how do we get over a cracky drama that completely hijacks our brain and emotions, locks us into itself and locks us out of any attempt to move on to another drama?
I have encountered a few of those, that even when I moved on, nothing seemed satisfactory for a long time, I simply craved another one, like for example NirvanaIn Fire or The Rise Of The Phoenixes, just to name a few (there were of course more).
I’m a longtime lurker and have never posted, but I love your “Dear kfangurl” column and think I finally have a question you haven’t already covered.
My question is: what makes a kdrama “cracky?”
Not just good or fun to watch or a classic, but really, truly so addictive that you either binge watch it in just a day or two if it’s an older drama or feel like you’re suffering from withdrawal if you have to wait for new episodes to air?
So, full disclosure, you guys. This wasn’t actually submitted as a Dear kfangurl question.
What happened was, I had written very enthusiastic episode notes for episode 1 of Twenty Five, Twenty One, over on Patreon, and Natalia had commented in response:
“Oh no. Such a great recap but it only makes even clearer what I have suspected for a while: I suffer from KDrama fatigue! I don’t feel like watching anything? Is it serious, doctor??”
..Which made me think, Hey, that would make a pretty good topic for a Dear kfangurl post!
And so, here we are. If you, or people you know, are suffering from drama fatigue, I hope this post will be at least a little bit helpful. ❤️
In case you missed it, we have yet another guest post series to enjoy, this month!
Unlike our previous guest post series, this one was kind of an accident, almost. I have Ele to thank for this one, because it was her innocent question about something, that made me casually talk about the off-the-top-of-my-head, hypothetical possibility of a guest post series on love, in the month of February, in honor of Valentine’s Day.
So many folks on Patreon responded enthusiastically to this idea, that I felt that it would be remiss of me, not to actually make it happen, come February.
And so, here we are. This month, we will enjoy a total of nine guest posts from patrons on Patreon, on the topic of love stories. The brief is pretty flexible, in that, each writer is free to go deep, or go wide, on anything around the topic of love stories in Dramaland. I feel like we have a lot to look forward to, this month! 🥰
In case you missed it, we have yet another guest post series to enjoy, this month!
Unlike our previous guest post series, this one was kind of an accident, almost. I have Ele to thank for this one, because it was her innocent question about something, that made me casually talk about the off-the-top-of-my-head, hypothetical possibility of a guest post series on love, in the month of February, in honor of Valentine’s Day.
So many folks on Patreon responded enthusiastically to this idea, that I felt that it would be remiss of me, not to actually make it happen, come February.
And so, here we are. This month, we will enjoy a total of nine guest posts from patrons on Patreon, on the topic of love stories. The brief is pretty flexible, in that, each writer is free to go deep, or go wide, on anything around the topic of love stories in Dramaland. I feel like we have a lot to look forward to, this month! 🥰
You can check out Uyen’s inaugural post here. Today’s post is brought to you by Jaco_4950, whom you may have seen around the blog, as well as on Patreon. Today is the first time Jaco_4950’s introducing herself to us properly, though, and I’m so glad that we have this chance, to get to know her better!
If you didn’t already know, we’ve got a special series to kick off the new year! Guests posts, by patrons on Patreon, sharing their personal drama stories, mostly around the topic of “How did you get into dramas?” and “What does your first drama mean to you?” – with flexibility to go off on personal tangents, of course. 😁 Feel free to share your stories too, in the comments!
This guest series is MC‘s brainchild (thanks MC! ❤️). You can check out the earlier posts in this series as follows: MC, Sean, Shahz, JJ, Martina, Beth, Uyen & Ella. After today’s post, there will be one last guest post by one last mystery guest writer, whose identity will be revealed when their post goes live. Woot! 🥳
Today’s post is brought to you by Leslie, who is as sweet, wise and thoughtful, as she is unassuming and modest. When we were planning the year-end awards series of guest posts, Leslie had demurred, saying that she didn’t feel confident to write a post. Now that she’s actually written one, though, I’m blown away by what a great storyteller she is! You rock, Leslie, and don’t let anyone tell you different (even yourself)! 😘
What are some of the archetypes you see in Kdrama characters? Could you recommend other dramas with those types of characters?
For example:
Romance is A Bonus Book’s Kang Dan-i is strong, sensitive, but oblivious to Eun-ho’s love for her. Eun-ho is petty, cocky, but really protective and compassionate toward his loved ones.
Another example:
Strong Girl Bong Soon’s rich heir Ahn Min-hyuk is the hardcore, serious, charming type, but completely caught off-guard and smitten with Do Bong-soon, which makes him fall to pieces. Bong-soon is the epitome of aegyo, but hesitant to embrace her full potential (another type).
What other dramas use these archetypes in similar ways or mix and match them in surprising or refreshing ways?
Today’s Dear kfangurl post is inspired by j3ffc‘s and Trent‘s comments on my recent VOGUE India collab post, where I talk about the male gaze vs. the female gaze in kdramas over the years.
In response, j3ffc basically wanted to know which classic dramas I think drama fans should check out (which would demonstrate the shift in gaze over the years), and Trent heartily seconded the idea and expanded on it:
“The question I’ve been thinking about is along the lines of how do you think kdramas have evolved over the last couple decades? Do you see discernible or important trends in that time?
(Broadly considered: thematically, in treatment of tropes, genre or sub-genre expansion (or contraction), production values, stylistic changes, acting and\or casting type trends: it’s all fair game).
You touched on a bit of this in this Vogue interview, but I’d be very interested in a broader look, and I just don’t have the range of experience to even attempt a synthesis. You do, though. 😁”
So today I thought I’d talk about kdramas which I would consider iconic, over the years, and how kdramas have been evolving, in broad strokes.
This is a slightly different Dear kfangurl post, you guys.
Technically, someone did ask the questions – what makes it different than usual, is that that someone was representing VOGUE India, and it was for a collab of sorts, where I answered a bunch of questions over email, for a VOGUE India article!
Hasina Khatib (@thejoblessjourno on Instagram), who writes for VOGUE India, reached out to me a couple of weeks ago, and asked if I’d be interested to participate in an article that she was writing for VOGUE India. I said yes, and you can check out the article, where she quotes me selectively, here!
At the same time, there was a lot that I said, that didn’t make it into the final article, so with Hasina’s permission, I’m sharing the actual interview questions and answers here with you guys – because my gut tells me that this is just the sort of topic that you guys would enjoy digging into.
The only difference is that I’ve added screenshots and linked my reviews where relevant, to make this more reader-friendly. I hope you all enjoy! ❤️
