“For CLOY, I would have pegged scenes stolen by second leads Seo Ji-hye and Kim Jung-hyun, but then it occurred to me that that might be a category unto itself – second leads that outshine the main leads. A discussion with the good and bad examples of second leads – ones we love and then ones that we hate – would be fun.”
..And I thought, why not?
So here I am, with a list of my favorite and least favorite second leads. I hope you guys enjoy. ❤️
Recently in the US the great, great American television serial character actor Michael Kenneth Williams died (insofar as I can tell of a drug overdose, though the facts have been slow in coming) at the age of 54.
Just a flat out brilliant actor, Williams has had three especially memorable roles in HBO series.
But one especially stands out, the role of Omar, a kind of lone ronin bad ass, who lived out of his own moral code as a gay, shotgun carrying thief who stole from drug dealing gangs to make his living on the streets of Baltimore during the late nineties, in The Wire, a 5 season series that critics, and I as a watcher of television series, universally have acclaimed as one of the greatest if not the greatest such series ever produced.
While show features a large ensemble, and it would be hard to pin point any single actor as lead, therefore, Williams’ Omar was distinctly a support character, albeit imo the greatest antihero ever filmed.
It is hard to over emphasize what a signature role Williams enacted, except to say in the wake of his death, the outpouring of grief in response, focused in elaborate, admiring, and loving detail in large part upon his role as Omar, his superlative and unforgettable performance, and how its impact upon American culture has been universal.
I cannot myself remember any actor in film or serial drama in a supporting role so iconic; that is, in a drama so universally praised, a supporting character being universally its most memorable. I wonder if in K drama you can think of any equivalent kind of performance?
My observations have been (and this may be a generalisation based on the 80 or so K-dramas I have watched) that most male second leads are presented in a way that engenders sympathy. So, by the time the series have ended we are actually rooting for them to find love!! I know that there are exceptions but they are a rare breed in drama land.
In contrast, most female second leads are presented in a more negative light – possibly a throwover to the ‘vamps’ of earlier times!
I know going into the reasons for such portrayals needs a lot of study of human society and the status of women and have probably been the subject of a lot of research! But my question is simple – Are there any dramas that present the second female leads in a positive light?
Hope you are well and staying safe! Your blogs continue to be my first port of call before I pick a new drama to watch so thank you!
thank you very much for your answer to my previous question, the one about strong and nuanced women 😀 I already started watching “The Story of Minglan’ and I am loving it so much! (Btw it’s also one of my first C-dramas, so thank you for the new experience!)
This time too, I have a similar question about couples. I love romance and I’ll never have enough of it, but many times it seems to me that the characters end up together just because it’s a “plot requirement” and because we expect them to get together.
So there may be no chemistry at all, or plot holes about their coming together, things can feel clichéd and may lack of depth.
I read your review of “Crash landing on you” and since you appreciated the OTP, I went to watch the show and yes! The OTP was marvellous! They were very believable and engaging. Thus I ask for your advice once again xD
Can you recommend me some dramas with believable couples and good chemistry?
Show doesn’t reinvent the drama wheel by any stretch of the imagination, and I’d even say that Show’s got some flaws that I find hard to look past, BUT, this drama shows a nice chunk of heart for a good stretch in the middle (it started slow for me and I’m not completely satisfied with how the ending’s handled), which is very pleasant indeed.
Kim Young Kwang’s the meltiest I’ve seen him yet, Jin Ki Joo manages to be endearing despite some questionable characterization, and Kim Jae Kyung is a complete hoot as the feisty, unabashed, world-of-her-own Veronica Park.
A solid easy-breezy marathon, for when you just want to give the ol’ brain a break.