Thanks again for writing an article for my last blog post idea about archetypes (post is here)! I loved it and shared it with some of my friends who watch kdramas too.
I had another question for you. I did a quick search of your site, but didn’t find anything.
Can you give us a quick explanation of sageuks? I have seen a few, but I’d like to understand more about them.
The different types: fusion sageuk, etc., recommendations in each category, how they are produced (if you have any insight), why they seem to be longer than other dramas, etc.
Today’s Dear kfangurl post is inspired by j3ffc‘s and Trent‘s comments on my recent VOGUE India collab post, where I talk about the male gaze vs. the female gaze in kdramas over the years.
In response, j3ffc basically wanted to know which classic dramas I think drama fans should check out (which would demonstrate the shift in gaze over the years), and Trent heartily seconded the idea and expanded on it:
“The question I’ve been thinking about is along the lines of how do you think kdramas have evolved over the last couple decades? Do you see discernible or important trends in that time?
(Broadly considered: thematically, in treatment of tropes, genre or sub-genre expansion (or contraction), production values, stylistic changes, acting and\or casting type trends: it’s all fair game).
You touched on a bit of this in this Vogue interview, but I’d be very interested in a broader look, and I just don’t have the range of experience to even attempt a synthesis. You do, though. 😁”
So today I thought I’d talk about kdramas which I would consider iconic, over the years, and how kdramas have been evolving, in broad strokes.
Hey KFG. Hope you are well. An idea for “ask KFG” post was one around what your guilty pleasures are? And opening that same question up to the KFG community. In particular those that you couldn’t explain to a non K drama lover.
So for me three immediately come to mind. The first being “Secret Garden”. Body shifting, toxic couple. Female lead sometimes one note, an annoying mother but even though I watched this ten years after it was shown I still fell for all the iconic lines.
The second ” “You are Beautiful”. Cross dressing nun joins a pop band pretending to be her male twin. The chemistry between the OTP never sizzles but it is oh so sweet and actually what develops is a nurturing relationship despite the communication problems. And Jang Keun-suk is so mesmerising beautiful that you can’t take your eyes off him.
The third is” Don’t dare to dream”. Questionable OTP and questionable decisions and at one point the female lead dates both the ML and the second lead at the same but the sparkling chemistry between the leads makes this a great binge watch.
And an honourable mention for Masters Sun. FL sees ghosts and ML acts as a barrier to those ghosts but uses this power to manipulate the FL into furthering his interests but again the sizzling chemistry between the leads makes the show so bingeable”
I hope you guys have been having fun with the group watches! I especially appreciate those of you who managed to join both group watches &/or have been active on the Open Threads. Sharing your reactions and your thoughts really makes the experience richer for everyone. Thank you for playing! ❤️
What I’d like to find out from you guys, via this post, is
(a) whether you guys are keen to keep going, with the group watch, and
(b) what you’d like to watch together, if you want to keep going?
Show is easy on the eyes, with high production values that bring a creatively conceptualized fantasy world to life, a fabulously rich wardrobe for female lead IU, and several handsome leading men to top it all off.
IU delivers a strong performance, and her character’s personal journey fittingly forms the backbone of this story.
On the downside, I did not enjoy the OTP connection between her and Yeo Jin Goo, and I also felt the writing weaknesses quite keenly. ‘Twas still worth the while, though, for various endearing characters whom I became quite fond of.
A pleasant enough watch, if you’re able to look past Show’s shortcomings.
