Dear kfangurl: What are some thought-provoking dramas?

KS writes:

Can you suggest some dramas that are thought-provoking? As in, you get life nuggets from them; dramas that are not easy to watch but are interspersed with thoughtful life lessons?

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All About Love Stories: By Kate!

In case you missed it, we have yet another guest post series to enjoy, this month!

Unlike our previous guest post series, this one was kind of an accident, almost. I have Ele to thank for this one, because it was her innocent question about something, that made me casually talk about the off-the-top-of-my-head, hypothetical possibility of a guest post series on love, in the month of February, in honor of Valentine’s Day.

So many folks on Patreon responded enthusiastically to this idea, that I felt that it would be remiss of me, not to actually make it happen, come February.

And so, here we are. This month, we will enjoy a total of nine guest posts from patrons on Patreon, on the topic of love stories. The brief is pretty flexible, in that, each writer is free to go deep, or go wide, on anything around the topic of love stories in Dramaland. I feel like we have a lot to look forward to, this month! 🥰

You can check out Uyen’s inaugural post here, and Jaco_4950’s post here.

Today’s post is brought to you by Kate, whom you may have seen around the blog, as well as on Patreon. Like Jaco_4950 did in her post, today is the first time Kate’s introducing herself to us properly (YAY for proper introductions! 🤩). I’m so glad that we have this chance, to get to know her better!

I hope you guys enjoy!

~ KFG ❤️

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All About Love Stories: By Uyen!

Surprise, everyone!! We have yet another guest post series to enjoy, this month!

Unlike our previous guest post series, this one was kind of an accident, almost. I have Ele to thank for this one, because it was her innocent question about something, that made me casually talk about the off-the-top-of-my-head, hypothetical possibility of a guest post series on love, in the month of February, in honor of Valentine’s Day.

So many folks on Patreon responded enthusiastically to this idea, that I felt that it would be remiss of me, not to actually make it happen, come February.

And so, here we are. This month, we will enjoy a total of nine guest posts from patrons on Patreon, on the topic of love stories. The brief is pretty flexible, in that, each writer is free to go deep, or go wide, on anything around the topic of love stories in Dramaland. I feel like we have a lot to look forward to, this month! 🥰

Today’s inaugural post is brought to you by Uyen, whom you might remember from her year-end awards post. I find Uyen’s enthusiasm for dramas really quite infectious, and I’m so glad that she’s taken the time to share some of her drama thoughts with us today!

Uyen also writes about dramas on her own blog, which you might like to visit here!

I hope you guys enjoy!

~ KFG ❤️

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Dear kfangurl: What is up with the forced separation trope near the end of a drama?

Molu16 writes:

Dear Kfangurl,

You are my go-to source for K-dramas to watch. I’ve watched many dramas based on your reviews, and they never disappoint. There was one drama that I watched even though you dropped it, and it was all because V of BTS was in that drama. Being a middle-aged ARMY, I cannot pass up on anything related to BTS! 🙂

My question is, why do K-drama writers love to have either the male lead or the female lead disappear for a year or more at the end and come back unannounced? Some of the reasons for their disappearance kind of make sense, such as going abroad for medical treatment or some kind of business training.

However, the ridiculous thing is during the time the OTP is apart, there is no communication at all. While one is pining for the other, not knowing when the beloved will return, all of a sudden they show up to surprise them.

Another ridiculous plot is, the lead disappears without a trace and is presumed dead, but a few years pass, they show up alive and healthy, to be reunited with their loved one.

I don’t understand why the writers make viewer suffer for the majority of the series wondering if the two leads will be together, and when they finally are, one has to go away or seemingly is killed, only to show up out of the blue later.

Thank you for all the reviews and the commentaries you’ve posted. You’re a great writer. Keep up the good work!

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Dear kfangurl: Are there dramas with sympathetic second female leads?

Sharbani writes:

Hi KFangurl

My observations have been (and this may be a generalisation based on the 80 or so K-dramas I have watched) that most male second leads are presented in a way that engenders sympathy. So, by the time the series have ended we are actually rooting for them to find love!! I know that there are exceptions but they are a rare breed in drama land.

In contrast, most female second leads are presented in a more negative light – possibly a throwover to the ‘vamps’ of earlier times!

I know going into the reasons for such portrayals needs a lot of study of human society and the status of women and have probably been the subject of a lot of research! But my question is simple – Are there any dramas that present the second female leads in a positive light?

Hope you are well and staying safe! Your blogs continue to be my first port of call before I pick a new drama to watch so thank you!

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Dropped: Oh! Master [Oh! My Ladylord]

I really did want to love this one, you guys.

When so many other viewers were criticizing Show for how old-fashioned it was, and how they felt there was no chemistry between Lee Min Ki and Nana, I felt somewhat differently, and therefore thought that I’d be able to stick with this one to the end.

After all, the major criticisms that I’d heard, were of things that weren’t bothering me the same way, during my watch.

That said, I’ve found my own reasons to drop this one, and now, after 9 episodes, I’m calling it quits.

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Inner Workings: Practical Factors That Affect Onscreen Chemistry

I’m so, SO excited to announce this guest post, everyone! 😀

Today, our very own Jesse is taking the stage (page?), and he’ll be shedding light on some of the nuts and bolts of the workings of our beloved dramas. 

This post was born of a comment that Jesse had written in response to Beez, breaking down some of the practical variables that contribute to (or detract from) the chemistry that we see on our screens.

I loved what he wrote, and asked if he’d be willing to expand that into a post for us, and he graciously said yes!

Granted, Jesse’s exposure has been in the US film industry and not in Korea, but from what I understand, the processes that he describes are also practiced in Korea, if not down to the minutiae, then in large part.

I personally found his post illuminating and very educational, so I hope you’ll enjoy it too!

THANKY, JESSE!

~kfangurl

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Dear kfangurl: What makes a kdrama addictively re-watchable?

Healer: so cracky, for so many reasons.

shorterthanparkboyoung writes:

Dear kfangurl, what makes a kdrama addicting enough that I want to rewatch at least 10 times?

I’m kinda in the middle of a tough transition period at the moment and I found myself going back to rewatching all my favourite dramas – Healer, My Love From Another Star, Because This Is My First Life, Fight For My Way and Suspicious Partner, but with the FF button when it came to the “evil chaebol” or “bad guy” bits.

But when I decided to try a drama that I hadn’t watched but was on my list, I kept dropping them half way. What is it in the above dramas, which I believe you loved as well after reading your reviews (which were amazing btw), or any general drama that makes me come back to these again and again?

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Review: Beauty Inside

THE SHORT VERDICT:

Beauty Inside basically takes Dramaland’s recent-ish penchant for rom-coms with a distinct fantasy twist, deftly mashes it with a well-rounded, well-executed collection of classic rom-com tropes, casts two very capable and very attractive actors as our leads, and then scores it all with a very enjoyable OST sprinkled with everything from cheery-breezy tracks, to wistful-plaintive ballads, to big love anthems.

When Show is cute, it’s very cute, and when it’s angsty, happily, the angst doesn’t actually last very long. Seo Hyun Jin and Lee Min Ki are very good separately and together, and they bring enough goodies to the table that I feel content not to be too nitpicky about Show’s flaws.

Just know that Show doesn’t try to be something deeper, and also, sometimes logic is a bit of a.. stretch. But hey, fantasy romance after all, right?

A good pick for when you’re in the mood to switch off the ol’ brain and sink into a good ol’ kdrama rom-com.

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Year In Review: 2017

You guys might remember that this time last year, I pinky-swore-resolved to make better use of my drama hours – and better use of time in general – in 2017.

Now that 2017 has flown by in what feels like a flash, and it’s time to check in all over again, I’m happy to report that I think I did.. pretty ok, all things considered. 🙂

Some of you know that I went through a drama-cum-blogging slump somewhere in the middle of 2017, and ended up not only neglecting the blog in a big way (I’m really sorry you guys!

I did read every single comment, even though I didn’t respond to any, during my slump), but not watching a whole lot of drama either, for about 2-3 months (gasp! The horror!).

When I was watching dramas, though, I paid a lot less attention to what dramas were trending at the moment, and a lot more attention to my mood, and how much I was enjoying the dramas on my screen – or not.

This meant that I ended up dropping more dramas this year than I have in previous years – if I just wasn’t feeling a show, I’d be much quicker to drop it –  and, it also meant that I missed out on some good dramas because I just wasn’t in the right mood.

On the upside, though, I found that I ended up feeling happier in general, with my 2017 drama-watching experience. That’s not a bad trade-off, right?

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