If you’ve been waiting and wondering whether my year-in-review would ever come out, I apologize. 😅
Here it is, finally.
I know it’s almost April now, so mine is probably not only the last End Of Year review of 2023 on this site, it’s probably the last one in the entire drama blogosphere. 😂
In my defense, we’ve been having lots of guest posts from folks on Patreon, sharing their year-end reviews, so that we can have a more wholistic look at Dramaland’s offerings.
With the community chiming in, we get to see a bigger range of dramas mentioned – so this approach doesn’t give us a fast overview of Dramaland, but.. it offers a pretty good one?
This year, we’ve had 15 (!!) guest year-end wrap posts (they’re all listed here!), and now, I hope you’ve still got room in your heart for one more. 😉

My Drama Year in 2023
I feel like for a while now, each time I sit down to write a year-end review, I come up with a similar sentiment.
Like, yes, I’ve been hearing that folks are generally underwhelmed by the state of Dramaland, and the quality of the drama offerings, but.. I still managed to have a solid drama year, nonetheless.
Of course, personal tastes differ, and what works for me might not work for you, etc, so that might explain why someone else might have a different experience.
I concede that there were fewer standout dramas in 2023 compared to 2022, but I do think that 2023 managed a very decent showing.
In 2022, I had 9 dramas in the A-grade range, and in 2023, I had 5. That feels like a pretty significant difference.
Coincidentally, I had exactly 9 shows in the B++ range, for both 2022 and 2023.
What’s different in my 2023 drama year, is that I watched a lot of shows that fall into the B+ range. I just did a count, and I have 13 dramas rated B+.
For the record, B+ is still a respectable grade, in my books.
In fact, some of you have told me that if I rate a show B+ or higher, you take that as an indication that you should check out the show.
Overall, I take this to mean that we’ve had a positive drama year in 2023; we’ve got a fair majority of shows being solidly watchable – but with fewer standouts that are truly excellent.
A slightly disappointing result, in a sense, but certainly not a result that should make us break up with Dramaland or anything, I think. Maybe all Dramaland and I need is a bit of.. relationship therapy? 😉
A bit of personal context
For context, I do think that I’m becoming pickier with my dramas as I go. I do always try to keep an open mind, but sometimes, my jadedness does peek out somewhat, when I get underwhelmed by writing that I consider uninspired, and execution that I consider pedestrian.
Also for context, I do try to step outside my drama comfort zone to try out a show, if I hear that it’s well-written and well-made.
This does help me to ensure a solid drama year, because even if Dramaland doesn’t manage to put out a bunch of great rom-coms, for example, it will still put out some great stuff.
How this post works
I say this in every year-in-review post, but I feel it’s worth saying again, for anyone who’s encountering my year-end review for the first time.
As always, I’m only including dramas that ended in 2023, because it’s always made more sense to me, to judge a drama only after it’s finished its run.
It’s only fair, I think, since Dramaland has proven to us time and again, how a drama can bomb at the very last minute. 😜
As always, what works for me, might not work for you, and vice versa, but I still hope this overview helps you to discover some great dramas to love.
Because you guys seem to like it, I’m also including a new section at the end of the post, where I name my Best Drama, Best Actors, etc, like I did last year.
I hope you guys enjoy. ❤️
The Ones Worth Making Time For
Moving
I think the most remarkable thing about Moving, is that it’s got so many moving parts (pun quite perfect, but absolutely not intended! 😁), and yet, it all works together, SO well.
A great story, lots of important backstories, well-drawn characters, well-developed relationships, a compelling conflict? Check, check, check, check, and check.
This one made me laugh, and cry, and think, and care, and clutch my heart, and it’s just all-around excellent. 🥲
Yes, it gets bloody and violent, but the blood and violence is narratively warranted, rather than gratuitous, and it’s worth pushing through the violence, for the context that it provides – and ultimately, this will only make you think more, and care more.
Highly recommend, even if this one’s not your usual preferred genre of show.
Grade: A+
Review: here.
Call It Love
A very thoughtful, lovely, meaty drama whose exploration of our characters and their relationships is sensitive and tender.
Everything is carefully conceived, and executed in a thoughtful, unhurried sort of manner, and our actors do a fantastic job of bringing our characters to life, in a way that feels understated, raw and real.
I would categorize this as being similar to My Mister and Lost, which are both shows that I loved a great deal.
Grade: A-
Review: here.
Twinkling Watermelon
This one’s THE biggest surprise, on this top-tier list.
It manages to be so warm, so feel-good, and so full of heartfelt, poignant feels, and in such a consistent manner, that I was often very, very pleasantly surprised by how much I was smiling, coming away from an episode.
The romance in this is a touch on the more muted side of things, but the bromantic, familial, platonic feels are so strong, that I feel it more than makes up for it.
Such strong nostalgic, youthful, earnest feels. I love.
Grade: A-
Review: here.
Daily Dose of Sunshine
A brave, tender, and compassionate look at mental health that isn’t bright or shiny like its title suggests, but is hopeful and gentle, and more than worth the investment of your drama hours.
I was most surprised by how relatable and illuminating the various cases worked out to be, and I feel like I learned a good amount of helpful stuff, not just in terms of looking out for my own mental health, but also, in terms of having more empathy and understanding for those around me, who might be struggling.
Very worthwhile.
Grade: A-
Review: here.
Hidden Love [China]
This one doesn’t work for everyone, so I think it’s helpful to state that upfront. There are some lens adjustments that apply, which I talk more about in my review.
If you are able to get into a comfortable viewing lens with this one, this little show brings allll of the feels, and so very well too.
It brings to pulsing life, what it feels like to be young and experiencing your first crush, and not knowing what to do with all of these new feelings.
Show can be really quite cracky in spots, and is, overall, a fun, easy watch.
Grade: A-
Review: here.
Solid Watches I’d Recommend
Alchemy Of Souls: Light And Shadow
Your mileage may vary, but I really, really enjoyed this second season (Season 1 review is here!).
Season 2 is just as magicky as Season 1, and I do think that the building of such a magicky world is pretty fresh and brave, for kdramaland.
I thought the switch in lead actress was well-handled, and I personally loved Go Youn Jung in this; I found her utterly luminous. 🤩
I also loved the OTP loveline in this, which I also felt was very well-handled, given the tricky balance that is required; that Show build something new and fresh and engaging, while respecting what had been built between the OTP (with a different actress!) in Season 1.
Very solid, despite a few wobbles here and there.
Grade: B++
Review: here.
Recipe For Farewell
This one turned out to be so much gentler and comforting than I’d first expected, given the premise – that our female lead is terminally ill.
Given the difficult subject matter, I’d expected a difficult, emotional melodrama, but instead, Show is tender and hopeful, and puts as much emphasis on love and life, as it does, with dealing with death and loss.
Thoughtful, calming and very worthwhile.
Grade: B++
Review: here.
My Perfect Stranger
If you’re able to look past Show’s basic production values, the lack of emphasis on the time travel itself (like the butterfly effect and all that), and the subtle approach to the romance, Show works out to be a nicely consistent watch that is able to bring lots of heartfelt feels.
I was very much invested in the story that Show wanted to tell, and enjoyed exploring the relationships presented – as well as the central mystery.
Importantly, Show stays consistent, AND it ends strong.
Not bad at all, yes?
Grade: B++
Review: here.
Dr. Romantic 3
If you enjoyed Seasons 1 and 2 of this show (open threads for Season 1 here and review for Season 2 here!), I’d say that you’re more than likely to enjoy this third installment.
Season 3 is certainly not perfect, but neither are the previous two seasons.
What Season 3 does, is give us enough of the heartfelt, stirring, poignant feels that we’ve come to know and love from this franchise, while allowing us to reunite with beloved and familiar characters of whom we have fond memories.
What’s not to love about that, yes? 😁
Grade: B++
Review: here.
Meet Yourself [China]
A comforting, earthy watch that feels like a vicarious healing vacation to beautiful, scenic Yunnan.
I love Show’s slice-of-life vibe, where we feel like we’re tagging along our characters’ lives, and just being that silent friend on the couch – or a quiet fly on the wall.
The romance in this is of the low-key, everyday variety, which is a strand of romance that I find I’ve really come to enjoy.
It makes the romance feel all the more real and accessible, and it feels really healthy, too, as I observe our OTP making everyday decisions that honor the other person, and their relationship.
As a plus, Show does also give a nice amount of focus to the topic of rural displacement.
Very heartwarming and enjoyable.
Grade: B++
Review: here.
Nothing But You [China]
I’m very pleasantly surprised by just how much this one is lingering with me, long after I’ve finished my watch, and written my review.
The underdog story is a big draw for sure, but the thing that stays with me, long after I’ve finished the show, is the central loveline.
I love this OTP a great deal, and I love the everyday romance that we get to witness between them, whether it’s in the early getting-to-know-you courtship days, the early relationship phase, or the more mature, stable phase that comes afterwards.
I thought Wu Lei and Zhou Yu Tong were really great together, so much so that I’ve had to consciously convince myself that it’s ok to put this OTP aside, in order to enjoy these actors in other OTP pairings.
So good – if you are able to appreciate Show’s slice-of-life approach.
Grade: B++
Review: here.
When I Fly Towards You [China]
Anecdotally, this show is the antidote for those who didn’t take to Hidden Love (mentioned above, and review here).
This one’s more earthy and less glossy that Hidden Love, which is part of its charm.
Very youthful, sweet and wholesome, with cheerful, likable characters that you just can’t help but grow fond of.
Lots of feels to go around, as this one’s as much about friendship, as it is about young love. 🥰
Grade: B++
Review: here.
Oh No! Here Comes Trouble [Taiwan]
This one’s pretty different and special, I’d like to say.
It’s got an interesting premise, where our protagonist discovers that he has the ability to see obsessions, in the form of supernatural beings, and that he also has the ability to set them free.
Show feels like it’s part cultural insight, part superhero origin story, and part live donghua (Chinese animation).
Tseng Jing Hua is fantastic as our mostly deadpan protagonist. He really stood out to me, among the rest of the cast, and I felt that he made Pu Yi Yong a truly memorable character.
A really different and refreshing watch, overall.
Grade: B++
Review: here.
The Makanai: Cooking For The Maiko House [Japan]
A lovely little show that follows the journey of Kiyo, an aspiring maiko, who instead finds true passion and talent in cooking.
I love Show’s warm, understated touch, and I love-love-LOVE Kiyo, our protagonist, for her gentle, sweet optimism and good nature.
Another wonderful highlight, is Kiyo’s friendship with best friend Sumire. Their relationship is wonderfully wholesome, through all of the ups and downs, and I just loved how grounded they are, in trust and love, for each other.
As a bonus, you learn a lot about the maiko / geiko culture, which I thought was pretty special too.
Grade: B++
Review: here.
Love To Hate You
A fun, modern rom-com that’s easy to slurp up – provided you don’t think too hard, or too much.
Show’s biggest strengths, I feel, are that it moves its story along at a brisk pace, and our OTP shares a pretty fab, sparky sort of chemistry.
Together, these two things make Show a fun little drama snack that’s easy to inhale in several big gulps.
Remember not to chew too much, though. 😉
Grade: B+
Review: here.
The Glory [Part 2]
Overall, I found this to be a solid continuation of Part 1 (review here!), though I preferred Part 1 to Part 2.
I personally felt that Part 2 dipped at the end, and didn’t feel as satisfying as I’d hoped, but I will also say, that this really depends on what you look for in a drama, specifically a revenge story.
I didn’t care for the romance too much, but we do get great performances from Song Hye Kyo and Im Ji Yeon, so those were the personal highlights of my watch.
Grade: B+
Review: here.
Perfect Marriage Revenge
A solidly entertaining and engaging B-grade makjang, Perfect Marriage Revenge is easy to slurp up in large servings.
There’s a contract marriage at the center of this story, which works out to be a pretty strong, appealing OTP relationship, overall.
Not the best in any categories (like writing, execution, production values or acting), but is pretty solid on balance, and is consistent, all the way to the end – which is more than I can say for many other dramas.
Grade: B+
Review: here.
Not Bad; Worth Checking Out
Crash Course in Romance
I liked this one for the romance, because a rom-com featuring mature leads is pretty rare in Dramaland, and we have two strong leads to serve up the chemistry and feels in this one.
Not all viewers were into this pairing, but I thought that Jung Kyung Ho and Jeon Do Yeon were pretty great together, and shared a nice amount of chemistry.
You do have to bear with the requisite side of murder, however, and that’s.. not great, but.. it’s not something you haven’t done before..? 😅
Grade: B+
Review: here.
Doctor Cha
If you’re looking for a underdog story about a mature woman looking to rediscover herself and her mojo, this one does the job.
Show isn’t elegant by any means, but it’s heartfelt and earnest, which is enough to make one feel generous enough to overlook the relative lack of nuance.
A little too strong in the family dramatics department in its second half, but still works out to be a solid watch, overall.
Grade: B+
Review: here.
The Love You Give Me [China]
Your mileage may vary, but I found this to be a very enjoyable, angst-lite sort of watch.
I love the idea of a second-chance romance, and I enjoyed this one very much. Yes, you have to suspend disbelief sometimes, and yes, you can’t think too hard about things, but overall, I really liked the coming back together of our OTP.
I very much enjoyed watching our OTP together, and I also loved the little family sort of dynamic, whenever their kid is around, like in this picture.
Overall, a fun, slurpy little show – with the right lens.
Grade: B+
Review: here.
My Journey To You [China]
This is a case of a drama being really, really good and grabby in its first half, and then wobbling a lot in its second half – which is how I ended up giving it a B+.
When Show was at its best, I was inhaling episodes back-to-back with glee, always eager to press “play” on the next episode, right after finishing the episode in front of me.
I thought Show was darkly, elegantly stylish, and very beautiful to look at. I also found the writing very intriguing, and I was completely fascinated by how everything might fit together, in terms of the plot pieces.
Show does kind of start to slide off the rails towards the end, and the ending is, er, divisive, but I still thought this one was worth a look.
Grade: B+
Review: here.
A Journey To Love [China]
I’ll say this: If Show had chosen a different ending, I would have ranked it much, much higher, on this list.
The reason for that, is the fantastic OTP, and the excellent secondary cast. I invested so much of my heart into these characters, that just listening to the OST brings back all the feels for me, even now.
So I do really recommend this show – just consider my suggested alternative ending point, so that you can enjoy all the good stuff in this one, without having to go near the infamous ending. 😁
Grade: B+
Review: here.
Okay, if it’s your style / you can spare the time
Black Knight
If you don’t expect anything too deep, and just go into this one like you would a blockbuster movie, this works out to be reasonably enjoyable, I think.
Kim Woo Bin is very good in this, and manages to emote even when his face is covered by a mask.
Reasonably engaging, if you don’t go in expecting too much.
Grade: B+
Review: here.
See You In My 19th Life
Show starts with a bang, and promises to be this whimsical, magical creature, with its fantasy premise and its very, very pretty visuals.
I found the OTP rather lacking, both in concept and execution, but found the overall story strong enough, to make up for this.
Personally, I felt Show could have served up a stronger ending, but overall, Show works out to be a reasonably interesting watch.
Grade: B+
Review: here.
Celebrity
I found this quite engaging, not because I found the characters likable, nor because I felt invested in their journeys, nor because I found the main loveline believable.
Unfortunately, I’d say that Show didn’t do it for me, on all of those fronts.
Rather, I found this one engaging because there’s a “Omo, what’s really going on here?” sort of quality to the story as it unfolds. I just really wanted to know the truth behind Show’s entire premise: was our female lead actually dead, like everyone believes?
In the end, Show does provide an answer that makes sense, so that made it feel worthwhile, even though I didn’t actually feel truly invested in this one.
Grade: B+
The Worst Of Evil
This one’s a pretty interesting mesh between crime noir and a more typical kdrama sort of sensibility.
Like, yes, things get bloody and gritty and moral lines get blurred, but also, we get first loves and love triangles and childhood connections, and it all comes together reasonably well, actually.
Not bad, if you’re in the mood for crime noir lite, with a good helping of Ji Chang Wook and Wi Ha Jun, to make it all go down easier. 😁
Grade: B+
Review: here.
Hi Venus [China]
This one is an angst-lite romance with lots of green flag behavior on display from our male lead, which probably contributes in large part to the good helping of healthy OTP dynamics that we get, alongside.
I mean, we even get nice chaebol parents, in this drama world. That ought to give you a flavor for how green flag everything is.
Unfortunately, I feel that Show slumps somewhat, in its last third, and that makes the watch less enjoyable.
Not super memorable for me personally, but I think it’s fun for a little whirl.
Grade: B+
Review: here.
King The Land
A frothy, angst-lite rom-com without a side of murder, with very, very good-looking leads, one of whom was Junho, whom I love?
I wanted to love this, so darn much.
Unfortunately, Show’s desire to be a worry-free, happy place, also meant that there wasn’t enough narrative tension to keep things feeling tight and interesting, and my enjoyment and interest flagged a lot, in Show’s last third.
But, there are hot kisses and lots of romance, so if you can adjust your expectations downwards, this could be a nice, comforting sort of watch?
Grade: B
Review: here.
A Time Called You
This one.. is akin to the Cliff’s notes version of Someday Or One Day, which is Show’s Taiwanese source material.
So if you had trouble getting into Someday Or One Day, or understanding some of its plot developments, this show could make that all work more easily for you, because it lays out everything in a manner that makes it easier to digest.
To me, that’s the value that Show brings to the table.
If you loved Someday Or One Day, however, then it’s probably better if you just rewatched it, because this one doesn’t quite manage to recapture the SOOD magic, in my opinion.
Grade: B
Review: here.
My Lovely Liar
Kim So Hyun and Minhyun are really cute together; it’s like watching two puppies play, when their OTP is given space to be winsome and charming.
Unfortunately, Show does get weighed down by its side of murder, and overall, everything – including the OTP loveline – does become less enjoyable to watch, in Show’s second half.
As a silver lining, we get a happy ending and the cute does get a bit of the spotlight, so.. all’s well that ends well?
Grade: B
Review: here.
Castaway Diva
Your mileage may vary, because there’s a section of viewers who really loved this one, whereas I ended up feeling more.. lukewarm, towards it.
Show’s lack of a strong focus and its uneven characterization definitely dampened my enthusiasm, but on the upside, we get to hear Park Eun Bin’s excellent singing voice, which, to me, is just about worth the price of admission.
Well intentioned and feel-good enough, to make it worth a shot.
Grade: B
Review: here.
Shows that I didn’t feel were worth the effort, to be honest
Heartbeat
Show was marketed as a rom-com, but it ultimately doesn’t turn out to be a rom-com at all, really, which makes me feel like I was basically catfished..? 😅
When Show was funny, it felt fresh and silly, and that was pretty darn great. There were several moments when I even found myself laughing out loud.
However, Show serves up a perplexing ending that is.. not great. 😬
Let me put it this way: I managed to find a lens through which I was able to make peace with the ending, but if I’d known going in, what I know now, about that ending, I wouldn’t have bothered to start, in the first place. 😅
Grade: B
Review: here.
Lesson In Love [Taiwan]
I found this one weirdly fascinating, even though I don’t objectively (or subjectively 😂) think that this is a good show.
It has a “Oh my, what’s going to happen next?” sort of hook, which is how I ended up watching the whole thing.
In the end, Show is more of a crazy makjang, once you get to the second half, but not in that juicy way that makes a good makjang delicious.
It was alright in a morbidly fascinating sort of way, but honestly not really worth 12 hours of your life, if you know what I mean. 😅
Grade: B
Review: here.
Our Blooming Youth
Your mileage may vary, since there are folks who really love this one.
I personally, however, found this to be too long and protracted, with too much filler, and too few bright spots.
The writing was, in my opinion, very uneven and uninspired, and at times, even rather aggravating.
The acting was a mixed bag for me as well, even though I have a big soft spot for Park Hyung Sik in general.
It was quite a slog to get to the finish line, to be brutally honest, and I wouldn’t do it again. 🙈
Grade: B-
Review: here.
True To Love
When Show was at its best, it showed so much promise, demonstrating insights that felt thoughtful and nuanced.
However, a lot of the time, Show is pretty uneven, and even fumbles spectacularly, at points, which is when I found myself wondering what exactly writer-nim could be thinking, to write in such a way. 😅
Overall, I feel that Show’s frustrating parts outweighed the good parts, and therefore I wouldn’t personally recommend this one.
Grade: B-
Review: here.
The Story of Park’s Marriage Contract
This one started so well, before things went so, so downhill, for me.
Show has its variety of issues, but I think the biggest problem, is that it tries to be too grandiose for its own good, basically.
Our OTP loveline just isn’t developed enough, to support the idea of epic love that writer-nim’s trying to push, and that just makes everything fall pretty flat, unfortunately.
Grade: B-
Review: here.
The Heavenly Idol
This was a fun idea, of our protagonist being a heavenly priest who finds himself in a kpop idol’s body, but Show runs out of steam playing with this idea, pretty quickly.
Show then spends too much time and energy on the supernatural conflict stuff, which I found unnecessarily convoluted and largely uninteresting.
Pretty underwhelming, overall, to be brutally honest.
Grade: C+
Review: here.
Probably not for you, if your drama taste is like mine
Unchained Love [China]
I wanted to love this because Dylan Wang looked so badass and commanding in the trailer, but.. this was not good.
The female lead is played too weirdly colloquial to make sense, and the loveline feels forced and unnatural, to my eyes.
And so, Show ramping up the loveline in favor of the revenge plot, just did not work for me.
I dropped out at episode 10.
Dropped Post: here.
Love is an Accident
I thought this would be a cheap and cheerful little show that I could enjoy for a bit of fluff, but I was wrong. 😅
Basically, I rather liked Xu Kai Cheng in this, and thought the loose manbun looked rather cool (see above), and that was the main (and eventually, only) thing that kept me going.
The dealbreaker for me, was the way Xing Fei was delivering our female lead, with an odd lack of feeling, and which therefore tanked any potential OTP spark for me.
In a little show like this where the OTP relationship is the Main Event, you can see why this would convince me that this show was never going to work for me. 😅
I made it 12 episodes into this one.
Dropped Post: here.
Lost You Forever
I’d actually found this show interesting and therefore quite watchable, for a good stretch.
I found our female lead a pretty unique character, and thought the reverse-harem set-up was fascinating, if nothing else.
In the end, though, it turns out that Show’s got more dysfunction in its story world than I have an appetite for, and also, I didn’t find our female lead very likable by this point, nor did I have much interest in the quest for the throne, which was Show’s focus in its final stretch.
I dropped out at episode 35 (of 39!). 😅
Dropped Post: here.
Shows I sampled but didn’t continue watching
Love Me, Love My Voice [China]
I actually found this low-key enjoyable for a while, and used this show as a drama nightcap; something to unwind to before bed, because it was angst-lite and required not much brain power.
There wasn’t anything that I strongly disliked about this, but I do feel like I got rather bored, by the episode 13 mark.
I watched 14 episodes of this, before wandering off.
Parallel World [China]
So many of you were raving about this show in your various EOY posts, that I got curious and tried this one out.
I found it potentially interesting, but didn’t find myself in the right mood to sink myself into this dystopian-looking world, to figure out how it all ticked.
I watched just one episode of this, and have vague good intentions of going back to this sometime.
Story of Kunning Palace [China]
I find this show pretty watchable, honestly.
I like the do-over premise, and the idea that our female lead is trying to live her life better, this time around.
The main loveline seems potentially dysfunctional, and therefore somewhat morbidly fascinating, mainly because of how morally gray our male lead appears to be, so far.
I do concede that Zhang Ling He has a pretty interesting sort of presence, as said morally gray male lead.
I’ve watched 8 episodes of this, and have good intentions about going back to it, because I’ve heard that this one ends well.
Not Others
I didn’t hate what I saw of this show, but I did find the humor and sex talk out of my comfort zone and not quite to my taste.
I watched one episode of this, and found myself not going back for another.
Stealer: The Treasure Keeper
I wanted to like this, because the premise reminded me of Healer, which I loved.
Unfortunately, I found this too slapsticky for my taste.
I watched 4 episodes of this, and found myself not going back for more.
Queenmaker
I checked this out for Kim Hee Ae, and I didn’t dislike what I saw.
In fact, Show seemed to be solidly made, with potentially great performances from a strong cast.
I guess I just wasn’t that interested in the political premise, though.
I watched 2 episodes of this, and my good intentions of going back have now faded into oblivion. 😅
Delightfully Deceitful
I like both leads, but found the core idea that Show seemed to be suggesting – that our female lead is a legit sociopath with zero feelings nor sense of right or wrong, would likely change, thanks to our male lead’s care and love for her – hard to swallow.
To be clear, I am not super sure that that’s what Show eventually served up, but I didn’t have a strong enough interest to stick around to find out. 😅
I watched 2 episodes of this, and didn’t find myself going back for more.
One Day Off
I really like the concept of this show; that our female lead goes off on day trips, which turn out to be healing for her.
I do think that I like this one more in concept than execution; I found myself struggling a bit, to key in to Show’s particular brand of quirk.
I watched 3 episodes of this and have vague good intentions of going back to it.
Till The End Of The Moon [China]
I checked this out because Show was so buzzy when it aired. People really seemed to love Luo Yun Xi in this, in particular.
Unfortunately, I just couldn’t get into the story, despite making several attempts.
I watched 2 episodes of this and found that I just wasn’t feeling it.
The Starry Love [China]
I checked this out because of Show’s cheap, cheerful but grabby reputation.
Unfortunately, I found myself not feeling drawn in by Show’s story, even though most folks seemed tickled by it.
I watched 4 episodes of this and didn’t have the urge to go back.
Pre-2023 Gems
I don’t usually have this section in my year-end posts, but this year, I happened to watch a couple of pre-2023 gems, and wanted to give them each a shout-out.
Go Ahead [China] – 2020
I do love a well done family drama, and this one was that, for me, in spades. 🥰
I LOVED the idea of this found family, and I grew to love all of our core characters, in varying degrees.
The two dads make the cutest de facto married couple, and I loved the family dynamic, where everyone took care of everyone.
My favorite character was Tu Song Yan playing the “mom” dad; I luffed him, so very much, for how he mothered each kid, as if they were all his own. 🥲
The romance is low-key, but I was on board with it, and didn’t have issues with it, though some other viewers didn’t like it so much.
Overall, a wonderful, warm blanket of a show that I loved sinking into. 🥰
Grade: A
Review: here.
Silent [Japan] – 2022
I found this one to be thoughtful, understated and very special, in how sensitively it explores what it means to be hearing impaired, what it does to your relationships, and what it means, to embrace a hearing impaired individual, in practical, meaningful ways.
Clearly created and delivered with a lot of thought and care.
Very worthwhile.
Grade: A
Review: here.
The KFG Awards
Best Drama: Moving
When it comes down to it, Moving just stands head and shoulders above the rest of this year’s dramas.
It’s that all-kill thing where Show is basically strong in every respect, whether it’s writing, directing, or acting.
Just, a powerhouse all-around, that manages to feel so engaging and accessible, on both a mental and emotional level.
It feels like Show knows how to grab me in any way that I could be grabbed, and that is very, very special indeed.
Special mention: Call It Love.
Best Actor: Ryu Seung Ryong, Moving
There are lots of strong performances in Moving, but the reason I picked Ryu Seung Ryong’s performance over anyone else’s, is because I felt that this role allowed him to show the most range.
In Moving, Ryu Seung Ryong’s by turns a badass agent, a doting father, a dorky love interest, a gutsy, trusting partner, and he’s completely believable, delivering all of it.
I love how he meshes all of these traits into believable intertwined strands in Joo Won, and makes it look effortless while doing so.
A standout performance indeed. 🤩
Special mention: Kim Young Kwang (Call It Love).
Best Actress: Han Hyo Joo, Moving
I love Han Hyo Joo, and I thought she was really fantastic in Moving, as Mi Hyun, a mom who’s trying to protect her special abilities child.
She manages to bring out all of that weariness and determination, threaded through, always, with motherly love and acceptance.
And then there are the badass parts of her, which we also get to see, layered on top of – and powered by – that motherly love.
This was a great new side to Han Hyo Joo that I’d never seen before, and I thought she did an excellent, excellent job of the role.
Special mention: Liu Shi Shi (A Journey To Love).
Best Supporting Actor: Alen Fang, A Journey To Love [China]
In an ensemble cast like this one, I think it says something, that Alen Fang stands out, as the flirty, sassy Shisan.
He’s a regular scene-stealer, AND, he also delivers some really strong emotional scenes, in Show’s later stretch, which really hit me in the heart.
Very good.
Special mention: Yoon Jong Seok (Our Blooming Youth)
Best Supporting Actress: He Lan Dou, A Journey To Love [China]
There is a Reason that He Lan Dou is talked about as this show’s breakout star.
She starts out unassuming enough, but eventually, she grows her character, Yang Ying, such that we see many different layers and facets to Yang Ying; ones that we didn’t even know she had.
There are some seriously spectacular scenes that He Lan Dou delivers, in Show’s late episodes, that make me think that this award belongs to her, without a doubt.
Best OTP: A Journey To Love [China]
Even though this show didn’t turn out to be one of my top picks for the year, I cannot deny that this OTP is the one that stole my heart.
I love how their relationship is so well-written, such that we can literally see their connection grow stronger, as they come to understand each other better.
I love how they are such strong personalities individually, and yet, how they are able to form one strong unit, where they can fully trust and depend on each other.
These two loved each other in big and small ways, with all that they had, and it was very moving to witness. 🥲
Special mentions: Doo Shik and Mi Hyun (Moving), Joo Won and Ji Hee (Moving)
Best Ensemble: Dr. Romantic 3
There’s something quite special about the Doldam team, that just seeing them come together again, for Season 3, made a happy tear come to my eye. 🥲
I love that these people continue to grow as individuals, even as they learn how to better serve the larger team that forms their community.
And, above all, I love that there is genuine care among these people.
Special mentions: A Journey To Love [China]
Underrated Gem: The Makanai [Japan]
This is such a quiet, special little show that I wanted to give it this shout-out, in hopes that more people would give it a chance.
It’s quiet and unassuming, yet so warm and enjoyable, while being rich with cultural nuggets that I don’t see myself getting elsewhere.
Quite special. ❤️
Special mentions: Oh No! Here Comes Trouble [Taiwan], Nothing But You [China]
Razzie: Heartbeat
I picked Heartbeat as my Razzie this year, because it basically catfished us.
It promised to be a cute little rom-com about a half-vampire trying to become human, and then turned into a legit tragedy.
I’ve managed to make peace with the ending, but I’m very sure that lots of viewers who invested time on this one, are still bitter.
Special mentions: The Story of Park’s Marriage Contract,
Closing Thoughts

Man, that was quite a pilgrimage, walking through my drama journey of 2023!
Tallying up everything, this year, I completed 39 dramas (that’s 8 more than last year’s 31). And in total, including Dropped shows, I basically had opinions on.. 52 shows! That’s.. one for every week of the year..? 😅
See, I used those extra 3 months, and basically outdid myself this year. That’s a silver lining, kinda? 🤭
Thanks so much for sticking with me through yet another year, you guys. I literally couldn’t do this without you. 🥰
May 2024 give us lots of good dramas, and great memories to look back on – a year from now. 🥲
Fighting~! And, saranghae~ 😘
KFG ❤️































































My Dearest should be on your Top 2023 list. It’s an epic Korean version of Gone With the Wind but better. It really is my favorite besides Moving for 2023. I would highly suggest you watch it on Viki. Trust me!
Yep! Good plot and top-noch acting.🤍
@kfangurl – I read this the day you posted it on the blog so apologies for being late to comment. It’s a wonderful EOY post as always. The entire review list for the year is essentially packed into one nice and concise post for reference. A solid variety of shows that you managed to watch and My Dearest is just about the only big hitter from 2023 that is missing here.
March was a good month for me drama watching wise (I finished 9 titles including two family dramas) and I hope the rest of the year will be solid too.
Thank you for the great post.
Sorry to be late to the party, but enjoyed reading this EOY post a lot. These make for great suggestions for future viewing, so bookmarked it will be.
I feel somewhat vindicated by the fact that I watched/am watching all but ONE of your top tier dramas (and that one, Twinkling Watermelon, is on the Neverending List), and agree with all of your assessments. Some of the downstream ones I liked a little more than you, but we have only one big disagreement, that being “One Day Off”, which was one of my top dramas of the year. And that’s OK, because if folks don’t disagree occasionally, how can you know that they are really being honest? If you ever do decide to dip back into that one (I recall that you were put off by the odd Han Ye-ri episode) I’d recommend episode 5 as the best realized one of the series. In, fact, I’d recommend that episode as a stand-alone watch for anyone even if they aren’t up for the whole show. [Don’t worry about lack of set up. She goes on trips. Period.]
Rant over.
I’m struck by the kudos for acting in Journey to Love in contrast to the relatively low rating for the show. Sounds like somebody didn’t do their job very well on that one….
Thanks for sharing!
Loved the reviews! I actually liked The Story Of Park’s Marriage Contract OTP and secondary OTP lol but I agree it was flawed and the ending arc was disappointing.
I should check out Call It Love – I was turned off by the pink filter when I tried to start it long back lol.
Thank you for the list.
Did you watch Boyhood?
Hurrah! We have your round up just in time for Easter!! Like an Easter egg, full of yummy treats that I gobbled up too – though, really, your grade for A Journey to Love needs addressing!!!!!! It has a clue in the title 😏 And, hehem, Liu Yuning 😍😍😍😍
I urge you to continue with Story of Kuning Palace. And, personally, I adored Luo Yunxi in Til the End of the Moon – gratuitous blood splutters, heavy make-up, melodrama and all 🙂
So, I really really need to watch Moving. I have definitely had the feeling I’ve missed something special. You’ve reminded me again!
@Ele, yes, you really/really/really/really need to watch Moving when you have a chance. I think it would be quite up your alley. One attribute in addition to all of those that KFG mentioned is that the set up is incredibly subtle but effective, so be sure to have some tea and patience for the first 3-4 episodes.
Great EOY post, K, it seems you have watched a little bit of everything!
For brevity (holiday today here, 🇬🇷🇬🇷🇬🇷), two remarks:
– Oh no! Here comes trouble is AMAZING
– The Story of Kunning Palace is the one show I wouldn’t mind a sad ending…
The Story of Kuning Palace was a sad ending for that little boy being tripped up in the snow by his own father 🙂 Ah, I loved it!
Ha ha Ele, I quite liked it too – what I meant was that contrary to other shows (including the one involving journeys you speak of above…), a sad ending in Kunning Palace would have felt organic, imo, what with the ML they had😆😆. Instead, they went for a very happy ending, and although I am very glad about it, there was some eye roll involved for me, like, was psychiatry even a thing in ancient China. But, considering how unambiguous happy endings are a rare commodity in C-dramas, I will take it and say thank you!!
I also loved the ending. As Natalia says, truly happy endings are a rare commodity so I loved this one a little extra 😍
I think your EOY review rounds out the 15 other reviews quite nicely, KFG 😊 You have managed to watch a wide range of shows and they are a very fair representation of what went down in 2023. I commend you for at least attempting the Razzie which, as some know, I quite liked 😂🤣😂
Personally, I found 2023 to be a super drama year. In fact, I have recently finished a further bunch of 2023 shows.
Although I watched snippets here and there, Moving was a show that did not appeal to me at all. Interestingly, Twinkling Watermelon is now No. 1 on MDL and Moving comes in at No. 6 – not that we should use that as the definitive ranking system by any means.
I must remember to re-evaluate how I deal with cusp shows. It does make sense, as you say, to only comment on those shows that finished in the calendar year.
One thing I know already with 2024 is that I am going to find it tough to pick a best drama yet again. I already have several contenders and it is going to take some ethereal (attention to detail) analysis 🧐
@seanfletcher, at some point, it’d be great if you’d share your thoughts on what 2024-wise is especially worthwhile.
@j3ffc – yes, I will do that. Perhaps at the end of April, or thereabouts 😊
Dear KFG,
what a great look back at 2023 and what a fabulous list of shows! 🤩
I do hope you will go back to The Story of Kunning Palace, I very much enjoyed that one through to the end, morally grey is where I live and thrive 😀
Till The End of The Moon was epic in my opinion, but a LOT to take on in terms of commitment and a very intricate world to immerse yourself in. I loved it despite the less than perfect ending, but I get that it only works if you are in the mood for this.
I so want to watch Journey to Love and Moving but sadly, both are not available for me in my region. Moving is on Disney+ but bizarrely they dubbed it in English 🤦♀️🙄 , so I refuse to watch it. There is no original Korean version available, so maybe I just have to wait until other options become available to me.
I wasn’t AS bothered as you about Heartbeat but I also did not watch the last two episodes 😀 I will spare myself!🙈
I also found The Love You Give Me to be a lowkey, stress-free, enjoyable little drama that I managed to finish. Funnily, I pressed play on a contract marriage drama yesterday with the same leads. It’s called Once We Get Married and I am enjoying it so far. It’s a trope fest for sure but it keeps me entertained for now 😀
I am very much in your team with regards to everything, especially Til the End of the Moon!
A Journey to Love was posted to YouTube by its production company (don’t know if it’s region-restricted in any way), and that’s where I watched it. The subs are a little wonky at times, but that didn’t stop me from absolutely adoring it (controversial ending and all).
Wonhwa, thank you for the tip! I will check immediately 🤩
@CanICallYouKate, just an FYI that I also was beset by the dreaded dubbed Moving, but found an original language version on Hulu, which is somehow associated with Disney. Hopefully you can get that one.
Forgive me if I’ve already told this story, but I was talking a while back with a Korean friend whom I hadn’t seen for a while and mentioned that I liked K-Dramas. She looked at me sternly and asked “Are you watching them with subtitles?” Now, she knows full well that I speak no Korean, so I was confused and answered that I did watch the subtitled ones as I had no choice. At which point she clarified that she was merely making sure I wasn’t watching dubbed shows. 😂
Hmm. Maybe you had to be there… 😬
j3ffc that made laugh 🤣
„You had to be there“ 😂
I know what your friend means.
Germany has a large enough market to always dub content (movies, TV shows) but we always made it a point to watch whatever was availble in the original language with subs. Dubbing has produced some famous voice actors and growing up it was quite the surprise and sonetimes „shock“ to hear an actor‘s real voice.
I personally much prefer subtitles as I believe some flavor of the drama is lost when original voices are missing. 😅
Sadly, I do not have Hulu but I‘m not giving up yet! I will find it somewhere!
Then there’s also the thing, which has become quite perversive here in the US, of putting on subtitles on shows that are in your native language! We do it more than not nowadays, not only when absolutely essential (“Derry Girls”, which I 100% recommend BTW) but when the leads are of the mumble variety.
Awesome Job! And I see that I need to come back and add to my watch list for some of these that we haven’t seen (and get a Hulu subscription). Because we mix new with old so much, there are many here we haven’t seen. But for us 2024 started off with a bang with Knight Flower and hoping it keeps serving up dramas we love.
Fangurl- I forgot to say how much I appreciate all of your hard work in 2023 and I am so happy I got to share my thoughts with you! You are a joy!
Great EOY review Fangurl. I also loved Here Comes Trouble, like a lot. The two MLs had the best relationship ever. So organic, funny and sweet. They lit up the screen!
i gave in and signed up for Disney/Hulu so I may go back to attempt to pick Moving up and out of my dropped list and perhaps finish it.
Very well done review of your drama year! You did see a nice range of shows this year. And of course, glad to have you in the Moving-is-awesome boat with a bunch of the rest of us 😄.
I do feel like this year has been shaping up fairly well so far? Hopefully it will continue.
Hello KFG
Thanks for the enormous post and I just about skimmed through it. But I promise I read in leisure to make notes of all the dramas that you rated highly and that I haven’t seen yet (which is a lot actually 🙃)
A quick couple of things:
Thanks for mentioning The Worst of Evil – I thought it was a different kind of story and treatment within the K-drama space and the whole team did a great job.
I absolutely enjoyed my first proper C-drama Meet Yourself (and falling all over the place for Li Xian 😜) and my first Japanese drama in a while – Makanai (I am rewatching this in the coming days just for the feel of it and it’s one of the factors that really influenced my Japan trip twice already 🙏🧿)
Also it’s a shame really that you couldn’t get to watch My Dearest for 2023. I hope you get to see it sometime soon enough 👍🤞.
Finally congratulations on a good 2023 drama year. And kudos to your Fantastic Work as always 💐🌟❤️.
Great ‘year of dramas’ review @kfangurl! I’m happy to see that you’ve mentioned Silent and that you will consider going back to watch One Day Off. I couldn’t bring myself to complete Parallel World and I skipped the painful bits in A Journey to Love, although I liked both of them. I agree wholeheartedly over Call It Love. Since I didn’t watch Moving, I might place Call It Love in the top spot.
At the moment I’m thinking Wedding Impossible will be pretty high in my fave rom-coms list for next year. 🙂
Thanks @GB, glad you enjoyed it, despite it coming out so late! I honestly considered not having the pre-2023 gems section, because I was already spending so much time on this post, but Go Ahead and Silent were just too good to ignore!
Oh, why couldn’t you bring yourself to finish Parallel World? Genuinely curious, as your dealbreaker might affect my interest in going back to it. 😅
Interesting that you’re loving Wedding Impossible so far! I watched 4 eps, but wandered away at the beginning of episode 5 coz I wasn’t into the ex-boyfriend thing. If you like it so much, maybe I should give it another try. 😅
I feel the Pre-2023 Gems section was good. Often enough, many of us go back to rewatch or do a first watch of a completed show and realise belatedly what a great show we could have missed. I only watched Silent and First Love: Hatsukoi in 2023 when they came out in 2022. They are my fave jdoramas.
Parallel World is a pretty well-made production except that it does not explain enough of the other world in a timely manner. I was confused that the characters from our world were strangely so easily at home in it although it was a very strange sort of world. I didn’t want to watch the part where I knew more bloodshed was in store… I chickened out of watching a certain act of violence that was being foreshadowed, hence I stopped watching. But actually, I believe it is good all the way through. The OTP relationship was very enjoyable to watch. Much mutual respect, trust and give and take.
I may brace myself and try the end one day.
As for Wedding Impossible, I’m very taken with the main actress, Jeon Jong Seo. She’s a natural. I like the couple and the fact that there are loads of scenes of them together, when they are not-dating but almost are. I can see how things develop and progress and know the complications that they themselves are creating in their own lives. It’s delicious angst when ML has shot himself in the foot and has to admit his errors. I like that the characters do grow and especially that it all gets done in 12 episodes, hence we get just necessary scenes with no filler.
The other part of the story that interests me is the underdog story. I want to know why ML has been ignored and underrated when he’s got guts and ability. Then there’s the mystery of his mum’s death and what his granddad is feeling guilt over.
The ex-bf was a vehicle to add more conflict. I don’t actually expect to see much of him in future episodes. I’ll hop back to let you know if he turns up much. He’s one of the examples of how the older brother never thought things through properly because he was always in a state of running away. I expect some growth from that brother. 🙂
Whoa! You watched a lot! Actually, I would be the last person in the blogosphere to write my year end review. 😂
Ahaha!! Well, thank you for taking that dubious honor from me, then! 😂 Do you actually plan to write your year end review? Would be curious to read it!