson of Jin Yang Chul occurs in 1980.

After realizing what has happened, Yoon Hyun Woo decides to take revenge, by taking advantage of now belonging to the Jin family. He is planning to use his new identity to formulate a hostile takeover of the group and punish the people who killed him.

One of the things that kept me glued to the screen was the relationship between Jin Do Joon / Yoon Hyun Woo and the grandfather, as performed by actors Song Joong Ki and Lee Sung Min.

The grandfather is at first presented as a ruthless businessman whose favourite son is the Sunyang Group itself. His adherence to the rule of the primogeniture tends to make him favor his eldest son and his eldest grandson as possible candidates for succession.

Jin Do Joon, the main character through whose eyes we view the story, is the son of the son who created the greatest displeasure for Jin Yang Chul by marrying an actress and abandoning the family business to set up his own firm.

Because of this, at the beginning of the drama the grandfather ignores this grandson considering him an insignificant kid.

However, Jin Do Joon remembers all the major economic and financial events in South Korea from the 1980s to present and uses this knowledge to succeed in business and get noticed by his grandfather.

What I found really engaging was the relationship between the grandfather and grandson as it developed over the years that Yoon Hyun Woo was Jin Yang Chul’s grandson.

Although the motivation of the whole affair is revenge, Yoon Hyun Woo becomes attached to his grandfather.

Their relationship proceeds through mutual betrayals, disappointments, affection and love, and admiration in a portrayal that makes us see how complicated family bonds are at times; they are relationships that seem to be fueled by conflicting motivations (love and hate, admiration and disappointment, loyalty and betrayal) that make us act in contradictory ways.

Lee Sung Min as a grandfather is simply astonishing.

His talent serves a traditionalist Jin Yang Chul, an innovator, forerunner of the times, greedy, ruthless, softened by love for his grandson, unapproachable, loving, strong, weak and sick, haughty and pitiful.

I must admit that on screen I saw only him and that he overshadowed the star Song Joong Ki.

However, what I found exciting was seeing the major historical and economic events of the Republic of Korea (ROK) from 1985 onward and some have suggested that the economic history of “Sunyang Group” resembles that of the Samsung Group.

I reconstructed some of them:

  • In September 1983, a Korean Air Lines Boeing 747 flying from New York to Seoul deviated from its course near Sakhalin and was shot down by a Soviet fighter jet. The 269 passengers on board all died (Jin Do Joon/ Yoon Hyun Woo manages to warn his grandfather who takes another plane).
  • The 1987 presidential election, the first democratic election after Chon Tuwan’s seven-year soft military dictatorship in which No T’aeu, Chon Tuwan’s hated comrade general, unexpectedly won due to the fact that the oppositions did not agree and went separate in the election (on this information Jin Do Joon/ Yoon Hyun Woo plays to win grandfather’s esteem).
  • The great success of organization and audience of the Olympics in Seoul in 1988.
  • The 1997-1998 Asian financial crisis that started in Thailand severely hit South Korea.
  • In December 1997 the IMF provided $57 billion in its bailout package demanding dramatic financial restructuring and recapitalization. The IMF’s demands included chaebol reforms, transparency of the financial sector, and an end to state-controlled financial system.
  • 1998 Korean people mobilized by donating $970 million to the treasury to help the country plunged into economic crisis. The debt is repaid to the IMF in three years, ahead of schedule but many businesses in the meantime went bankrupt creating massive unemployment.
  • In August 1998 Korea overcame the crisis and became free from the IMF’s management system, well in advance of the planned repayment terms.
  • Severe impact on the Korean economy of 2008 US born global economic crisis
  • Korea Discount: “is defined by Forbes Magazine as the amount by which investors undervalue Korean stocks.This discount rate can be seen in how Korean stocks have consistently maintained low price-earnings ratios and are predicted to maintain this low ratio in the future as well”.

The main causes are probably:

a) potential capital flight remains South Korea’s geographic proximity to the North Korean regime,

b) the significant debt load,

c) an overbearing labor union force;

d) financial instability of chaebol conglomerates;

e) perception of an unfair playing field in the market (corruption);

f) “underrated assets due to uncompetitive marketing in certain industries.

For example, Korea’s science and technology sector, which ranks fourth, has a global image that ranks ninth” (KoreaTimes. “Korea Discount.” Koreatimes, The Korea Times, 10 Jan. 2010,

  • 2002 FIFA World Cup organized in SOUTH Korea and Japan, First World Cup to be held in Asia: South Korean team qualifies for semi-finals.
  • NY 2001-9-11 is also mentioned, particularly for its consequences in Asian financial markets.

Have I forgotten any events? I would like to know, please write it in the comments.

3) Pachinko

Pachinko is a totally new genre or non-genre drama, an American production based on the 2017 novel by Min Jin Lee. The series is directed by Kogonada and Justin Chon, two American-born South Korean filmmakers.

This saga narrates the hopes and dreams of a Korean immigrant family through four generations leaving their homeland in search of a better future.

Already from the opening theme song and credits, we can see how this drama is a cross-cultural fusion that does not fit into traditional k-drama genres.

It tells the Korean diaspora from a Korean-American (and Japanese) aesthetic point of view, and I must say that the whole is really amazing.

The main cast includes the Korean star Lee Min Ho and the US-born and South Korean actor Jin Ha who is perfectly bilingual American and Korean. His Korean is as good as his American English.

It is a choral story about the extreme misery of Koreans during the Japanese occupation/dictatorship, the status of Korean women in the 1920s/30s who were at risk of slavery in the absence of the man who was the head of the family, the collaborationism of some Koreans with the Japanese occupiers, the enclave of Koreans in Japan and racism toward Asians in Japan and US.

The themes make one’s head spin because of their seriousness and gravity, however, by a narrative point of view, there is a balance and smoothness in the telling, that makes it very enjoyable and fresh.

The narrative alternates between moments in the present (that in the drama is 1989) in which we follow the vicissitudes of Solomon, a smartly-dressed-young Korean-American businessman, and moments in the past (1920s-1930s) in which the protagonist is Solomon’s grandmother, Sunja, who is presented as an smart and strong young woman who manages to emigrate to Japan to survive.

It is a choral narrative in which it is difficult for me to focus on one character rather than another.

Although the stories of Sunja as a girl and then as an old woman, when she wants to see her homeland again before she dies, and Solomon, the grandson, are the most intriguing.

Of Sunja we sense that her adaptation to Japanese culture has been rather superficial, as if her true self, represented by the girl Sunja, has remained in Korea.

At what cost a person lives with body and mind in one country and heart in another is well represented in this fiction. The cost is a dissociation, a kind of dislocation that makes one live in a country like a ghost.

The same thing is seen in Salomon, a Korean boy raised in Japan and soon sent to study in the United States.

He, too, seems to adhere to American (as well as Japanese) dream, he is concrete and business-oriented, with his mind and body (we can see this in the way he dresses like a yuppie and how he moves his body) but his heart is  surprisingly in Korea, a homeland he inherited from his grandmother but never experienced firsthand.

This is how we realize, as viewers, that culture impregnates our basic essence, our bodies, and our feelings (probably through our mother tongue), whether we like it or not.

Indeed, we should ask ourselves what this Korean culture is, certainly not the culture of rapid economic development from the 1960s to the 1990s, inspired by the Anglo-Saxon business model, but the traditional culture, the one Sunja left behind in the late 1920s.

The narrative alternates between moments of the present (which in the drama is 1989) which follows the events of Solomon a young, sharply dressed Korean American businessman and moments of the past (1920-1930) in which the protagonist is Solomon’s grandmother, Sunja, who is  a smart and strong young woman who manages to emigrate to Japan to survive.

When Solomon meets this culture through the elderly Korean woman who does not want to sell the land of her house in Tokyo despite a large financial offer because she wants to die on the grounds of her old home, the boy is changed in body and soul, symmetrically to how his grandmother is changed in contact with the land and sea of Busan where she lived as a child and teenager.

He finally becomes becomes fully alive and his heart palpitates.

Watching this drama is highly recommended.

2) Bloody Heart

It is a saeguk, a historical drama set in the period of the Joseon Dynasty (1392-1910), a long period of monarchy splendor alternating with foreign invasions and wars. In this case it is a fictional historical drama, a rarity since most saeguk fictionalize actual historical events.

It begins when Lee Tae, the eldest legitimate son of King Sunjong who became king after the rebellion, ascends to the Joseon throne.

Lee Tae’s father has deposed the king with the help of Park Gye Won, and his father has become the king of a new dynasty.

Upon succeeding to the throne Lee Tae aspires to rule as an absolute monarch, but the first Vice Premier Park Gye Won opposes this idea.

In fact, Park Gye Won is even more powerful than the king.

When he was a teenager, Lee Tae had chosen, as his future wife, Yoo Jung, the daughter of a noble family.

Unfortunately, she and her family become involved in a power struggle in the royal court and her family was exterminated. Only she was fortunately saved by Lee Tae.

Now as adults, the two young people meet as lovers one night a month, Lee Tae knows that she is his disgraced betrothed, while she knows nothing about the young “nobleman” whom she meets chastely every month and with whom she is in love.

By a series of chance events Yoo Jung is brought to court by Prime Minister Park Gye Won who wants to use her as a pawn to dethrone the king.

At court Yoo Jung discovers that the young nobleman she is in love with is the ruler Lee Tae who having chosen her as his future wife in the past favored the extermination of her family.

From this point on we see the two young people struggle to untangle themselves from a potential political trap that puts their lives and their love at risk.

One of the things that struck me was that actor Lee Joon, who plays mostly negative and ambiguous characters, was chosen to play King Lee Tae; in k-dramas there is a kind of typecasting in force whereby many actors specialize in certain characters.

Lee Joon is particularly skilled at rendering the Shakespearean light and dark shades of the human mind (the term Shakespearean for Lee Joon’s performance I think I borrowed from KFG’s review).

So imagine a very weak young king at court at the expense of the prime minister, who tries hard to undermine his power and his life.

Then, there is this girl whom he loves and who has risked her life in the past, but who is now out of the dangers of the court and whom he sees blossoming and dating outside, in a kind of neutral and protected place.

Suddenly he finds her at court, at the center of a political machination that uses her as a weapon to destroy him, but at the same time puts her in danger.

Imagine the shock of this young woman falling in love with a kind but mysterious nobleman, whom she discovers is the king who, as a teenager, endangered her and contributed, however unwittingly, to the extermination of her family.

She is commissioned to marry him and, for this, endangers his life.

Here we see the whole contrast between Lee Tae’s desire to marry her, the sexual attraction and love that drives him to her, and the realization that this potentially means his demise and annihilation.

This is one of the plot lines that intrigued me the most and is beautifully rendered by the cinematography through the colors of nature and clothing, a kind of pathetic fallacy wonderfully drawn.

Let’s see what choices the main characters will make, especially Yoo Jung who manifests herself as a real and fascinating strategist.

1) My liberation notes

This k-drama is set in the village of Sanpo, where the three Yeom brothers, Chang Hee (played by Lee Min Ki), Mi Jung (played by Kim Ji Won), and Ki Jung (played by Lee El) wish to escape from a life in the countryside.

A mysterious man, Mr. Gu, moves into their neighborhood.

He is a hard drinker with the air of someone who has many burdens and secrets. His reserved personality makes him an object of gossip. Mi Jung, the youngest and shyest of the Yeom siblings, decides to approach him.

I watched this drama twice, the first time, like most viewers, curiously drawn to the quirky relationship between Mr. Gu and Mi Jung, the second time focusing only on Chang Hee’s story, because Lee Min Ki is one of my favorite actors, as I really love his performance, voice and diction.

So I will therefore only tell you about this second watching and how it sweetly conquered me.

First, I imagined Lee Min Ki’s happiness (a total fiction in my head) in order to get out of the rom-com with its tropes and standards.

In particular, he always plays the handsome, genial, obsessive, and unfriendly but soft-hearted boy (hidden under an armor of rudeness) who falls in love with the beautiful, naive and kind girl.

In this drama, Lee Min Ki, who no longer has to perform the good-looking, tough young man, suddenly becomes really handsome even though he is sweaty, poorly dressed and in awkward poses, precisely because he can move his body freely and perform in a less stereotypical way, releasing his potential.

The character Chang Hee allows him a wide range of expressive possibilities.

Therefore, we meet Chang Hee, the chatty, pusillanimous boy of the Yeom family.

He clearly suffers from a paternal complex, because in the presence of his diligent working father, who is so silent that he seems mute, he always starts talking a series of nonsense and pusillanimously complaining about his poverty and lack of opportunities, blaming this on the family of lowly origins.

He breaks up with his Seoul girlfriend because of his inferiority complex over the fact that he lives far from Seoul and does not have a car to visit her.

Moreover, he foolishly states that it is in the car that a man’s love life usually begins with the first kisses, so if his love life is a disaster, it is because he does not own a car. As he speaks, his father looks at him in bewilderment and his mother rolls her eyes.

He thinks that everything that happens to him is due to his lack of assets and opportunities.

BUT, unexpectedly, when we see him at work as a franchisee’s assistant for a large company, we can see a kind, responsible, empathetic, efficient and intelligent young man serving clients stores.

What comes to my mind about Chang Hee is that he is basically a good boy, very sensitive and diligent, who becomes neurotically pusillanimous and childish in front of his father.

Chang Hee clearly does not feel validated and loved by this very silent father, who expresses his love only indirectly through hard work and literally putting bread on the table for his children.

It is so refreshing to see his transformation into a man who lives his life to the fullest, albeit with all his flaws and insecurities (a promising romance fails perhaps because of his excessive sense of fragility and responsibility).

The pivotal element in his change is his relationship with Mr. Gu, who, even if reluctant, gives him an example of what it means to accept being himself, even if that self is not the perfection with a glossy charm.

As he stops being pusillanimous, he deepens his empathic sensibility to such an extent that he chooses to be a funeral organizer, the one who assists the family in organizing the tribute and remembrance of the deceased, which is highly felt in Korean culture (where a funeral lasts three days).

If anyone is not familiar with the world of Korean fiction,  I would suggest starting with “My liberation note,” which can be found on Netflix.



For the plots, I used the site and for the Korean History I consulted Maurizio Riotto, Storia della Corea dalle origini ai giorni nostri, 2018, Giunti-Bompiani and Baek,Cho, Ham, Jung, Lee, Sohn, Understanding Korean History, Ewha Womans University and Korean Cultural Research Institute, 2011.

Notify of

Inline Feedbacks
View all comments
Princess Jasmine
Princess Jasmine
4 months ago

For Martina: I finally managed to watch “Through the Darkness” and many thanks for recommending this. I found the drama very insightful and is in my Top 10 list already (but ironically given the nature of crimes committed in the drama, I ideally wish that this story had never happened to start with). Having said that, purely as a drama, it was done well and everyone acted brilliantly including the bad guys. Also since I had read criminal law, it was interesting to watch the work done by the other side (forensics, detectives, police). It’s a bit strange as I had this drama in my mind for more than a year but didn’t know who Kim Nam Gil was up until this April. And then suddenly in April I was so smitten by his work in the Fiery Priest and started watching his other works and then this drama. So I guess I had to watch this drama only after becoming fully aware of him. But having said that, the trophy goes to Jin Seon-Kyu as the Forensics Chief. From the outset, he caught my eye and kept at it until the very end. In fact he was the focal point around which everything evolved and I could even go on to say that he and KNG were OTP in that sense. Also kudos to the actors who acted as Heo Gil-pyo, Baek Jun-sik and Ms. Yoon Tae-goo. I actually wanted to post some follow-up questions on the story to know your views/perspective and I will do so in Patreon. Thanks once again for recommending this one 🙏.

8 months ago

What an interesting group of shows, Martina. I have not watched Pachinko, My Liberation Notes or Through the Darkness, and your reviews make me want to – very much! Such a melodiously written post. Thank you!

8 months ago

I love the shows you mentioned that I have seen. I would love to see Bloody Heart, but it isn’t available in my area. It is one I think I’d really enjoy. Thanks for helping me know more about it.

8 months ago

Interesting glasses you used to describe Chang Hee.
A very minutely observed n detailed description of the brother.
I liked this character n actor’s acting. His way of delivering the dialogue with innocent expression and making ‘o’ with lips.
Still can’t believe he is the same landlord with poker face from “because this is my first life”.

I have watched only MLN from your list, this common thread is making me watch the rest.

Ele Nash
8 months ago

Argh, I’ve somehow managed not to have seen any of those dramas – tsk! But you write brilliantly well and I’m super-impressed you follow Korean too. A natural linguist for sure. xx

8 months ago

Martina, first of all I want to say that this was a beautifully written post. If English is your second language and you have skills in Korean as well, then I take my hat off with sincere respect. But not only that – you tell these stories in such a way that make them compelling just from your descriptions. Alas, I’ve seen none of them at all. I had wondered about Pachinko, but not yet taken a look; same with MLN. Thanks so much for sharing.

Martina Conte
Martina Conte
8 months ago
Reply to  j3ffc

thank you J3ffc! You are so kind….❤️

Su San
Su San
8 months ago

Thank you for your post and Happy New Year.

Just a few comments:
Pachinko: I took a chance and read the book a few months before the Kdrama aired. Usually people who have read the book don’t like productions, but I found it entertaining. I especially liked the differences in the modern story but found the jumps frustrating–jst a littel too “jerky.” Looking forward to the next season…aren’t you?

My Liberation Notes: Love your comments and analysis. This one took me by surprise and I found it quite moving.

Have not seen these:
Bloody Heart: Wishing I had access to this one!
Reborn Rich: Not sure about this one as revenge and time travel aren’t my favorite genre.
Through the Darkness: not even on my radar….

Su San
Su San
8 months ago
Reply to  Su San

Oh–your response to serial killers was enlightening. Another question on the topic of alcohol in kdramas: What are your thoughts on characters that are HEAVY drinkers (MLN’s Mr. Gu) that seem to be portrayed as “fully functional” in kdramas?

Martina Conte
Martina Conte
8 months ago
Reply to  Su San

Su San thank you for your comment. another intriguing question…I have to say that I found Mr Gu a bit … unrealistic. 😁 😅
Yes, I rationalized that he can decently do his job by drinking only at certain times of the day, but I struggled a bit with following him in his love affair. Not out of moralism but because it seemed to me very unfeasible to see this character in a slice-of-life drama and that therefore should be rather naturalistic. Mr Gu cmq is a poetic and dreamlike character and in this form I accepted him.  😅

8 months ago
Reply to  Martina Conte

Thanks Martina for a wonderful write-up! Of your 5 dramas, I have only seen MLN and agree with you on your points! It is such a layered, multi-faceted show. I feel also that MLN is not a pure slice-of-life show. The religious symbolism and metaphors, Mr Gu’s otherworldly talents, skills and original occupation, the occasional sequences tinged with atmosphere and surreality such that you’re not sure if it’s a dream sequence or happened in reality.

I found your write-up on the other 4 shows that I haven’t watched to be so thoughtful and interesting! I am now intrigued to check out Through the Darkness. Pachinko – I read the novel even before the drama was announced. I love how you described the drama, and the various themes surfaced. I want to check it out, but Apple TV… Also scared of heartbreak! BTW the lead actor for Solomon is truly amazing, he is effectively trilingual in English, Korean, AND Japanese!

Martina Conte
Martina Conte
8 months ago
Reply to  Elaine

Hello, Elaine, you changed my mind! you are right MLN has a symbolic and metaphorical dreamlike atmosphere typical of poetry! thank you!

8 months ago

Wonderful post Martina. I found Pachinko very moving, The acting was top notch especially Yamamoto Mari’s depiction of Hana, a tragic figure if ever there was one. There was no shortage of tears in this watch. I found it hard to watch at times. You cared about all the characters and how they are able to keep some dignity in the hardest of situations.

I have also watched Through the Darkness and Kim Nam Gil gave us a great performance. Reborn was quite a meaty drama and I will rewatch this to catch what I missed the first time. I found Bloody heart fascinating but I was no longer able to access it on the dark side. I would go back and finish this if it ever comes on a Prime or Viki. I thought Jang Hyuk was outstanding.

After reading your notes on My Liberation Notes, I may take a peek at it.

Martina, you have such a lovely way of bringing the humanity of these dramas to the forefront and your analysis is appreciated, Great EOY Martina! To 2023!

Martina Conte
Martina Conte
8 months ago
Reply to  phl1rxd

thank you phl1rxd for your amazing comment. i’m glad that you are considering to watch MLN….

8 months ago

Very interesting list. And the number 1 spot is a big surprise!

8 months ago

Thank you so much, Martina!
I’m so glad you chose dramas that also tell us about the historical/sociological background since that’s something I’m highly interested in, too. We watched Through the Darkness and were very taken with it. Kim Nam Gil is a very versatile actor but we’d only seen him in lighter or funnier roles so that was a real revelation. I will surely go and watch Bloody Heart and Pachinko, even if I have to go to the dark side.

Martina Conte
Martina Conte
8 months ago
Reply to  ngobee

ngobee_thank you! And I’m glad that you also appreciate Kim Nam Gil.

Princess Jasmine
Princess Jasmine
8 months ago

Hello Martina
Many thanks for writing this in. Very concise and beautifully articulated 💐🌟✌️. Especially kudos for writing this para: “In the sense……navigate life”. This really resonated with me a lot. Also it is indeed very interesting to see the dramas/characters picked up from a clinical psychotherapist perspective 👍. Great that FGV allowed you to do this and your write-up is fantastic.
I had “through the darkness” and “pachinko” in my future-watching list but as no one was talking about it….I was like maybe. But now that you have mentioned them, I hope to watch them soon. Especially your views on “through the darkness” will be very helpful for me when I watch it. Pachinko will be difficult watch for me as I have seen Japan from a good side but I am well aware of the bad side during the
Asian occupation of the 1940s. Will wait out until season 2.

To deviate a bit, I want to ask your views on the serial killer in the drama “When the camellia blooms”. In 80% of such stories there are always past stuff/so-called motives etc for the serial killer characters. This drama was one of the rare ones in that they seemed to suggest that it is possible for a person to be born that way and need not have any trauma/abuse per se to do the killing. Thanks.

Martina Conte
Martina Conte
8 months ago

Hello Princess Jasmine, thanks for your comment. What a fascinating question!
From what I know in the past of all serial killers there are severe abuse or neglect or trauma; the fact is that in the past of many people of are the same events and not all become criminals, some become stronger, some become even policemen (it is a speech that the members of the criminal behavior analysis team of the drama “through the darkness” in ep.9 also make).
Indeed, the severe sadism, sexual deviance, and feeling of inferiority that drives extreme cruelty is difficult to explain totally by the environment or education they received. There is currently no answer to this question. From what I remember of “When the camellia blooms”, though, the serial killer had an extreme sense of inferiority and considerable envy, motivations that may underlie, combined with sadism, cruelty, and a total lack of empathy for other human beings, the personality of a serial killer.

Princess Jasmine
Princess Jasmine
8 months ago
Reply to  Martina Conte

Thanks for this response Martina 👍. Much appreciated 🙏. Now I am even more curious to watch “Through the Darkness”. Also wanted to let you know that my husband really liked your write-up and the character analysis. On serial killers – that’s how it is unfortunately as you rightly said. On “camellia…” – thanks for the explanation. I didn’t catch that “inferiority” part while watching and now that you mentioned I thought through and it makes sense.
Hope to see you around here and Happy New Year 2023 💐.

9 months ago

Hello Martina – I absolutely loved your detailed analysis re your Top 5 Dramas. I felt I had a whole new appreciation for the stories they told.

I rated My Liberation Notes very highly. I was very taken with it. This show absolutely had some of the best moments you will ever see on tv (or video, streaming etc). I gave it 9.5/10. It would have received a 10/10, but there was one story arc I didn’t agree with. Perhaps, I was being too petty 🤔

As for Bloody Heart, it had me captivated for a fair chunk of it. It dealt with the instruments of power so well – and it is spot on in this regard. I know most people don’t think about this aspect in life, but understanding how power is used and the means by which it is executed or delivered determines one’s political survival. This is also at the heart of how good governance is applied or not applied. I’m in the political space, so I understood exactly what was being relayed in this drama. Then, in a puff of smoke it petered out for me, 8.5/10. I know many might say this is a good score, but for me it’s not 😉

Wishing you all the best and a very happy viewing for 2023 🥳😊🥳

Martina Conte
Martina Conte
8 months ago
Reply to  seankfletcher

Hello seankfletcher, I am very curious which “My liberation notes”‘s story arc you disagree with, don’ t you mind telling us? 😁 🤩 🤩

8 months ago
Reply to  Martina Conte

Well Martina, it was to do with when the mum passed away and what happened to her dad after that. Now, I know such things can happen momentarily, but it didn’t feel right to me, in fact it felt rather contrived, as a mechanism to advance the storyline quickly.

I’m not sure if the above makes sense, but it seemed to go against the listless tone of the show, although I realise that Mum Yeom wandering listlessly before her demise was a mirror of the story up to this point and so a change was imminent.

Anyway, I just finished a piece of caramel Toblerone which helped me compile my thoughts – highly recommend it 😊😉

Martina Conte
Martina Conte
8 months ago
Reply to  seankfletcher

Indeed! it was a scary twist , perhaps inserted there to mystify us? I don’t know….😁

9 months ago

Happy New Year Martina, auguri!
Loved your list,many suggestions, I haven’t watched 4 out of 5 shoes (I started watching Patchinko but as I have read the novel something didn’t work for me).
I love it how you seem to be psychoanalysing the characters in your favourite shows!
Also,you speak Korean,wow. I have been struggling with Japanese for so long, I can’t tell you how much I look up to you!
I find myself mostly intrigued by your not show. Tell me, is it an adaptation of the Mindhunter?

Martina Conte
Martina Conte
8 months ago
Reply to  Natalia

Happy New Year dear Natalia, Do you say “Through the darkness?” Yes it is the story of the first criminal profiler in Korean history, Kim Nan Gil was terrific in his performance, you can see all his ((restrained) anger and partly despair during the interviews with serial killers aimed at understanding their motivations and MO. I know many Korean friends liked him as an actor; he was one of the revelations of 2022.

8 months ago
Reply to  Martina Conte

Lol yes that “not show” should have been “no5 show”! With autocorrection sometimes I read what I have written and it feels as if I was high when writing it!
Anyway,in the meantime I realized that my husband has also watched Through the darkness already, it’s that show he has been trying to get me to watch with him and I was like “oh no, let’s watch something fluffy”!

9 months ago

I also loved Chang Hee in MLN, Martina! I thought it was fascinating how, like you said, we see two different sides of him at home and at work. Very relatable. While he may complain and seem selfish at first, I love how we see his empathetic side and his ending is truly fitting.

You have a couple here that are still on my list like Pachinko and Bloody Heart. I’ve heard that Kim Nam Gil was excellent in Through the Darkness, I just haven’t steeled myself to watch a crime show quite yet, but am looking forward to it based on your good review. Also, thank you for the deep dive into the historical elements in Reborn Rich, really fascinating!

Thank you, Martina, it was so great to see what shows captured your interest this year!!

Martina Conte
Martina Conte
9 months ago
Reply to  uyen

Uyen _ thank you for your kind words. I’m glad you also enjoyed Chang Hee’s character, really My Liberation Notes is a little masterpiece counting stories all so fascinating.
I am also delighted that you enjoyed the list of historical events in Reborn Rich, the history of Korea is really fascinating, kind of an extra character in many dramas.
Kim Nam Gil was the actor who surprised me the most in 2022, I didn’t know him before and now I am watching him in “Island”…❤️

9 months ago

Martina — Thanks so much for sharing such a thoughtful analysis of your top dramas from last year. I feel almost like you must have been looking over my shoulder or something as I was drafting my own list, because four of your five also show up on my draft list.

I’m particularly excited to find a fellow Bloody Heart fan, since it feels like that’s a drama that didn’t get a lot of love. It was beautifully shot, and I really got absorbed in our female lead’s journey.

And Pachinko was definitely something outside the usual kdrama template. Very happy to see that they announced a second season, interested to see how the characters’ stories continue to unfold.

Best wishes for some more great shows to come your way in the coming year!

Martina Conte
Martina Conte
9 months ago
Reply to  Trent

Trent- thank you for your comment, I feel very honored to have chosen 4 dramas that will also be on your list.
I can’t wait to read what you will write about Bloody Heart since I didn’t even mention the terrific performances of Jang Hyuk and Park Ji Yeon. 🤩