Review: Mystic Pop-up Bar


A warm, heartfelt little show, Mystic is sometimes a little (or a lot) sillier than I usually like, but is, on the whole, so sincere and full of heart, that I can’t quibble with it too much.

Hwang Jung Eum is quite wonderful as our protagonist Wol Joo, and importantly, displays zero screechy tendencies in this role.

Choi Won Young and Yook Sung Jae round out the little Mystic team really nicely, and these three make a surprisingly endearing trio, as they strive to help their customers resolve their grudges – for heavenly credit, of course.

The overarching backstory is bittersweet and poignant, and Show does a nice job tying it in with our grudges of the day, with an impressive degree of consistency.

Importantly, Show starts strong and manages to end strong as well, making for a solid and satisfying watch, overall.


This, my friends, is the show that I almost missed.

I’m generally ambivalent towards Hwang Jung Eum because she’s often directed to be quite screamy and screechy in her roles, and people comparing this story’s set-up to Hotel Del Luna did not make me more interested to see this show.

Rather, I felt even more ambivalent about checking this out coz I didn’t end up loving Hotel Del Luna.

But, now that I’ve emerged on the other side, I must say that I’m quite glad indeed, that I followed the positive buzz on this one, and gave it a try, despite my misgivings.

Keeping an open mind – and FOMO too, hur – has served me well, in my drama journey.

This show did turn out to be a little gem, just like everyone said.


Here’s the OST album, in case you’d like to listen to the soundtrack while you read the review. The OST is rather compact, as befits a compact little show like Mystic, but the songs do prove effective in magnifying the watch experience.

I think my favorite is Love Resembles Memories, sung by Yook Sung Jae. It’s got that heartfelt quality which I feel is Show’s biggest strength.


I can see why people say that this show has some Hotel Del Luna vibes. It kinda does, but I prefer this show’s vibes. Let me explain.

Both shows have an undead female protagonist (with a great wardrobe), who is sentenced to a punishment that lasts hundreds of years, that involves helping others. On paper, the two shows do share some things in common.

However, I feel that Hotel Del Luna has a sadder, more plaintive sheen to it, beyond the funny that Show works to serve up, and I think that’s to do with 1, Man Wol’s backstory being amped up to really bring the tragedy, and 2, the hotel being set up to help ghosts.

In contrast, Mystic possesses a more cheerful, lighthearted vibe, despite the sad backstory.

Show treats Wol Joo’s (Hwang Jung Eum) personal tragedy and angst with a comparatively lighter touch, in that Wol Joo doesn’t have a melancholic air about her, in spite of what she’s gone through, and instead, is spirited and feisty as a general rule.

The other thing is, this show has Wol Joo helping the living as well as the dead, and that in itself puts Show in a brighter, more hopeful category, because the “patients” – or “clients” or whatever you’d like to call ’em – are mostly alive.

Hotel Del Luna focused on helping ghosts come to terms with past regrets, and  while this show does some of that too, I definitely appreciate that we also get to see our characters help the living gain hope to keep on living.

The CGI and overall visuals in this show may be less polished than Hotel, but the richness of heart wins hands down.

I felt myself choking up a few times over the course of my watch, at the story behind the grudge of the day, and that’s not something I felt much in Hotel – at least, not with the ghosts of the week.

Long story short, this show comes across less glossy and expensive than Hotel Del Luna, but I personally prefer this one, because it pops more (hur) for me.


General handling and execution

Even though it’s clear to see that Show doesn’t boast an especially high budget (compared to Hotel Del Luna, for example), there are nice touches in terms of how Show interprets dreamscapes, and the CGI around that.

Another thing that strikes me about Show’s handling, is that Show always feels like it knows what it wants to be, and where it wants to go. This all added up to a really nice sense that I was in good hands, and I count that a big plus.


The presentation of the dreamscapes

E2. The CGI around Ko Dong Gil’s (Kang Shin Chul) deep subconscious mind, is nicely done. It may not be the most polished and shiny, but it’s solid and believable, and feels suited to this drama world.

I also liked the levity Show injects into how our trio tries to guess the combination to open the door to Ko Dong Gil’s deepest memories – and fails, twice.

Manager Gwi being afraid of the tickles, thus resulting in them losing his phone to the abyss below, was quite amusing as well.

E2. I really liked the visual of how Show presents the locked memories, as a black and white image, frozen in time like a photograph.

I thought it was quite perfect, that the way Wol Joo unlocks it, is to poof some color into the air with a wave of her hand, and as the color saturates the image, the people in the memory come back to life. Very nicely done.

Show knows where it wants to go

E7. This show really manages to mash up several different genres at the same time. It kinda shouldn’t work, on paper, but somehow, it still does.

Despite Show moving between what I see as three (maybe four?) disparate genres this hour, I didn’t feel a sense of whiplash, even though my brain thinks I should.

E8. It’s an interesting development, that Kang Bae (Yook Sung Jae) is now able to see ghosts, when he couldn’t before.

I appreciate that Show had paved the way for this early on, by having Wol Joo and Manager Gwi (Choi Won Young) mention that with all this ghost-related work, that Kang Bae’s powers might increase and become more sensitive.

This way, it feels like Show planned ahead, and I always like that feeling, that Show knows where it wants to go, and is steadily working towards its destination.

E9. Now that we’re in the final stretch, I can feel Show shifting its focus to our main players, while making the case of the day a more.. straightforward affair.

There’s a lot less silly, and a lot more in terms of angsty feels this hour, and the keener focus on our overarching story feels warranted and well-timed.


Hwang Jung Eum as Wol Joo

For the record, I really like Hwang Jung Eum as Wol Joo; she feels perfectly cast, in the role. I really enjoy how spirited, energetic and feisty Wol Joo is; she feels alive, even though she’s supposed to be a 500-year-old ghost.

Hwang Jung Eum looks almost unreal as Wol Joo, in that she has an almost plasticky appearance, probably due in equal part to cosmetic procedure and a lot of thick makeup, BUT, it works.

She’s not supposed to be human anyway, and if a 500-year-old ghost is going to be glamorous, she might as well rock it to the maximum. For the record, I do think Hwang Jung Eum looks fantastic as Wol Joo, even with the slight plasticky feel.

On a shallow note, I also really enjoy Wol Joo’s wardrobe, which is mostly made up of sundress versions of the traditional hanbok, worn with running shoes. It’s different and quirky, and I just liked admiring her pretty hanbok dresses.

Importantly, I like how Show peels back Wol Joo’s layers, to reveal the sincere, giving, warm heart beneath her gruff and prickly-picky surface. I grew very fond of Wol Joo over the course of my watch, as I grew to understand her more.

Last but not least, I also liked how Show tied the grudges of the hour, to Wol Joo’s backstory and therefore, also, her character development. I felt that was well planned out, and that sense of meshing multipurpose threads, added to my positive impression of Show’s deftness.


E1. I do like Hwang Jung Eum’s wardrobe, though I admit I was a little thrown by the bare shoulders and the décolletage.

That’s culturally avoided in Korean society, as far as I understand, so I was a little startled to see her dressed in a hanbok without the jeogori (the little outer jacket).

But, I rationalize that to be shorthand for how Wol Joo is not one to abide by societal rules, but boldly wears whatever she fancies, never mind what anyone else thinks.

E2. Wol Joo’s reluctance to help Ms. Andong (Baek Ji Won) feels very personal, and for good reason.

She’d ended up dying herself, because of baseless malicious rumors, so it’s perfectly understandable that this touches a raw nerve for her, and she’d rather not complete her mission, than help someone who ruined other lives with lies.

But when she decides to accept Kang Bae’s proposed deal and help Ms. Andong, I appreciate that Wol Joo goes all in to help her, and even protectively shields Ms. Andong’s ghost from a reluctantly cooperative Reaper Yeom (Lee Joon Hyuk).

E3. We see another facet of Wol Joo’s life reflected in this story; that of being treated as less than, because of her poor lineage.

I like the idea that as we witness Wol Joo get closer to her goal, that we’ll understand her more and more as well. And, it also feels like Wol Joo is doing more than just a job that was assigned to her, since the grudges so far, touch various personal nerves, for her.

E3. I have to give props to Hwang Jung Eum, for committing so fully to the physicality of the role. This may not be an action role, but she executed that cartwheel flawlessly while wearing that form-fitting cheongsam, and that’s impressive.

Also, that faux-sexy dance that she performs, to entice the Chairman (Yu Seong Ju) to accept a drink from her that he hadn’t ordered, is so cringey to watch, but she throws herself into without any apparent vanity. I’m impressed – and relieved that I’m not in her place, ha.

E4. That moment when Great-grandpa Seok Pan (Jung Eun Pyo) begs for our crew to save Jin Dong (Ahn Tae Hwan), saying that he’d go to hell if he could save him, really hits home for Wol Joo.

That triggers the memory of her mom (Kim Hee Jung), who had willingly died, in order to save her, and that’s what causes Wol Joo to agree to help save Jin Dong.

Again, I like how Wol Joo is consistently moved to action because a certain facet of the situation resonates with her; it reveals where her heart is, and also, unlocks her compassion, which are both very good things.

E5. This episode, Wol Joo’s personal connection to the case, is an empathy born of also leaving behind someone that she loved, when she’d died.

That moment at the BBQ place, where she thinks back to the crown prince, and how he’d declared his love for her, and how he wanted to be a person that she needed, is full of pathos, as Wol Joo gets lost in her memories.

E6. This episode, Wol Joo feels so strongly empathetic towards Kang Bae’s dance instructor (Lee Seo An), whose dream is to have a baby, because she knows what it feels like to love someone and want to have his children, that she throws herself into stealing a conception dream for her.

E8. That moment when Wol Joo wishes tearfully on the moon, that she’d be delivered from this misery before she gets attached again, is so full of sadness.

Her anguish feels so raw, as her tears stream down her face, that I can’t help feeling protective of her.

Really nicely done, I thought.


Choi Won Young as Manager Gwi

I do like Choi Won Young very well, so I was glad to see him at the Bar as Manager Gwi.

Show keeps his character vague on purpose for a good stretch, so we don’t actually learn about Manager Gwi’s backstory until Show’s last stretch. Certainly, when Show reveals all the details, Manager Gwi pops extra, as a character.

However, I just want to say that even before we know what there is to know, Manager Gwi comes across as a likable character. He’s wry but helpful, and we do see his caring nature come to the fore, when the situation calls for it.

Additionally, Manager Gwi contributes a fair bit to Show’s comedic tone, and Choi Won Young is a good sport through it all, which I appreciated.

I’ll talk more about Manager Gwi in other sections, but for now, here are some of my early-episode impressions.


E1. I do love the little arc of Manager Gwi visiting that abusive customer in his dreams, to impress on him the importance of eating his food at home, and treating supermarket samples as samples. Hur. That’s so sarcastic and heroic, at the same time.

E3. Manager Gwi is turning out to be quite the hoot, with his shape-shifting antics, and his shake-it-out method of shifting back to his original form.

That scene of him walking down the hallway in a skirt is quite amusing, and I can’t help but notice that he has slender legs that look surprisingly androgynous.

E4. The entire vibe around Manager Gwi is shifting, I notice. Up till this point, he’s mostly been affable and comedic in an almost token sort of way.

He hasn’t taken up much story room so far, and the spotlight’s been mostly on Wol Joo or Kang Bae.

But this episode, not only does he save the day by bringing the pouch of good deeds just in time to save Jin Dong, he gets the backlit, slo-mo hero entrance, complete with damp hair that he’s shaking off.

Ooh. Even Wol Joo gets slightly starry-eyed, at the sight.

And then at the end of the episode, we see Manager Gwi in action hero mode, effortlessly taking down an evil spirit with ease, panache, and a smirk.

I do love that Manager Gwi is this effortlessly badass, underneath his affable, laidback cover.


Yook Sung Jae as Kang Bae

I thought Yook Sung Jae was perfectly cast as Kang Bae, our earnest good-hearted boy with the ability to unlock people’s desires to share their inner pain.

Yook Sung Jae plays Kang Bae with an innocence and purity that I thought was pitch perfect, and on the occasions when Kang Bae shows touches of comedy or deep emotion, Yook Sung Jae delivers very well, as well.

Even though Kang Bae lives in constant dismay at his gift inadvertently subjecting him to hours of people unloading their cares onto him, at every accidental touch, he isn’t angry with his lot in life, and possesses so much heart, that I couldn’t help but grow fond of him and want only good things for him.


E1. I wasn’t surprised that Kang Bae moved to save Mi Ran (Park Ha Na) from killing herself by walking in front of an oncoming truck, but I was surprised that instead of pushing her out of the way, he planted himself between her and the truck.

That seems rather extreme? Did he do that just to avoid touching her?

Coz.. that is also very extreme, to put your own life in danger, just because you’re afraid the person you’re trying to save will unload their cares onto you.

E2. Kang Bae is an earnest young man who wants to be sure he’s doing the right thing by people, which I think is sweet.

Also, when it’s revealed at the end of the episode that he’d hesitated to sign the contract because he’s so used to failing at things and therefore he was pretty sure he’d fail (and have to pay the price of possibly having his powers magnified), I felt rather sorry for him.

I’d like Kang Bae to grow in self-confidence over the course of our story.

E5. That moment when Kang Bae can’t bear to eat the porridge that Wol Joo’s cooked for him, because, as an orphan, he’s never had food cooked for him by someone at home before. Oof.

That’s such a simple thing, and yet, he’s never experienced until now. That really hit me in the heart; poor lonesome boy.


The Mystic team

Guh. The coming together of the Mystic team as one little found family, is my favorite thing in this whole show.

With Kang Bae joining the fold, Manager Gwi and Wol Joo seem to slip very naturally into parental roles, as they take care of him, and, as their affection for him grows, fuss over him as well.

Because each of them is basically an independent agent in this world, with no family to speak of, this little family unit becomes their anchor, and it’s really heartwarming to witness.


E2. Manager Gwi seeking out Kang Bae for a round of basketball is such a fatherly thing to do, and I love that he gives Kang Bae credit for his part in their successful mission.

Although Kang Bae feels that he didn’t do much, and that Manager Gwi and Wol Joo did all the work, Manager Gwi graciously acknowledges that without Kang Bae, they could’ve even have started. I tend to agree with Manager Gwi; the three of them do make a pretty great team.

E7. On the one hand, the found family really comes to the fore in a strong new way this hour, when Kang Bae can’t find Wol Joo, Manager Gwi, or the bar.

It’s only then that we realize just how much they mean to him, and how they’ve brought warmth and companionship to his otherwise lonely life.

Even though he should’ve been preoccupied with the dance competition with Yeo Rin (Jung Da Eun), he can’t seem to function, out of worry for Wol Joo and Manager Gwi, and he’s bereft at the thought of possibly never seeing them again.

His unadulterated relief and joy at seeing them again, complete with tears and hugs, is so touching too.

Aw. How poignant and endearing.

E7. When Wol Joo and Manager Gwi talk about the time that’s coming when the bar won’t be around anymore, and Kang Bae really won’t see them, it’s so bittersweet. It’s true that Kang Bae will be free from his powers then, and will finally be able to live a normal life.

But nothing takes away the sadness of the impending separation of this little found family.

They’ve been through a lot together in a short amount of time, and now, it’s hard to imagine them not being together, hanging, helping people, fighting evil spirits and just being silly together, through it all. Sniffle.

It’s kind of bizarre to think that this human boy basically fills his lonely life by hanging out with ghosts and reapers, but it’s true that Wol Joo, Manager Gwi and he have become a family of sorts, and that is an idea that warms my heart.

E8. It’s sweet, that both Manager Gwi and Wol Joo worry about Kang Bae being able to see ghosts, and go out of their way to help him.

The way Wol Joo fusses over him, getting him good quality salt, and reminding him to carry it with him, is quite motherly. I like it whenever Kang Bae gets some good mothering from either of these two.

E8. Wol Joo musing everyone needs someone to listen to them, in order to live, and then that she’d had no one to listen to her while she was alive, but is now, in death, listening to so many, is quite sadly ironic.

It’s sad that she’d killed herself because she’d believed that the crown prince had betrayed her, and thus felt that she had no one left in the world who would listen to her and understand her.

It’s sweet, though, that Kang Bae tells Wol Joo that he’s proud of her, because she has the ability to actually help the people that she listens to, unlike him.

E9. It’s a poignant reveal, that Wol Joo had been pregnant when she’d died, and that the whole reason she agreed to be punished instead of being sent to the Hell of Extinction, was so that she could save her child from living multiple miserable lives.

I’m getting the sense that Manager Gwi is the crown prince, and Kang Bae might be the child that she didn’t know she had. I like that idea, since these three have already fallen into a family dynamic, and they all clearly care about one another.

E9. I’m still quite floored though, by Wol Joo’s lack of hesitation, when it comes to exchanging her chance for reincarnation for information that would give her a chance – not even a guarantee – of helping Kang Bae.

I mean, she’s basically agreeing to disappear from existence, for his sake. Is this a mother’s instinct, perhaps?

Also, while I love the idea that Wol Joo, Manager Gwi and Kang Bae are a family, it’s also heartbreaking to realize that when the 100,000th grudge is solved, Wol Joo and Manager Gwi are supposed to leave anyway, soul contract or no, and that would leave Kang Bae without his family, all over again.

That thought makes me so sad. I just want there to be a way for them to be together properly, long term.


The connection between Wol Joo and Manager Gwi

A few episodes into our story, Show starts playing with a hyperawareness between Wol Joo and Manager Gwi, and it’s cute and amusing even as a side arc, to see the usually brusque Wol Joo swoon a little bit at Manager Gwi.

Visually, I think they make a cute couple, and I like the chemistry that Choi Won Young and Hwang Jung Eum share as well.

Without being spoilery, I’ll just say that I am pretty satisfied with how Show treats the connection between Wol Joo and Manager Gwi.


E5. We’re also getting hints of a burgeoning hyperawareness between Wol Joo and Manager Gwi, with him wowing her, not just by preventing her from falling in the bus, but also saving her from an evil spirit, and getting her all worried about him, if just for a moment. I think it’s pretty cute.

E10. I find it fitting, that Manager Gwi, for all his efforts, can’t hide his identity from Wol Joo.

She recognizes the romantic lines that she overhears Kang Bae saying to Yeo Rin, and when Kang Bae admits that it was Manager Gwi who’d taught him what to say, Wol Joo makes the connection immediately.

I’d say it’s high time Wol Joo gets to know that the very person whom she’s been pining for, has been right beside her all this time.

E10. Manager Gwi is the crown prince, like I’d guessed, and I’m not surprised that he did everything in his power to find his way back to Wol Joo’s side. But, we’re not told that he can’t tell Wol Joo his identity, so why hasn’t he revealed himself to Wol Joo, all this time?

How tragic, that he’d beheaded his friend Won Hyung (Na In Woo), then killed himself – and based on the clothes that he was wearing while kneeling before Queen Yeomra (Yum Hye Ran) – ostensibly, on his wedding day.

His loyalty to Wol Joo is so deep. Guh.

I’m not even surprised that he offers himself in exchange, to Queen Yeomra, on the matter of Wol Joo’s contract. I can believe that he’d sacrifice himself, if it means that he can protect Wol Joo.

I’m almost certain that what he tells Wol Joo, about using important information that he’d saved up, in exchange for her contract, is a lie. Blubber.


Kang Bae’s loveline with Yeo Rin

I hadn’t expected Kang Bae to have a loveline – I don’t even know why, since this is a kdrama after all, and about 95% of kdramas will make sure to have a young loveline, if only to draw in audiences, so I should’ve seen it coming – but I was pleasantly surprised to realize that Kang Bae has a very cute blossoming romance with Yeo Rin.

Even though this loveline regularly brought lashings of lightness and cute to our story, I also really appreciate how Show makes their connection something deeper, where they’re able to empathize with each other at an almost visceral level.

I don’t have a separate section for Yeo Rin as a character, since her role is mainly in relation to Kang Bae, so I’m putting my Yeo Rin thoughts in this section too.


E3. I’m intrigued by bodyguard Yeo Rim who doesn’t have any reaction to Kang Bae and his magic hands, and I’m very interested to see how she fits into the story, because from what Show is revealing so far, she’s definitely not a throwaway side character.

If this spells a potential loveline for Kang Bae, who’s pining to experience what it’s like to hold hands with a girl, I think I’m going to be nicely amused.

E5. Kang Bae getting strong-armed into joining the dance competition at work, and trying to get Yeo Rin to be his dance partner, is quite amusing.

I am relieved that instead of the comical (and very inappropriate) suggestions by Kang Bae’s colleagues, he and Yeo Rin end up bonding in more meaningful ways.

The way they both step in to help the blind man in the restaurant, by speaking up for him to the aggressive customer, helps to break the ice a little.

And then when Kang Bae uses his magic fingers to cause the thief to admit his wrongdoing, to save Yeo Rin from having to apologize to him for lack of evidence, that really paves the way for the two of them to actually become friends – or at least, partners in the dance competition.

I like that Kang Bae frames it to Yeo Rin, as wanting to return the favor, for when she’d trusted him when they first met; that he’d wanted to do the same for her, if the situation ever arose. Aw. That’s meaningful, and I like it. No wonder Yeo Rin softens and asks him to be her dance partner.

E6. I really like the unexpected solidarity between Kang Bae and Yeo Rin. The maybe-date that they go on is cute, but it’s the way they both cry at the silly gout love movie that hits home.

The movie’s theme hits Kang Bae like a ton of bricks because he knows the pain of being unable to connect with another person via physical touch.

What’s surprising is that Yeo Rin appears to know the same pain – except that her touch triggers a different response from others. While Kang Bae’s touch triggers people to share their emotional burdens, Yeo Rin’s touch seems to trigger a strong sense of the creeps.

It’s bittersweet, cathartic and kind of silly, to see them bawling at the supposed rom-com. And I feel, more than ever, that these two dorks, with similar-but-different magic hands, belong together.

E7. Yeo Rin is encouraged by her friend Da Bin (Baek Soo Hee) to plant a kiss on Kang Bae before she develops feelings for him and activates the curse of her magic hands. Yeo Rin getting all hyper-aware of Kang Bae and fixating on his lips, is pretty funny, and Kang Bae spacing out in wonder after the sudden kiss, is endearing too.

On top of that, their dance at the competition was pretty impressive, and their chemistry seems on-point. Also, it was nice to see Yook Sung Jae showing some of his dance prowess, which he’d had to deny in the early stages of the dance competition prep.

E8. Poor Kang Bae, getting his heart broken by Yeo Rin even before he manages to confess his feelings to her. Judging from Yeo Rin’s reaction when she hears that Kang Bae called in sick, though, it seems that she cares more about him than she realizes.

E9. Evidence is mounting that Yeo Rin is the reincarnation of the Cinnabar, from what we’ve seen of how she’s been able to neutralize spiritual powers, so it’s actually quite cute that Kang Bae needs to share true love’s kiss with her, in order to neutralize his own power and lead the normal life he’s always wanted.

Yeo Rin definitely cares more about him than she’d like to admit, even to herself, and Kang Bae’s already quite smitten, so I’m looking forward to seeing their loveline take off, in the episodes that we have left.

E10. I love how Kang Bae stands up for Yeo Rin, to the clueless insensitive blockhead that she’d used to like. For one thing, he’s so protective of her, and demands an apology from Clueless Blockhead.

Beyond that, I find it very touching, that he can empathize so deeply, with her feelings of exclusion and rejection, just for being herself.

When he shares his story about being nicknamed the Cursed Boy, it clearly resonates with Yeo Rin, because it mirrors her own experience so closely.

E10. Kang Bae is so cutely bashful when he clarifies what he meant when he’d said before, that he’d felt relieved that Yeo Rin didn’t feel anything when she’d touched him; that he’d felt relieved that nothing bad had happened to her, and that of course he can’t feel nothing with her, coz he’s so nervous and happy just sitting there with her. Cute.

Yay that Yeo Rin takes her cue from Kang Bae, and tells him that she likes him too. Finally! Let the bashful dating begin! 😀


Treatment of the overarching backstory

Show does this thing where it sprinkles little snippets of the past into each episode via flashbacks, often tying it up with the grudge of the day.

The effect this has, is a jigsaw puzzle sort of vibe, where we are fed pieces of information that we then try to piece together.

And as new information is served up from episode to episode, we juggle the jigsaw pieces a little differently, as we try to make sense of it all.

I thought this was well handled, with the backstory managing to bring poignance to the table, even while being told in fragments.

Special shout-out:

Yum Hye Ran as Queen Yeomra

I just wanted to say that Yum Hye Ran is perfect as Queen Yeomra. She looks suitably imposing, majestic and witheringly badass.

And yet, when called upon to serve up the funny, Yum Hye Ran gamely puts aside her intimidating aura to embrace the gag humor, [MINOR SPOILER] like in episode 7, when she mistakenly texts an insult to the Jade Emperor, and basically falls over herself in horror as a result. [END SPOILER]

I thought it was hilarious; who knew that Yum Hye Ran had the physical comedy and comic timing in her?


Grudges of the day

Although Show generally does a good job making the grudge of the day poignant and heartfelt, I have to admit that I liked some cases more than I did others.

Generally speaking, the more poignant and heartfelt the story was, the more I tended to like it, and the more broadly comic the treatment of the story was, the less I felt connected to it.

In this spoiler section, I highlight the cases that I liked well, and the ones that worked out to ok.

And then later, in the section on Show’s humor, I’ll mention the cases that I found too broadly comical for my taste. Of course, this may not be an issue for you at all, if you’re able to jive with Show’s brand of humor.


Cases I enjoyed

E2. Ms. Andong’s story

The backstory of this episode’s customer, Ms. Andong, is heartbreaking. A petty fit of jealousy, fueling recklessly spoken drunken words, resulted in 3 ruined lives, and it’s no wonder that Ms. Andong has been living in guilt and torment all these years.

It’s a very compelling situation, because on the one hand, I feel sorry for her, for having lived a miserable life being crushed by the weight of her guilt, but on the other hand, I feel even more sorry for the lives that she ruined with her reckless actions.

She’s done everything in her power to atone for her wrongdoing – bringing up the child and punishing herself along the way – so I feel like she’s done all she can, and yet, it still feels insufficient, because someone died, and someone lost her parents, and someone lost his family, because of her.

It’s very poignant, because this is the kind of conundrum we tend to face as humans; sometimes we do things that we deeply regret, but we just can’t take it back, no matter how much we want to, and we have to find a way to co-exist with the guilt.

It’s quite moving that after Ms. Andong’s death, neither Eun Su nor her dad (Kwak Sun Young and Lee Seung Chul) seems to hold a grudge against her.

Instead, Dad speaks of her with compassion, and Eun Su cries and thanks her and addresses her as Mom, and says that she misses her. It’s a testament to how much Ms. Andong poured herself into raising Eun Su.

She may have been battling her own demons while she’d raised Eun Su, but Eun Su felt her motherly love and protection, and that’s what she leaves behind, after her death.

The scene of Ms. Andong meeting Sun Hwa in the afterlife is beautiful and poignant. Sun Hwa looks ethereal and lovely in a hanbok, and the way she greets Ms. Andong with gratitude instead of anger, is so gracious.

She doesn’t say a thing about Ms. Andong’s lies which led to her death; she only thanks Ms. Andong for raising Eun Su well.

Ms. Andong can only sob on her knees, and Sun Hwa, tearing up as well, kneels down to comfort her. What a touching, poignant note on which to leave them, I thought.

E3. Unfair recruitment practices

This episode’s grudge feels so familiar because we’ve seen it in countless other dramas; hardworking, qualified candidate get passed over because of nepotism.

But Show manages to bring it to life, and deliver an intervention that is entertainingly heist-like, while bringing heartfelt resolution to the aggrieved candidate.

I wasn’t sure how our team would use their access to the Dreamscape to solve this episode’s grudge, but the way that that worked out was pretty clever and quite fun to watch.

E5. The wandering spirit

Today’s case is nicely done, in that Show played with perception effectively, and for a good stretch, I was under the impression that the wandering spirit was Sang Geon’s (Oh Man Seok) mother and not his wife (Lee Ji Hyun).

The reveal is quite excellent, and it’s heartbreaking and tragic to realize that he’s struggling to deal with the grief of losing his wife, while suffering from the onset of dementia. All the times that he thinks he’s interacting with his wife, his dementia is actually causing his perception to be wonky and inaccurate.

I found the trajectory of this arc very touching; that all the ghost wanted to do, was say a proper goodbye to her husband, for whom she was worried. And it’s so meaningful, that it’s because of her words to him in his dream, that he decides to check into a nursing home and receive treatment, like she’d asked of him.

That final touch, of him getting one last chance to eat the dumplings that she’d made for him, under the protective guise of the pop-up bar, was very meaningful too.

Although he can’t quite remember why the dumplings taste so familiar to him because of his dementia, I’d like to think that his heart remembered and was warmed.

Cases I found ok, overall

E6. The conception grudge

Ha. This episode’s preoccupation with claw machines is so random and silly.

First, Wol Joo and Manager Gwi getting so caught up in their fight against a claw machine that they use up all their grocery money, and then later, they find that Samshin keeps all her conception dreams in a claw machine too?

Pfft. It’s ridiculous, but it’s entertaining.

The way our crew encounters the case feels more random than usual, since it pretty much has nothing to do with the bar.

Still, this episode is a poignant glimpse into what it’s like for couples struggling to conceive. It’s an experience that most couples don’t go through, so it feels illuminating and educational, to gain some insight into the emotional struggles, the physical and emotional pain, and the relationship strain that all tends to come with the territory.

The cat-and-mouse game that they play with Samshin (Oh Young Sil) at the end, while trying to get the conception dream to the instructor lady, is silly and ridiculous, but generally quite feel-good, since they are successful at helping her.

E8. Makjang Romeo & Juliet

I was rather thrown at first, by the apparently random Romeo and Juliet-inspired play, plonked in the center of our episode, and it did feel like this story-within-a-story was taking up a disproportionate amount of time, making the episode feel rather scattered and draggy, but trust Show to actually turn it into something rather poignant, by the end of the hour.

I will admit that once that Romeo and Juliet story turned makjang, it actually became rather entertaining, and I was quite amused.

Although, I do think there was an oversight where the story refers to Juliet being 10 years older than Romeo, and then Wol Joo remarks that Juliet’s such a wise and worldly woman at just 16. So.. if that actually works out, Romeo’s just 6 years old, in this story? HA.

I found the writer’s (Han So Eun) unfulfilled wish poignant and bittersweet, in that it’s so loving and selfless. She died being misunderstood, but it’s her boyfriend (Shin Hyun Soo) that she worries about.

She doesn’t care if he misunderstands her and hates her. She doesn’t want him to go through life believing that he’d been looked down on for his occupation. She wants him to know that he was loved.

Oof. That’s very touching, and it’s really sad to see that these two people loved each other so sincerely, but are now separated by death.


The way Show manages information [VAGUE HIGH LEVEL SPOILERS]

From fairly early in our story, Show starts to drop hints that either Kang Bae or Manager Gwi might be Wol Joo’s crown prince, and basically teases us with both possibilities until its final stretch, when we get a Big Reveal.

On the one hand, I did find this intriguing and fun, to guess what the truth might be, but sometimes, I did feel like Show was toying with me, by stretching logic and taking the teasing a little far.

This made me occasionally slightly peeved at Show, but it was not a deal-breaker.


Sometimes Show is sillier than I’m prepared for

Although I realized early on, that Show leans light and funny, I have to admit that there were times when Show vibed sillier than I was prepared for.

To Show’s credit, the plot points are consistently full of heart, which helped.

For the record, here’s some Funny that I liked, and some that I didn’t like so much.


Funny that I liked

E7. The one with the chicken

There’s a large serving of funny this hour, at which I found myself – gasp! – actually laughing out loud.

Usually k-humor doesn’t work so well for me, and I often don’t jive with dramas’ idea of funny, especially if the humor is broad, and yet, I am giggling at the ridiculousness that Show serves up.

To be fair, I wasn’t much into the toilet humor of Manager Gwi accidentally drinking the laxative-laced drink that he’d planned for the dance competitor, but I liked a good number of comic moments this episode; more than average, I’d say.

My favorite comic moment this episode, is Kang Bae using his magic fingers on a hen, and Manager Gwi speaking chicken to the hen, who’s the witness of what went down with the runaway ghost.

HAHA. That’s so absurd that I can’t help giggling even as I type this.

Funny that was just ok for me

E4. The one with the field day for the dead

The first half of this episode felt particularly random and silly, but Show manages to round it up and bring it back to a more poignant, personal note by the time we hit the end of the hour.

I appreciate the lashings of personal story, but I hafta say, the silly isn’t sitting so organically with me, this episode.

I’m adjusting my lens for it, and that’s helping, but I’m realizing all over again, that I don’t tend to jive with the silly so much, when it comes to dramas. Someone who enjoys this particular brand of silly would love this episode, I think.

The cover story that Kang Bae, Wol Joo and Manager Gwi cook up to get Yeo Rim off Kang Bae’s case, is really quite clichéd, and the terrible acting and just as terrible spoken English of the actor playing Manager Gwi’s avatar as Mr. Smith, is highly distracting.

But ok, at least Yeo Rim buys it, and Kang Bae’s got a cover story, and Manager Gwi gets to look sharp in a suit, once he shakes off the terrible Mr. Smith avatar.

Wol Joo’s encounter with Jin Dong’s grandmother (Kim Mi Kyung) at the supermarket feels like filler, and the scene feels quite pointless to me, since it’s not necessary for Wol Joo to know Gran, in this episode’s events.

I guess it’s more to give us some insight into Gran and her sweet-talking ways, but in effect, this still felt like filler.

The field day for the dead also feels like one rather protracted gag (which was just ok for me), but there’s something endearing about all these ghosts fighting so hard for the chance to bless their descendants.

Snerk, at Show indicating that because they’ve got a new hire – a heavy hint at Steve Jobs – all the records at Afterlife City Hall are now digitized and super fast to access. Ok, I did chuckle at that, it felt so random, hur.

On the upside, I like that this episode’s case doesn’t just result in Jin Dong’s life being saved, but his grandmother’s back being healed as well.

That feels way more precious and priceless than winning lottery numbers, and it’s so wholesome, to see Jin Dong and Gran celebrating her newly strong back.

I thought it was a little weird for Wol Joo to break the fourth wall and address the audience, advising us to be nice to one another and help one another, because the good deeds eventually can come back to us.

I found it rather hokey and awkward, but I get that Show’s trying to serve up a feel-good, aspirational sort of moment.



I’ve already alluded to a number of themes and ideas in this review, most of which are tied up with the grudges of the day, but I wanted to shine the spotlight on one particular theme that stood out to me extra.

In episode 6, Kang Bae gives the following voiceover, which I really liked. I found it to be resonant through our entire story:

“Everyone has a wound that pains them. The moment you’re willing to reveal that wound you wanted to hide is when you find someone with the same wound. ‘I know. I’m in as much pain as you are. So you can cry in front of me.’ As you show them your true self, and when they do exactly the same, you begin to get to know each other little by little.”

So true.


This was a very solid penultimate episode, where I don’t just feel like stuff is being moved into place for the big finale.

This episode, in itself, feels meaty and significant, with important plot movement taking place, without taking away the spotlight from the finale. Nicely done.

Although we do have to contend with some angst and continued misunderstanding for a while, we do finally get some honest conversation between Wol Joo and Manager Gwi, where she finally learns what happened after her death.

There are sighs, tears and wistful regrets, but it’s heartwarming to see Manager Gwi finally give Wol Joo the ring that he’d prepared all those years ago.

I do love how that moment is treated, where we momentarily see young, human Wol Joo facing her crown prince, as they smile at each other.

It feels like all the angst of the last 500 years has been mended, and they’re finally reclaiming the love, affection and truth that they’d shared.

It does bug me that Wol Joo doesn’t yet tell Manager Gwi about their child, and why she’s accepted this punishment for the last 500 years. I feel that as the child’s father, he has a right to know. But, I do believe that Show is saving that for our finale.

It’s quite clever of Show to have this episode’s grudge to be of the Cinnabar herself, so that we don’t deviate from our main narrative at all.

It is admittedly very convenient that the Cinnabar’s grudge and general hatred of men has to do with Won Hyung as well, but in a small drama world like this, I can’t quibble too much.

I also found the way in which that grudge was settled rather lame, with noraebang, sweet treats and friends, but in lieu of actually punishing Won Hyung – which I believe Show is also saving for the finale – I suppose this is as close as we can get.

Importantly, Yeo Rin no longer has problems touching Kang Bae, and it’s very cute how she revels in all of the touches, the moment she realizes she can.

From holding his arm, to holding his hand, to giving him a hug, Yeo Rin goes through the paces with wonder and glee, and it’s super cute that when she instructs Kang Bae to hug her back, he’s so thrilled that he’s allowed to. So he does, and won’t let go, even when she says it’s enough.

Hee. Smitten puppies are adorable.

I’m rather disappointed that all the past hints that Manager Gwi had been suspicious of Reaper Yeom were all red herrings. This episode, I keep waiting for him to outsmart Fake Reaper Yeom, and he.. doesn’t.

HOWEVER. Show more than makes up for it, with the reveal, that Kang Bae is the Sacred Tree.

When Fake Reaper Yeom attacks Wol Joo and flings Kang Bae out of the way, it seems that blast of supernatural power went right through Kang Bae’s open spiritual gates, and ignited the power of the Sacred Tree, which has been dormant in him all this time.

Ooh. I didn’t see this coming, and I am suitable intrigued to see where Show goes with this. I am extremely pleased that Show pulls off this plot twist so nicely, this late in our story. Nicely done.


In the end, all’s well that angsts well (hur), and we even get a happy ending all around, so I’d say Show does a nice job of this finale, despite the rollercoaster of emotions it entails, and some convenient plot developments that don’t actually get explained.

After the fiery confrontation with Won Hyung at the bar, Kang Bae collapses in a dead faint, and for a while, we get some nice family scenes, with Manager Gwi and Wol Joo taking care of him and feeding him food.

We even get a dream sequence where they’re living ordinary lives as a family, with Wol Joo getting annoyed with her man-child husband who plays computer games with their son instead of getting him to study.

It’s a silly little scene, but set in the context where these characters will never get to live that ordinary life, there’s a distinct undercurrent of bittersweetness running through this scene.

The final showdown with Won Hyung is dramatic and full of heartbreak, as our characters give of their all, to protect one another.

Manager Gwi blocks Won Hyung’s last ditch flying-spirit-killing-weapon attempt to kill Kang Bae, by throwing himself in front of said weapon, saving both Kang Bae and Wol Joo – who’d herself thrown herself in the line of fire, to save Kang Bae.

Wol Joo, dragged over the edge of Kang Bae’s dream spiral staircase by a vengeful Won Hyung, chooses to let go, and fall into oblivion, in order to save Kang Bae. Her final words to him sound so loving and comforting; truly a mother’s last words to her son, wanting the very best for him.

“Just live your life like you always have. Be sweet and sincere. And don’t let go of those you love. All right? That’s more than enough.

You will then live your life to the fullest. I’m the one letting go of your hand. You didn’t lose your grip, so don’t ever blame yourself.” … “I enjoyed our time together, Kang-bae.”

Ack. So much self-sacrificial love here, and it’s extra moving that Wol Joo and Manager Gwi have only really just found out that Kang Bae is their son.

I believe that they would’ve given their all to save Kang Bae anyway – as we’ve seen from earlier events – but it just adds a big layer of extra poignance, to know that they are cognizant that this is all for their baby, whom they were just getting to know. Oof.

Unspecified time-skip later, we see that Kang Bae’s living an ordinary life, now that his unique powers have been sorted out. He and Yeo Rin are still happily dating, and Yeo Rin is happily still smitten with how handsome her boyfriend is, hee. Cute.

We also see Wol Joo, finally found, standing before Queen Yeomra to receive her sentence for not fulfilling the settlement of 100,000 grudges as agreed.

With a smile, Queen Yeomra informs Wol Joo that she did, in fact, settle 100,000 grudges, since, in sacrificing herself for her son, she’d settled her grudge of not being able to save her son.

Wol Joo requests not to be reborn, and asks for permission to simply live in the Living Realm as she’d done before, because she’s now ready to truly listen to people’s troubles.

As a reward, Queen Yeomra assigns her an assistant, and who should it be, but Manager Gwi, who’s alive and well!

We aren’t told how Manager Gwi manages to be alive, but the running hug that Wol Joo gives him, and their happy, tearful smiles, make my heart feel so full, that I barely even care that Show isn’t clear on this.

(My logical brain does rationalize, though, that Manager Gwi did die, because Wol Joo makes mention of Manager Gwi having been to the Afterlife.

Also, there’s Wol Joo’s voiceover, about how the heavens are more easily moved than we might think.

So I’m assuming that the heavens were moved by Manager Gwi’s sacrifice, and brought him back from the Afterlife is some sort of supernatural reincarnation where he can go back to being who he was, at the time of death.)

With Kang Bae’s spirit-seeing powers gone, I was a little concerned that he wouldn’t be able to see the bar even after it reopened, but he does see it (I guess this is the power of love? Heaven’s mercies?), and he bursts into the bar with incredulous wonder.

I love how he announces his arrival, “I’m here” – which are the same words that he’d always used, to let them know that he was there for his shift. Aw.

Like I said, the mechanics are kept vague, but I’m just really happy to know that Wol Joo and Manager Gwi get to start their love story all over again, while operating the bar together, and that now, Kang Bae will be able to join them too, and make this a fresh start for the whole family.


Sometimes silly, and sometimes angsty, but always heartfelt.





The next drama I’ll be covering on Patreon, in place of Mystic Pop-up Bar, is The King: Eternal Monarch. Yes, I’m finally checking it out, after numerous earnest requests from you guys!

If you’d like to join me on the journey, you can find my Patreon page here. You can also read more about all the whats, whys, and hows of helping this blog here. Thanks for all of your support, it really means a lot to me. <3

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2 years ago

I just read your review. very well written i love it hehe

Can I just say, Sungjae’s character twist here is THE SAME with his character twist in his role in Goblin. A powerful spirit is inside him & at some point he becomes the powerful spirit, then he faints and doesnt remember anything after he wakes up. This gave me the impression that Sungjae is drawn to this kind of genre (fantasy) which i think is interesting coz he veers away from the usual kdrama trope/role for good looking idols like him (ie, being the leading man who is either an asshole to the girl then they eventually fall in love or whatever love story that is).

Tho I wish korean drama series will eventually have the balls to not have a happy ending coz i think it would’ve made more impact. I was kinda disappointed with the ending, with Manager Gwi conveniently returning after being basically turned into ash or sumthn. The impact of the scene kinda lost its luster coz of that ending. But thats what kdramas do.

Also last point, i liked that there was not much of a product placement in this show, tho this show still has those. I srsly cant stand too much product placement in Kdramas esp (case in point: Goblin)

Anyhooooo.. thanks for this review! i’d be checking out your other reviews! glad to have found ur blog! love lots and stay safe!

2 years ago

MPUB was such a refreshing little show: silly and funny and knowing its niche, never trying too hard to be Epic and Serious and Life-changing… I feel like many kdramas could learn from it. 🙂 It’s easily my second favorite from this year, and I’m especially glad it proved that web comic adaptations can be actually good (after Gangnam Beauty and Itaewon Class, I was giving up on the genre). Also, I think it shows that pre-produced dramas have a much more consistent quality, so I hope it will eventually become the norm.

2 years ago
Reply to  Luna

Oh, glad you enjoyed this one, Luna! 😀 It really is a refreshing little show. And that’s a great point, that it knows where it stands, and never tries to be anything bigger. It just focuses on doing what it can do, really well. 🙂 Very true about pre-produced dramas being more consistent. Perhaps with the recent disruptions in filming schedules due to COVID, the industry will finally see the value of pre-produced dramas..

Snow Flower
Snow Flower
2 years ago

What a good little show! Everything was tied up well together. The occasional silliness did not distract from the main story, which was very beautiful and meaningful.
I thought that representing conception with a claw machine was one of the most unexpected and also most apt metaphors I have ever seen. I thought it summed up the randomness and the frustration of the process pretty well.
I am very happy that I watched this show.

2 years ago
Reply to  Snow Flower

Aw, I’m glad you loved this one, Snow Flower! 😀 So pleased that I was able to point you to it, and that you ended up enjoying it! <3 And YES, the poignance was really good in this one, and Show managed to balance it well, with its silly side. 🙂

Mike Mundy
2 years ago

The Romeo and Juliet scene reminded me of a similar Romeo and Juliet setup in Strong Girl Bong-Soon.

Snow Flower
Snow Flower
2 years ago

Well, I watched 2 episodes of Mystic Pop Up Bar yesterday and liked it a lot! The quirky and the poignant were mixed rather well. The episodic stories and the backstory were well integrated too. Will continue watching.

I am also interested in My Unfamiliar Family.

2 years ago
Reply to  Snow Flower

Ah, that’s great that you started on Mystic and like it so far! 😀 Yes, the quirky and poignant is a consistent mashup in this show, and they do it well, for the most part. And the integration of the episodic stories with the backstory IS very consistent; writer-nim definitely planned ahead very meticulously! 😀

I’m about halfway through My Unfamiliar Family and it’s very good. The plot developments can sound makjang in concept but the treatment is very down-to-earth and raw. I do think you’d like it, Snow Flower! 🙂

Prashil Prakash
Prashil Prakash
2 years ago

Yay! Thanks for reviewing this show.
I definitely agree with your points and I really found the show very charming.
And even though the story was good and all I think a lot of charm came from the characters.
This was the first show i saw in which Hwang Jung Eum was casted and boy is she good. Perfectly cast. And now I’m watching kill me heal me and her character is so similar and yet sooo different there!
Also The family dynamic of the show was really beautiful. The co-dependence for healing each other is something that really resonates with me (My Ajusshi took something from me, lol)

AnoTher thing that I think which made the show better is also the length ie The 12 episodes instead of 16 episode format which really helps the show to not unnecessarily stretch the story. Generally other shows would just stretch it and you can tell they are doing that.(even good shows are guilty of this IMO)

Just like you mentioned the grudge of the episode 2s Ajumma, Miss Andong was really touching. I think it was the most moving one in all. Maybe I’m a sucker for stories with people trying to redeem themselves. But it really made me tear up a little.

Thanks for the great review again!

2 years ago

Ah, thanks for enjoying this review, Prashil!! <3 Yes, I agree that the cast brought a lot of charm to the show, and I feel like our Mystic team got along especially well. I think the more compact 12-episode length definitely helped to keep Show on track, and keep our story moving along nicely. Oh yes, the family dynamic really was my favorite thing in this show.. from found family to reunited family; how fantastic is that? 😍🥰🥰

PS: I'm glad you're enjoying KMHM, it's been quite a while since I watched it, but I remember loving it – mostly for Ji Sung's amazing performance, but Hwang Jung Eum was good too (after I got past the initial screechiness, but that seems to be the norm for most of her roles, so I just took it as par for the course. 😜) Enjoy the rest of your watch! <3

2 years ago

Hi Fangurl!
I loved this drama. Hwang Jung Eum is one of my favorites – both for when she gets loud and when she gets seriously deep. She can do seriously deep so darn well. I just love her. Props to the costume designer for this drama as their approach to her clothing was so unique and I loved the colors they used.

I enjoyed the dynamics between all the main characters. I loved the stories as well. I have a special fondness for Yoon Sung Jae (I miss him on Master’s House, sigh) and he has a beautiful soulful voice. The first thing I did was click on that OST link. Ha!

As always, a thorough and detailed review! Thanks FG!

2 years ago
Reply to  phl1rxd

Hi phl!! Always great to see ya! <3 I agree, Hwang Jung Eum is fantastic in this. I generally don't like screechy characters, and I'm not sure why she in particular gets directed to be screechy on such a regular basis, but I feel like that turns people away before she gets to show the rest of her acting range. She does do seriously deep very well, and I'm really happy with how Wol Joo is presented. Hopefully this little show will allow more folks to appreciate Hwang Jung Eum as an actress! 🙂

Yook Sung Jae does sound great on the OST! His was my favorite track, I thought it was very tender and soulful. 🙂

Thanks for enjoying the review, as always! <3

2 years ago

I enjoyed Mystic Pop-up Bar until the ending, which disappointed me as Korean drama endings tend to do. I thought that Manager Gwi’s unexplained and convenient reappearance after sacrificing himself destroyed any poignancy from his sacrifice but hey, anything for a happy ending. Similarly the resolution of the Grim Reaper story was ho hum. All’s well that ends well and everybody is happy…except for me.

What sold this for me were the silly parts (which seemed fresh and funny to me), such as Manager Gwi and the chicken and yes, even field day for the dead.

2 years ago
Reply to  Alaska

Aw, it does sound like Manager Gwi’s magical return bugged you more than it did me! 😅 I can’t figure out why I sometimes feel the same way you do – like, stop copping out, Show! – and why I sometimes am perfectly happy to close my eyes to the logic fail and embrace the happy ending. I know I did that too, with Peach Blossoms. But it grated on me at other times, like in Fight My Way. I haven’t got a clue as to why I feel differently for different shows, but I just wanted to say, I know how you feel! 😝 At least you did enjoy the funny silly parts, so it wasn’t a total washout! 😅

2 years ago
Reply to  kfangurl

I think that the more I like a drama the more disappointed I am with an overly neat happy ending. That’s why the ending in Fight My Way didn’t grate on me as much — it had already lost me with the birth secret storyline. I had much higher expectations for Mystic Pop-up Bar!

2 years ago
Reply to  Alaskan

I can see how that would be the case! Oh the dangers of being good enough to create high expectations! 😝😅

2 years ago

Hi kfangurl – thanks for this review. I am happy you watched this show. Your review is spot on and I agree with everything you said about this show. Although, I did like Hotel Del Luna, I did not love it. And when I watched this show, though I found similarities as you have put it nicely, I ended up loving this one a lot more. This was such a good show and one which will put a smile on my face when i’m reminded of it in the future.

2 years ago
Reply to  D

Aw, I’m glad you enjoyed this show too, D! 🙂 Sounds like we felt rather similarly towards Hotel Del Luna; I liked it reasonably well, but didn’t enjoy it as much as I did Mystic. Which makes me think of Mystic as the little show that could, since it grabbed my heart more, but with a smaller budget. 😉 Thanks for enjoying this review! <3

2 years ago

Thanks to KFG for your typically detailed and insightful review. I feel honored that I was watching along with you in real time on this drama and also that I agree almost note-for-note with your review. This was definitely a show that I looked forward to watching when I could. Unlike KFG and apparently a lot of folks on the blog, I was also very fond of Hotel Del Luna (maybe will post why over there so as not to introduce spoilers here) and because of that almost didn’t watch this one just because I try to mix up genres when I switch shows, but am glad I did. I liked the conciseness of the show and, as you point out, it was very well paced and plotted throughout. Now I’m onto “Thirty But Seventeen” and “Kingdom” (once a week only).

A couple of things in addition to what you’ve already mentioned:

1. Loved the very final scene of the show. So lovely.

2. I was surprised to find myself totally engrossed in the Young Love story and the mystery regarding Yeo Rin. Kudos to Jung Da-eun for a terrific performance.

3. In another thread, I wondered whether MPUB would be a suitable first drama for a K-drama newly, and now having finished it I think would be great in that context and will recommend it. It has a lot of the typical K-drama elements and enough spark and fun to draw in new people. Which is part of my mission in life (which is sad because I usually fail).

4. I learned a new word today: “hur”.

Thanks again and congrats to KFG for a wonderful job. Take care of your self and keep on healing!

2 years ago
Reply to  j3ffc

Aw, thanks so much for joining me on my journey with this show, Jeff! 😀 I’m so glad that you enjoyed watching this along with me! <3 And, YAY that you enjoyed the eventual review as well! I haven't seen Kingdom (I'm a wuss for horror), but I did love Thirty But Seventeen, and I hope you will too! 😀

Oh, that's a good point, this might be a nice introduction to kdramas for someone, especially if they like a bit of fantasy in their stories. 🙂 I know my gateway was the romance, so Past Me might've wanted more in the way of swoony romance, even though Kang Bae and Yeo Rin are very cute together. 😉

HAHA. I don't know if "hur" qualifies as a real word, but feel free to use it. We will surely understand you when you do, around these parts! 😉

2 years ago

This was the other drama I managed to watch this summer and I liked it a lot. You’ve more or less said what I thought about it and way better than I could ever do. 😀 A lovely little drama and just the perfect length too. Next in line – FoS2! I really, really hope it’ll be as good as the first season.

2 years ago
Reply to  Timescout

Oh, that’s so great that you enjoyed this one, Timescout! 😀 Knowing how many dramas fail to grab your interest, this feels extra special! 😀 And yes, 12 eps felt just right for this story. I think 16 eps would’ve felt too long. Also, wow, FoS2 is almost here! And I haven’t yet watched S1. 😛 I had good intentions of watching S1 in time for S2’s premiere, but I didn’t manage to, in the midst of everything else. 😝 I guess I can still do it – I’ll just be behind everyone else (as I am, most of the time! 😆)

2 years ago
Reply to  kfangurl

Oh, you are not alone. Quite a few seem to have watched S1 just now, to prepare for S2. 😁

2 years ago
Reply to  Timescout

Hahaha, sounds like many have succeeded where my good intentions have failed! 😛😆 I wish I could’ve watched S2 with everyone else, but seeing as how I haven’t even managed to start S1 at this point, and S2 is starting this weekend, I’m going to have to be content to trail behind again! 😆

2 years ago
Reply to  kfangurl

I haven’t watched an ongoing kdrama for ages. It’s quite likely I won’t be able to keep up either. I’m a bit rusty on that respect, ha.

2 years ago
Reply to  Timescout

Haha! Thanks for trying to make me feel better (you schweet ❤️), though I’m sure that you’ll still be wayyy ahead of me! 🤣🤣

Snow Flower
Snow Flower
2 years ago
Reply to  Timescout


How is FoS2 so far?

2 years ago
Reply to  Snow Flower

Pretty good so far. Not as strong start as S1 had but this is a different director, so… we’ll see I guess. It’s early days yet and the first 2 epis were mostly setup. I loved seeing all the returning characters tough. 🙂

Snow Flower
Snow Flower
2 years ago
Reply to  Timescout

Lee Joon Hyuk is truly memorable!

2 years ago
Reply to  Snow Flower

Yup, our favourite weasel is back. 😉

2 years ago

Hey kfangurl, hope you’re resting well and your hand is better! 💙

I honestly saw the trailer and poster for this drama and never considered adding it to my watch list. Like you, I’ve been lukewarm with Hwang Jung-Eum’s roles because they can make her seem extremely childish and annoying. I recognized the other leads also, and I’ve enjoyed their other works, but the synopsis didn’t draw me in. I thought of Hotel Del Luna also, which was another deterrent, so I pushed this drama to the back of my mind. I have no idea why, but I decided to start this drama on Netflix after finishing Extracurricular and seeing this drama on my homepage keep “popping up” (I’m hilarious). I hadn’t seen much promo for it, but I’m so glad I hit play. I found this drama to be an underrated gem. The family bonds between our bar crew. The little hints that had me guessing who was the crown prince. The grudges that had me feel actual emotions. The sprinkling of humour throughout (I cracked up at the chicken too). Your review really hit everything I was thinking too, like some of the funny not being… funny. I found the sports field day very meh also, but the makjang Romeo and Juliet had me cracking up at the end (even having me questioning again who the crown prince really was).

The writing in this show felt solid to me; maybe having “mystic” in the title already made me have some leniency in overlooking explanations of certain phenomena, but nothing ever felt completely out of place or unnecessary. It felt like the show was keeping a great pace with its story and reveals, and this was the show I always wanted to watch each day without feeling the need to binge watch, which says a lot about how interesting this drama was for me, the fact that the first show I would think about watching once I could relax was this drama. I can even remember all the details you included in your review even though it’s been some time since I’ve watched. I think the writers did a great job with the storyline; they knew what they wanted to do and how they wanted to get there. It never felt draggy or rushed, so I think the 12 episode count was just right. The handling of the connection of the bar crew and their reveals had me feeling all sorts of emotions. The little hints thrown along the way of Gwi and Wol Joo had me melting. And then with Kang Bae there, I could sense that family vibe.

This really became one of my favourite dramas, and I’m so glad I didn’t end up putting this on my “not interested” list.

2 years ago

Tee hee. I love your (I’m hilarious) coz it actually made me giggle at your “popping up” reference! 😁 YAY that you decided to give this a try, despite your initial reservations. I’m glad I did the same! I was very impressed that the grudges of the day managed to make me feel real feelings, coz that’s hard to do with an arc that only lasts for an episode. I felt SO much more during this show, than I did during Hotel Del Luna (with the exception of the Tragic Heartsick Captain, for whom I had a huge soft spot, heh). And yes, that chicken was hysterical! I laughed so hard I surprised myself! 🤣🤣 Oh yes, the makjang Romeo & Juliet casting made me wonder if Kang Bae was supposed to be the crown prince, given that he plays Romeo. Sneaky!

Yes, I agree that writers knew what they wanted to do, and knew it from the very beginning. Otherwise, how could they have mapped everything out so well, especially in terms of how the grudges would tie in with Wol Joo’s backstory and the nugget that they wanted to reveal at the time? It required a lot of very specific planning, I reckon. It did bother my brain a touch, that Manager Gwi was given something of a “free pass” to come back alive, but Show gave enough hints for my heart to rationalize it all. 😅 The family vibes were my favorite, and so that family reunion at the end was such a happy place to end my journey that I couldn’t even quibble much on the details, heh.

PS: I’m doing better, thanks so much for asking! <3 I can feel a distinct improvement this week compared to last week, so I'm really happy about that! 😀

2 years ago
Reply to  kfangurl

Glad to hear you’re recovering! Take it easy!!

All I want now are some BTS of Choi Won Young and the chicken. I wonder how many takes it took! I also saw some of their interviews on The Swoon on Youtube, and it’s another one of those strong cast chemistry bonds that I really love to see. I swear, the amount of tissues I went through in the second half of the show. I was nearly bawling my eyes out; this show really got to me. If I felt this much emotion in these short episodes, I can’t imagine what Wol Joo went through for the rest of her cases. No wonder she can seem so heartless sometimes!

Oh yes, the ending where Gwi just “came back” to life. I really questioned how they’d explain it, but I loved them too much that I rationalized it for them. Maybe they thought his sacrifices, like helping Wol Joo, were enough to earn a resurrection. Maybe they realized they’d need someone to keep Wol Joo in check and not wreak havoc in the human world. I’m just happy to see them together that this is something I’m willing to glance over 😉 And I truly enjoyed how badass Cinnabar was; I only wish I saw her utilized more!

I’m looking forward to your watch of King: Eternal Monarch! It’s not on my priority list, but I’m debating even starting it based on what I’ve heard and read. I’ve been watching a lot of lighter, easygoing shows lately because work is physically tiring and I don’t have the mental capacity to deal with plot-heavy, action-packed shows after my shifts (although my heart is absolutely ready for Stranger 2 dropping this weekend on Netflix <3 ). I seem to be dropping dramas pretty quickly too now – I dropped Backstreet Rookie after 2 eps and Rugal after 3. Maybe I'm subconsciously trying to whittle down my pending watch list…

2 years ago

Oh!! Ahaha! I can imagine how hilarious it must’ve on-set the day the filmed the chicken scene!! 🤣🤣 Now I want to see that BTS too! 😆 And yes, I can believe that the cast bonding is strong in this one.. they just look very comfortable together, and I can just imagine them kidding around on-set. 😍😍

I agree, Cinnabar was a fun concept, and she was realized in both awkward-cute and fierce-badass ways, which was nice. I agree it would’ve been great if she’d had a bigger role to play overall.

I decided to check out TKEM partly because my sister loved and called it brilliantly written. I was intrigued, since TKEM suffered from so much criticism, not only by k-netizens, but from quite a few seasoned drama fans. I decided I needed to find out what I felt about it for myself. I can’t vouch for the show until after I’ve finished watching it, but first impressions: it’s more enjoyable than I’d expected. 🙂 And it doesn’t feel like a heavy watch, though there will likely be fantasy elements to keep track of, as the story progresses.

You’re not alone, I feel like except for a niche fan-base, quite a lot of folks dropped Backstreet Rookie. I also heard pretty meh reactions to Rugal. Have you tried Oh My Baby? I’ve found it a pretty easy watch for the most part, and quite enjoyable. 🙂

2 years ago
Reply to  kfangurl

Talking about all this chicken is making me crave some Korean fried chicken right now…

When TKEM was airing, my mom was staunchly following along. She was raving about it and kept spoiling details for me 😅 but then she suddenly… stopped. I asked why, and she said the story got very twisted and she lost interest somewhere around eps 10-12? So that’s a big reason I haven’t checked it out. I’d love to read some of your live reactions someday 🤣

I heard a bit about some controversy around Backstreet Rookie, but that’s not what put me off from watching it. It was airing around the same time as Dinner Mate, and although I usually wait for shows to finish airing before starting them, I chose to watch Dinner Mate first because it just sounded so much more interesting (which, slight spoiler, I had to eat my words [for dinner? 😜] in the second half because I got annoyed). For Backstreet Rookie, I think it’s not my style of drama. Kim Yoo Jung really seems like a comic book character come to life, but I didn’t find the storyline interesting, and in the whole two episodes I watched, I didn’t have a single character I liked. Many comments said it gets better and it picks up later, but I’m not sitting through another eight episodes for it to “get interesting”. Maybe another two, but I merely didn’t find it funny at all. I’ve sadly been disappointed in the dramas Ji Chang Wook has chosen since his return.

Hmm, I’ll have to look into Oh My Baby more per your recommendation! I didn’t put Oh My Baby on my watch list because its synopsis sounded very reminiscent of a TW drama I almost watched but ended up taking off my list. I don’t think that kind of plotline is for me. Although I’m pretty sure Jang Nara’s character isn’t the overly cutesy type like some TW female characters and I liked Go Joon in Fiery Priest, I don’t see myself wanting to watch it. I might check it out if it’s not entirely wild and is more easygoing slice-of-life.

I’ve been going through some more modern C-dramas right now. I find them easier to pop on while I’m getting ready and/or passively watching; since their plot development tends to be a bit slower and I can understand some Mandarin, I don’t always have to keep my attention on the screen. [Also, all the Korean dramas I’m trying to watch right now (Flower of Evil, Live, & Stranger 2) are pretty intense and require more brainpower. I usually end up reserving them for my days off.] I just dropped C-drama “Count Your Lucky Stars” today after sitting through eight episodes. I was so excited about it after seeing the casting, and the trailer looked cute. I wanted to drop out earlier but hung around to see if it would improve since C-dramas like to give that *cHaRaCtEr dEveLoPmeNt*, but dear goodness I found the writing shoddy. I thought it was going to be a light, cutesy watch; turns out it was easy to switch my brain off and watch it, because none of the characters’ actions made sense and the story seemed to fly everywhere, so I gave up. I ended up replacing it with Nothing But Thirty, which seems like it’s a Chinese version of Search: WWW. Not exactly light, but at least it seems promising.

Anyway, I’m a bit sad my drama-watching time is decreasing more and more now, but maybe it’s a good thing because it makes me really consider what I want to prioritize. I’ve only been able to lurk around and check your updates and haven’t had spare time recently to thoroughly read your last few posts 🙁 I haven’t said this enough, but I’m so grateful for all you do, and I’m glad to hear from you <3

2 years ago

Aw, that’s quite sad that your mom lost interest in TKEM, despite being so engaged by it in the earlier episodes. I can see that happening though; the whole fantasy set-up has a lot of potential for complicatedness and as the plot progresses and various things get more entwined, I can imagine it could get to a point where it’s confusing and tiring to keep on top of it all. 😛 My sis managed to love it to the end, and I’ve heard that Show actually gets better in the second half, so.. I’m hopeful. 😅

As for Backstreet Rookie, I haven’t checked it out myself, but I did want to say that I feel like kdramas generally don’t do as good of a job with turning a manga/manhwa into a live action story. I feel like J-dramas do that particularly well, and while the k-versions do try, it somehow doesn’t pop in the same way. Of course, this is just based on my limited exposure to both, so I wouldn’t quote me on that. 😉 All that to say, I can imagine how this style of kdrama might not work for you.

Oh My Baby isn’t wild at all, although it does have its comic leanings. Show does attempt to explore the plight of the older single woman, and uses a fairly light touch with it, even though there is definitely poignance and angst along the way. Go Joon has some very endearing moments in the show, and I think overall, it’s a show that’s quite enjoyable. The first episode was very well mapped and handled, so that impressed me right away. I was unimpressed by some of Show’s later narrative choices, but overall, I’m still enjoying it. 🙂

Aw, I can understanding needing some lighter shows to balance out the heavier ones. I want to enjoy more C-dramas, but I have to confess that I find fewer to love than I’d like. Good to hear that Nothing But Thirty seems promising! 🙂 I hope it stays good to the end; I’m keeping an eye on that one. 🙂

Yes, less drama time can be a bummer, but it does make you think twice about hanging onto a show that’s not really floating your boat, so maybe this will improve the overall quality of your watch experience? 😉 Also, thank you for your kind words, I feel the love! 🥰🥰🥰😘

2 years ago

Kfangurl, you have done it again – a review that captures the full essence of Mystic Pop-Up Bar.

For me, it was one of those rare shows where the second half is better than the first half. Episode 8 – Juliet’s Temptations was my favourite episode. I always enjoy a variation on a Shakespearean theme and they nailed it (I can watch a play all day every day).

The cast was awesome. You said it all, I cannot add anything further.

I liked that each episode had a story, and I liked that Mystic was only 12 episodes in length. Any longer and it would have lost its indelible charm.

I liked how show ended. To me it seemed the right outcome. It wouldn’t have mattered if it made sense or not because I was happy to seem them all together once more.

I look forward to more shows that challenge the norm, and with that a renewed viewing experience 😊

2 years ago
Reply to  seankfletcher

Hi Sean!! Great to see you! 😀 Thanks for enjoying the review; I appreciate the love, as always. <3

I have to agree that I found this show stronger in its second half, and for me, I think that's because the second half is where the backstory gels together and all the jigsaw pieces stop being random little pieces of information. Also, yes, even though I was rather thrown at first, the makjang version of Romeo & Juliet turned out to be quite entertaining in the end, I have to admit. 😂 My favorite funny bit is still Kang Bae using his magic hands on the chicken tho! That was so unexpectedly priceless! 🤣🤣

Lol you are so right – nothing else mattered at the end, as long as they were together. I happily accepted it, unanswered questions and all. Who cares, when the little family is reunited? 😁😆🥰

Also, YES to more shows trying out new things and being creative and giving us even better dramas to enjoy! 😀

Snow Flower
Snow Flower
2 years ago

Hey KFG,

I hope you are healing well.

I was reluctant to start this show because I usually stay away from episodic shows. But your review makes me want to check it out.
I just finished the excellent It’s Okay to Not Be Okay. I have written and recorded 6 piano compositions as musical reflections inspired by the show. If you are interested, I would like to share them with you and the readers of your blog when your review is ready.
I am currently watching Because This Is My First Life and The King 2 Hearts and enjoying both. I will add Mystic Pop Up Bar to my list.

2 years ago
Reply to  Snow Flower

Snow Flower, I am very much looking forward to your compositions re IOTNBO. Also, I can say I enjoyed both Because This Is My First Life and The King 2 Hearts thoroughly.

2 years ago
Reply to  Snow Flower

Wow! 6 piano compositions inspired by It’s Okay?!? That’s amazing! 😱😱 Yes, please do share them with me when you are able – I’ll then include them in the review when it gets published. 😄 It won’t be for a while yet though, as I’m only about halfway through the drama at the moment. But it will come! 😋

That’s great that you’re enjoying Because This Is My First Life and The King 2 Hearts! I enjoyed both, despite both having some flaws. And yes, do put Mystic on your list; it’s surprisingly cohesive and enjoyable, despite it often leaning silly. There’s a great deal of pathos built into the story as well, and Show does a good job toggling the 2 disparate tones. Also, there are sageuk scenes, which I think you’d appreciate! 😉

Also, I am doing better, thanks for asking. <3 The stitches are out, and the wound is sealing up nicely. Doc says it should be all sealed up in a matter of days. The nerve damage will take some more months to heal, but it is better today than last week, so I'm definitely making progress! 🙂

Snow Flower
Snow Flower
2 years ago
Reply to  kfangurl


My plan is to write 8 pieces, one for every 2 episodes of the show. I still have to compose 2 more and record them.

2 years ago
Reply to  Snow Flower

Wow! You actually plan to write 2 more?! 😱 I’m floored. That also shows how much the show has inspired you! I’m looking forward to hearing them, when you’re ready to share them. No rush! 🙂

2 years ago
Reply to  Snow Flower

I cannot wait to hear them Snow Flower! Good job you!