Thanks again for writing an article for my last blog post idea about archetypes (post is here)! I loved it and shared it with some of my friends who watch kdramas too.
I had another question for you. I did a quick search of your site, but didn’t find anything.
Can you give us a quick explanation of sageuks? I have seen a few, but I’d like to understand more about them.
The different types: fusion sageuk, etc., recommendations in each category, how they are produced (if you have any insight), why they seem to be longer than other dramas, etc.
Recently in the US the great, great American television serial character actor Michael Kenneth Williams died (insofar as I can tell of a drug overdose, though the facts have been slow in coming) at the age of 54.
Just a flat out brilliant actor, Williams has had three especially memorable roles in HBO series.
But one especially stands out, the role of Omar, a kind of lone ronin bad ass, who lived out of his own moral code as a gay, shotgun carrying thief who stole from drug dealing gangs to make his living on the streets of Baltimore during the late nineties, in The Wire, a 5 season series that critics, and I as a watcher of television series, universally have acclaimed as one of the greatest if not the greatest such series ever produced.
While show features a large ensemble, and it would be hard to pin point any single actor as lead, therefore, Williams’ Omar was distinctly a support character, albeit imo the greatest antihero ever filmed.
It is hard to over emphasize what a signature role Williams enacted, except to say in the wake of his death, the outpouring of grief in response, focused in elaborate, admiring, and loving detail in large part upon his role as Omar, his superlative and unforgettable performance, and how its impact upon American culture has been universal.
I cannot myself remember any actor in film or serial drama in a supporting role so iconic; that is, in a drama so universally praised, a supporting character being universally its most memorable. I wonder if in K drama you can think of any equivalent kind of performance?
..Which I paraphrase to mean, OTPs that didn’t work for me / are not my favorite / are kinda blah. Coz worst is a strong word, heh.
Shout-out to Beez, for being the first to ask for this list!
Note: I fully expect that some of the OTPs that didn’t work for me, might be your actual favorite OTPs, and that’s perfectly fine, since this is all subjective anyway. But if you’d prefer to look away now, I won’t be offended, I promise. 😉
If you’re on the market for a show that’s small, simple and sweet, this drama just might be the one for you.
As those of you who’ve been around the blog for a while would likely know, I am always on the look-out for suitable drama nightcap material.
Yes, I like my dramas exciting too, but suitable drama nightcaps are just as important to me; I need a show that’s not too complicated nor intense, so that it won’t keep me up, but still engaging and interesting enough, that I’ll still enjoy the watch.
I first tried this show as regular drama fare, and to be honest, it didn’t grab me much, in its first episode. But once I tried it out as a drama nightcap, it fit the bill quite perfectly.
Not only did it strike just the right balance between interesting and easygoing, it even has a sort of (found-) family drama feel to it, thanks to our story being more character- and relationship-focused than patient-focused. Not bad at all, I say.
After feeling pretty underwhelmed by Lee Jun Ki’s dramas in recent years – namely, 2014’s Joseon Gunman, 2015’s Scholar Who Walks The Night and 2016’s Moon Lovers – I was starting to seriously wonder if I would get to see Lee Jun Ki in a show that I truly enjoyed, ever again.
(I didn’t check out 2017’s Criminal Minds, but I heard that I didn’t miss much.)
Now, I’m really pleased to report that I did enjoy his 2018 outing, Lawless Lawyer, and quite thoroughly too. This, when I’m not even usually that drawn to the action / legal genre. Not bad at all, I say.
A highly-buzzed, high-profile drama project that boasted strong credentials, a big budget and an even bigger cast, but which ultimately failed to deliver the expected awesome.
Patchy writing, jerky direction & execution, and uneven acting all contribute to Show’s general lack of oomph.
For the tenacious viewer, though, there are small stretches of soapy crack to be had, and quite a lot of pretty to gaze at, for the most part. Lee Jun Ki is mesmerizing and quite wonderful in this, despite his character getting off to a somewhat shaky start.
I can hardly believe that 2015 is coming to a close and 2016’s almost upon us. I know I said this last year too, but seriously guys, time is flying.
Even more so when you count the year in drama milestones, or so it seems, since there are more dramas in dramaland than ever before, vying for our limited drama hours.
Everything feels like it’s flying by in a blur, and even though I’m dedicated to my dramas, it’s just not humanly possible to stay on top of everything – and that’s before taking Real Life responsibilities into account! XD
Still, I’m pleased to report that I managed to watch at least as much drama as I did last year, if not a little bit more. I’m sorta behind on the reviewing front, but I promise to catch up on that, pinky swear!
When I first heard the set-up for Scholar Who Walks the Night, I was really excited.
I mean, a supernatural drama world featuring Joseon-era vampires with glorious bone structure, and a girl who goes undercover as a boy to earn a living and support her family? It sounded like the perfect mashup combining the best of Arang and Sungkyunkwan Scandal, both of which are dramas I really love.
Plus, Scholar stills promised that I would get to see Lee Jun Ki wearing guyliner and a deeper red lip, sorta like how he did so spectacularly in his breakout role in The King and The Clown.
Basically, I couldn’t not watch this one. And I couldn’t wait to feast my eyes on the Pretty too.
So recently, a couple of comments on the blog have combined to give me pause for thought.
And instead of just answering the latest question in the comments section, I thought it was interesting enough, and thought-provoking enough, to put it all in a new post, and see what you guys think.
Well ok, that, and the fact that as I chewed on my answer to the latest comment, I realized that there were just too many facets to the answer than I felt could fit reasonably into a simple comment.
Basically, the question is, have kdramas gotten worse / more “dumbed down” in recent years?
