This little 4-episode drama special really gives you everything you’d want in a drama – just in a small, compact serving, where you only need to invest 4 hours of your time, instead of 12, 16 or more hours.
We get a winsome protagonist, a main conflict, a cute love interest, and a growth arc. Plus, our story even manages to arrive at a conclusion that feels satisfying. What’s not to love, right?
What a surreal year 2020 has turned out to be, amiright?
It’s been the year of surprises and curveballs, and I think it’s safe to say that none of us has been unaffected by the events of 2020. As a small silver lining, with lockdowns taking place around the world, and Netflix promoting Asian dramas with unflagging enthusiasm, we’ve welcomed many new drama fans into our midst.
And, our dramas have not let us down. I mean, yes, there’ve been duds, but that’s true every year anyway, yes? 😉 I’m just happy that Dramaland has found a way to continue production while ensuring the safety of cast and crew, coz I know I’m not alone when I say that dramas have helped make 2020 better.
Now, let’s take stock of my drama year in 2020, before 2021 comes upon us!
Find Me In Your Memory does a rather unusual thing, by tapping into one of Dramaland’s favorite sources of dramatic tension – the stalker arc – and then using it as a platform for our main characters to work through the healing that they need. In this way, Show sets itself apart from other healing dramas, which tend to be more introspective in vibe, by being comparatively more action-heavy instead.
Despite a tendency to use tropes in its narrative, Show manages to serve up characters and relationships that feel real and relatable, where growth feels earned and true. The OTP relationship is portrayed as sweet and restrained, and taps nicely into the chemistry between Kim Dong Wook and Moon Ga Young, which feels sweet and natural. As a bonus, the secondary loveline between Kim Seul Gi and Lee Jin Hyuk is super cute.
Not groundbreaking by any means, but a solid watch overall.
Measured, quiet and thoughtful, I really liked this show, for the most part. I enjoyed the deliberate, considered vibe of the writing and the overall handling, and the small town setting feels refreshing and different. For a good stretch, watching this show feels like a nice dose of therapy, away from the roar of current affairs and world events.
However, I struggled quite significantly from episode 13 onwards, with certain plot developments making me legit angry with Show. BUT, Show manages to turn things around just enough in its final steps, to end on a sufficiently positive and uplifting note.
I wanted Show to be better, especially given its strong start, but I suppose it could’ve been worse. For the record, I really enjoyed Seo Kang Joon in this.
I’m so, SO excited to announce this guest post, everyone! 😀
Today, our very own Jesse is taking the stage (page?), and he’ll be shedding light on some of the nuts and bolts of the workings of our beloved dramas.
This post was born of a comment that Jesse had written in response to Beez, breaking down some of the practical variables that contribute to (or detract from) the chemistry that we see on our screens. I loved what he wrote, and asked if he’d be willing to expand that into a post for us, and he graciously said yes!
Granted, Jesse’s exposure has been in the US film industry and not in Korea, but from what I understand, the processes that he describes are also practiced in Korea, if not down to the minutiae, then in large part. I personally found his post illuminating and very educational, so I hope you’ll enjoy it too!