Recently due to Noble Idiocy I abandoned the vision of a drama that I really enjoyed: Monthly Home Magazine.
Could you do a post with the list of dramas that contain this detestable gimmick?
I remember getting so mad on Clear With Passion With Me Now too and I would like to avoid investing hours of my life to be so disappointed. In the comments your readers could integrate the list and it would be a really useful service in my opinion.
I have a Dear kfangurl question to ask! My question is whether you’ve ever had a problem watching the same actor in a different role, because you have such a strong impression of him/her in the first show you saw the actor in? Asking because I just started watching K dramas last year, and i started with highly rated ones like Crash Landing on You and Healer, where the OTPs are so smashing that I was reluctant to see the actors in other shows as it would feel to me almost like they were cheating on their original OTP! Lol.
So far I haven’t “repeated” any actors besides Lee Jun Ki – I first saw him in Arang and the Magistrate and a few months later in Flower of Evil. But to me that felt ok as his performance made the two characters feel completely different. It probably helped that his Flower of Evil character was supposed to have antisocial personality disorder so has flattened emotions.
But now almost a year after watching Healer, I’m watching Park Min Young in Her Private Life and I keep getting flashbacks to her Healer performance, especially when the two characters overlap on certain traits like optimism, pluckiness and sunny smiles. It’s probably a personal quirk but I do wonder if anyone faces this issue too! For now there are so many dramas out there that I can avoid repeats of actors but soon it won’t be an option! Ha ha.
Confession: this Dear kfangurl post wasn’t actually triggered by a Dear kfangurl question. It just made sense to group it with the other Dear kfangurl posts, coz that’s where the other lists on the blog live, heh.
BUT! This post was triggered by a conversation with my friend Jan on Twitter.
Basically, yesterday, Jan had remarked that she was looking for a Kim Ji Suk fix, and I’d suggested 20th Century Boy and Girl, in which he is the sweet, perfect boyfriend. Less than 24 hours later, Jan’s super happy with the drama suggestion, and her tweets are filled with happy spazz, and she’s also said that this was the rom-com she’d been looking for.
..Which got me thinking. With all the darker &/or heavier shows that Dramaland’s been serving up of late (like World of the Married, Graceful Friends, Flower of Evil and It’s Okay To Not Be Okay), as solid as these shows are, maybe some – or many? – of you guys might be looking for something lighter to make these dark pandemic days a little brighter.
In the course of one of our chats scattered across the blog, where I was trying to think of dramas to recommend to Jesse, I’d suggested Romance Is A Bonus Book. He’d ultimately sounded quite happy with this suggestion and said that he would probably check it out soon, but, he’d also said this, about the first time he’d considered watching the show:
“I remember at the time that I came across the show in a search awhile back, I saw the word “success” (as in Cha Eun-ho is a successful author) and completely lost interest. I didn’t want to see successful characters! I wanted to see losers and average Joes, because that’s who I could relate to at the time. I wanted to see love interacting with unremarkable people so I could nod and say, “See, Jess – it happens. Just you wait…”
..And that made me realize that Dramaland’s been so focused on creating everygirls and everywomen to give the female viewers (traditionally a majority) someone to identify with, that it’s forgotten that our growing number of male viewers would also appreciate an everyman to identify with. So I set about coming up with a list of dramas featuring regular guys – instead of the usual chaebol prince, or requisite geeenius – as romantic leading men.
I’ve been an active reader of yours since I got into K-Dramas, and I just have to say how helpful your reviews are to figure out whether a drama is worth my time or not. Your humor is very similar to mine, and I just love reading your in-depth explanations about what makes the dramas I love so squee-inducing. WITH THAT BEING SAID, we have a pressing problem at hand. I am a teenager, and because I am stuck at home with my parents and two brothers, we have been watching a lot of TV. My mom has expressed interest in watching a K-drama with me, and while I love her to death, I am not super inclined to have her watch me scream over a hot Korean man.
So, my question to you is: How can I enjoy a K-drama with my mom without it being weird? Also, what do you think are some good dramas to watch with the family?
I would love to watch one with her, and she’s not bad about watching kissing scenes and the like with us, but how can i do it without making it awkward? Anyways, sorry for unloading my familial insecurity onto you. Thank you for always being a reliable source for laughs, insight and good drama recommendations.
Dear kfangurl, what makes a kdrama addicting enough that I want to rewatch at least 10 times?
I’m kinda in the middle of a tough transition period at the moment and I found myself going back to rewatching all my favourite dramas – Healer, My Love From Another Star, Because This Is My First Life, Fight For My Way and Suspicious Partner, but with the FF button when it came to the “evil chaebol” or “bad guy” bits. But when I decided to try a drama that I hadn’t watched but was on my list, I kept dropping them half way. What is it in the above dramas, which I believe you loved as well after reading your reviews (which were amazing btw), or any general drama that makes me come back to these again and again?
I’ve come to the conclusion that this is one of those shows that either really works for you, or really doesn’t. Some of my drama friends seem to really like this one, which is kinda why I thought I might, too.
For the record, I kinda-sorta liked this one okay after the first episode, but afterwards, there just wasn’t any spark for me with this show (kinda like how a second lead in a drama somehow never seems to manage to spark with a lead character, ha), and since dramas have consistently taught us not to try to force love, after 16 episodes of trying – and failing – to get sucked into this one, I’m calling it quits, you guys.
On the upside, at least I’m taking my drama lessons to heart? 😉
A noona romance that isn’t actually all about the romance, and yet, it works, and so well too.
While I don’t think that this would sit as well with a younger audience, I do feel like this would resonate well with a slightly older audience, particularly if said audience is female. Show takes the premise of a divorcee’s struggle to re-enter the workforce, and makes it come alive with poignance and heart, while managing to slip a charming noona romance in there, to sweeten the whole experience. A capable cast and a lovely OST round out this drama’s strengths, and I also wanted to say, Lee Na Young is extra incandescent to my eyes, as our female protagonist.
Not a show that would work for everyone, but if it works for you, it works so well. <3
I know I said last year that Dramaland was exploding with more dramas than ever before, but Dramaland basically outdid itself in 2018 – and then some.
You know when you have only 2 ice-cream flavors, and only room in your stomach for 1 scoop, it’s really easy to choose, but you still wish you had more flavors to choose from? Well, it’s all fine and good when it increases to 5 flavors, or 10 flavors, right? But when it gets to like, a thousand flavors, your eyes glaze over, you get hit by decision paralysis, and it just feels impossible to choose, anymore? Same thing.
I used to try and keep up with Dramaland, especially after I started blogging. I’d try to stay on top on what dramas were airing, and which ones were good, and I’d try to watch all the reportedly good ones, because I’m a curious cat and FOMO is real, yo. Well. I think 2018 is the year that I realized it is humanly impossible to keep up with everything that Dramaland is putting out, and there is just not enough time in one person’s world, to watch all the reportedly good ones, and take time for the ones that you wanna watch, whether anyone else is interested or not.
So 2018 is the year that I stopped trying. Uh.. Kinda.
Thirty But Seventeen is a pretty special snowflake of a drama, whichever way I look at it.
I mean, it manages to be sweet, fluffy and cute, yet extremely heartfelt, while dishing out occasional deep nuggets of wisdom, and dealing with our main characters’ trauma-related anxiety in a pretty meaningful manner, to boot. Plus, no one in this drama world is an actual villain either. On top of that, the drama doesn’t even get boring, despite the absence of a villain. Say, what?
No, this show isn’t perfect, but then again, no show ever is, and this one did so many things right, that I feel like I can’t quibble too much, in the overall scheme of things. Totes recommend.