So.. I’m making the decision to pull the plug on Thirty-Nine, you guys.
I’ve watched all the available episodes (6 at the time of this posting), and I’ve concluded that while I don’t hate it, I really don’t love it either. And more likely than anything, Show and I are just not that great of a match.
However, it’s not an objectively terrible show, so there’s a chance that you might like it?
In this dropped post, I’ll do my best to lay it all out, so that you can figure out whether this one’s for you or not.
In case you missed it, we have yet another guest post series to enjoy, this month!
Unlike our previous guest post series, this one was kind of an accident, almost. I have Ele to thank for this one, because it was her innocent question about something, that made me casually talk about the off-the-top-of-my-head, hypothetical possibility of a guest post series on love, in the month of February, in honor of Valentine’s Day.
So many folks on Patreon responded enthusiastically to this idea, that I felt that it would be remiss of me, not to actually make it happen, come February.
And so, here we are. This month, we will enjoy a total of nine guest posts from patrons on Patreon, on the topic of love stories. The brief is pretty flexible, in that, each writer is free to go deep, or go wide, on anything around the topic of love stories in Dramaland.
Today’s post is brought to you by JJ, whom you probably know by now, is a ball of chaotic positive energy, and how has a particular penchant for rainbows, unicorns and puppies. Today, JJ shows us a slightly (just slightly!) more serious side, as she talks about a show that’s very close to her heart. Thank you for sharing, JJ!
If you didn’t already know, we’ve got a special series to kick off the new year! Guests posts, by patrons on Patreon, sharing their personal drama stories, mostly around the topic of “How did you get into dramas?” and “What does your first drama mean to you?” – with flexibility to go off on personal tangents, of course. 😁 Feel free to share your stories too, in the comments!
This guest series is MC‘s brainchild (thanks MC! ❤️). You can check out the earlier posts in this series as follows: MC, Sean, Shahz, JJ, Martina, Beth, Uyen & Ella. After today’s post, there will be one last guest post by one last mystery guest writer, whose identity will be revealed when their post goes live. Woot! 🥳
Today’s post is brought to you by Leslie, who is as sweet, wise and thoughtful, as she is unassuming and modest. When we were planning the year-end awards series of guest posts, Leslie had demurred, saying that she didn’t feel confident to write a post. Now that she’s actually written one, though, I’m blown away by what a great storyteller she is! You rock, Leslie, and don’t let anyone tell you different (even yourself)! 😘
In response, j3ffc basically wanted to know which classic dramas I think drama fans should check out (which would demonstrate the shift in gaze over the years), and Trent heartily seconded the idea and expanded on it:
“The question I’ve been thinking about is along the lines of how do you think kdramas have evolved over the last couple decades? Do you see discernible or important trends in that time?
(Broadly considered: thematically, in treatment of tropes, genre or sub-genre expansion (or contraction), production values, stylistic changes, acting and\or casting type trends: it’s all fair game).
You touched on a bit of this in this Vogue interview, but I’d be very interested in a broader look, and I just don’t have the range of experience to even attempt a synthesis. You do, though. 😁”
So today I thought I’d talk about kdramas which I would consider iconic, over the years, and how kdramas have been evolving, in broad strokes.
You are my go-to source for K-dramas to watch. I’ve watched many dramas based on your reviews, and they never disappoint. There was one drama that I watched even though you dropped it, and it was all because V of BTS was in that drama. Being a middle-aged ARMY, I cannot pass up on anything related to BTS! 🙂
My question is, why do K-drama writers love to have either the male lead or the female lead disappear for a year or more at the end and come back unannounced? Some of the reasons for their disappearance kind of make sense, such as going abroad for medical treatment or some kind of business training.
However, the ridiculous thing is during the time the OTP is apart, there is no communication at all. While one is pining for the other, not knowing when the beloved will return, all of a sudden they show up to surprise them.
Another ridiculous plot is, the lead disappears without a trace and is presumed dead, but a few years pass, they show up alive and healthy, to be reunited with their loved one.
I don’t understand why the writers make viewer suffer for the majority of the series wondering if the two leads will be together, and when they finally are, one has to go away or seemingly is killed, only to show up out of the blue later.
Thank you for all the reviews and the commentaries you’ve posted. You’re a great writer. Keep up the good work!
So, I’ve been looking through all the kdramas that have really helped me feel a bit better since the start of the lockdown. I found I am really craving stories that are set somewhere other than a large metropolis like the one I’m currently stuck in.
So, something relaxing and contemporary as opposed to historical and action/suspense oriented. The last one I really loved was Racket Boys; for both characters and settings.
Before that I watched When the Weather is Fine and found it soothing mostly based on the atmosphere. I’m having a hard time finding more though. Your recommendations have never once let me down. Can you help?
When I first heard about this 4-episode drama special, I made a mental note to check it out, because not only does the premise sound potentially cute and ripe for hijinks, the show is set in gorgeous Jeju Island as well.
In the end, I have to say that while I enjoyed the first 3 episodes quite well, I was a little underwhelmed by the ending. But, just because I didn’t love the ending, doesn’t mean that you won’t?
I hope that this quick review will help you figure out whether this little show is for you.
A tightly written, multi-layered crime thriller that manages to engage both the heart and mind, Beyond Evil lives up to its Best Drama reputation and then some.
Show is amazingly consistent and efficient in its writing; it not only manages to keep episodes compact yet compelling, it also manages to keep up the suspense for its full 16 episodes, which is No Small Deal.
Our cast is very competent all-around, but the stand-outs are undoubtedly Shin Ha Kyun and Yeo Jin Goo, who both put in outstandingly nuanced performances, and who bring equal amounts of skill and presence to the screen. The OST is interesting and well-applied, and adds a good amount of value to lift the watch experience.
Well worth the watch, even if you’re not typically a crime thriller fan.
If you’re on the market for a quick spot of drama without more than a one-hour commitment, and if you enjoy the more realistic modern take on love and romance (vs. the popular Oppa-Candy kdrama tales that lean more urban legend), this little drama special could work for you.
Character vibe-wise, this also reminds me of 2018 Drama Special You Drive Me Crazy, so if you enjoyed that, I think there’s a good chance you’d like this one too.
PS: At MC‘s suggestion, I’ve also created a handy-dandy index of short drama things that I’ve reviewed, which you can check out here.
This basically covers web dramas, drama specials, movies, and short dramas (which I’ve decided to define as dramas which are 10 episodes or less). I hope you guys find it useful! ❤️