Where has 2021 gone, seriously? This was a strange year, in that it felt like time was passing really fast, but it also felt like we were stuck and frozen in time – or is that just me? 😅
I think it’s safe to say that it’s been a tough year for us all. For hanging in there; for continuing to put one foot in front of the other; for continuing to look for and appreciate the good in your world: You’ve done well, my friends. ❤️
Even though things in Dramaland have continued to evolve, there’s one thing that remains constant, and that is, our dramas are always there for us, ready to whisk us away into another world, at least for a little while; ready to introduce us to new friends, as we meet new characters; ready to offer us vicarious experiences, even if we’re in the thick of a lockdown and can’t leave our homes.
Just like it was last year, dramas helped to make life a little brighter and sweeter for me, and I hope they’ve done the same for you too. ❤️
In case you missed it, we’re doing something special and different to end off the drama year this year! Guests posts, by patrons on Patreon!
You can read more details, and check out Shahz’s inaugural post, here, and JJ‘s post here!
After today’s post, there will be three more guest posts by mystery guest writers, whose identities will be revealed when their various posts go live. And then we’ll cap everything off with a poll, where you’ll be able to pick YOUR favorites for the year, from among the gems identified in these posts. How exciting! 🤩
..But, wait! Didn’t I already say, last time, that there would be three more..? Heh. Very sharp spotting there! Basically, one more mystery guest writer has volunteered to share their picks for 2021, woot! 🥳
Today’s post is brought to you by Trent, who manages to watch way more drama than I do! While I don’t think that Trent’s taste in dramas is identical to mine, we’ve had similar reactions to so many shows (most recently, Dali and the Cocky Prince 😉), that I tend to take a little extra notice when he recommends a show, coz the chances are pretty good, that I might like it too.
Trent’s got soo many nominees in all the various categories today, that I thought this image, of a sea of awards, fit this post quite perfectly.. I imagine that if Trent could, he’d give out many more awards than he’s given out today, heh. 😁 Thanks lots, Trent, for sharing your drama year with us!!
You might also like to check out Trent’s blog, where he writes more drama thoughts!
Recently in the US the great, great American television serial character actor Michael Kenneth Williams died (insofar as I can tell of a drug overdose, though the facts have been slow in coming) at the age of 54.
Just a flat out brilliant actor, Williams has had three especially memorable roles in HBO series.
But one especially stands out, the role of Omar, a kind of lone ronin bad ass, who lived out of his own moral code as a gay, shotgun carrying thief who stole from drug dealing gangs to make his living on the streets of Baltimore during the late nineties, in The Wire, a 5 season series that critics, and I as a watcher of television series, universally have acclaimed as one of the greatest if not the greatest such series ever produced.
While show features a large ensemble, and it would be hard to pin point any single actor as lead, therefore, Williams’ Omar was distinctly a support character, albeit imo the greatest antihero ever filmed.
It is hard to over emphasize what a signature role Williams enacted, except to say in the wake of his death, the outpouring of grief in response, focused in elaborate, admiring, and loving detail in large part upon his role as Omar, his superlative and unforgettable performance, and how its impact upon American culture has been universal.
I cannot myself remember any actor in film or serial drama in a supporting role so iconic; that is, in a drama so universally praised, a supporting character being universally its most memorable. I wonder if in K drama you can think of any equivalent kind of performance?
Greetings! Hope you’re doing okay in these uncertain times. Recently, I was asked by a friend why people are watching a lot of kdrama these days and I found myself groping for a good answer. I couldn’t really gush with goggly eyes as I would before a fellow kdrama enthusiast.
There’s the matter of availability and good looking actors, but that didn’t really feel to be at the heart of it. I also felt angry at myself for feeling apologetic about my drama choices (the person’s what you’d call a “serious” type and I didn’t want to be an object of his condescension).
Does this mean I subconsciously subscribe to the notion of kdramas somehow not being up to the mark? I have been agonising about this for a while now. I want to be able to watch what I like without feeling guilty or hesitant to acknowledge my love for it to the world.
And I could think of nobody better than you to provide a thoughtful answer to my predicament. The next time I come across this question, I’d like to bank on your eloquence and insights, please!
A very compact, impactful little series, Squid Game is the show that you can’t help but check out, even if you’re typically not into the death game genre.
Show is very expensively and carefully produced, and is the kind of drama where, the more you dig, the more little gems you tend to find, in terms of hidden details and added layers of meaning.
In my estimation, beyond Show’s shiny packaging, there are two key things that draw audiences in, namely, 1, the characters and their backstories, which are effective and engaging, and 2, the themes and ideas Show serves up, which tend to be deeply thought-provoking.
It lives up to the hype, in my opinion, and is worth a look, even if just to satisfy your curiosity.
So, full disclosure, everyone: this question wasn’t an actual submission for Dear kfangurl; it’s just that enough people have asked this question, or a variation of it, both here on the blog, and over on Patreon, that I thought I’d attempt to answer the question.
And since Dear kfangurl is where most of my attempts at answering questions sit, I thought this would be a suitable addition. 😉
Just so we’re clear, I’m not an actual professor of Korean entertainment (is there such a thing?). These are simply my personal observations and opinions, after hanging around the Dramaverse for.. (woah) 14 years now.