Nostalgic, fresh, and so full of feels, Twenty-Five, Twenty-One is the show that I didn’t know I needed, in my life.
The writing is thoughtful and tender, and combined with great casting and excellent delivery, our characters pop with so much life and heart, their relationships feel so raw and real, and their journeys feel so familiar and relatable, that I couldn’t get enough of it all.
To top it all off, the music is pitch perfect and excellently applied, making the already great feels land with extra oomph and amplification.
Some lens adjustments are necessary (and so important!) – which I’ll talk more about shortly.
Greetings! Hope you’re doing okay in these uncertain times. Recently, I was asked by a friend why people are watching a lot of kdrama these days and I found myself groping for a good answer. I couldn’t really gush with goggly eyes as I would before a fellow kdrama enthusiast.
There’s the matter of availability and good looking actors, but that didn’t really feel to be at the heart of it. I also felt angry at myself for feeling apologetic about my drama choices (the person’s what you’d call a “serious” type and I didn’t want to be an object of his condescension).
Does this mean I subconsciously subscribe to the notion of kdramas somehow not being up to the mark? I have been agonising about this for a while now. I want to be able to watch what I like without feeling guilty or hesitant to acknowledge my love for it to the world.
And I could think of nobody better than you to provide a thoughtful answer to my predicament. The next time I come across this question, I’d like to bank on your eloquence and insights, please!
Recently due to Noble Idiocy I abandoned the vision of a drama that I really enjoyed: Monthly Home Magazine.
Could you do a post with the list of dramas that contain this detestable gimmick?
I remember getting so mad on Clear With Passion With Me Now too and I would like to avoid investing hours of my life to be so disappointed. In the comments your readers could integrate the list and it would be a really useful service in my opinion.
I’d wanted to check out this movie for several reasons.
1, I’d really enjoyed Nam Joo Hyuk and Han Ji Min together in 2019’s The Light In Your Eyes (which I think is a truly special drama), and welcomed the chance to see them share the screen again. 2, I was intrigued by the fact that our female lead is a woman with a disability, because it’s really not that common for a romance to feature a lead with a disability.
I liked the inclusiveness of the concept, and I was also curious to see how Show would treat this aspect of the story. (Full disclosure: this movie is based on a Japanese short story, which also spawned a Japanese movie. I’m not familiar with either of those works, and this is my first exposure to the story.)
Now that I’ve watched it, I’m gonna hafta say that I don’t think this movie is for everyone. I mean, I don’t even think it’s for me, heh. I just don’t think I managed to connect with this one the way this movie’s fans are able to.
Still, I thought I’d write this quick review, so that you can figure out whether this one would work for you? Because those who find themselves on the same wavelength as this show, really do love it a lot.
I was watching kdrama clips and have been wondering. They all look so pretty, even one with jobs in which there is exposure to excessive sunlight and dust look so…. clean. Its all good adding to kdrama fantasy but are there any dramas whose leads look more like normal us…with common jobs and maybe cheaper clothes?
Maybe all I am talking about is more realistic dramas out there. I liked Another Oh Hae Young in that aspect and felt I was more into the story and scenes rather than their appearances.
I’ll start by saying, I LOVE your blog! I tend to agree with your unpopular opinions, and I take OST recommendations from your posts all the time, even when I haven’t seen the drama itself. Thanks for putting in the effort to create such an informative, fun space – it pays off.
With the 57th Baeksang Awards coming up, I was curious about your thoughts on award shows. Do you follow them and take them seriously? Do you think the credit is given where it’s due?
Designed to be light, easy and feel-good, Show tends to lean more simplistic than I would like, particularly in the areas of business and technology and how that all works. The characters took a while to grow on me, but I did eventually grow fond of almost all of them.
At the same time, there are definitely some stand-outs that endeared themselves to me early, like Kim Hae Sook as Gran.
Ultimately, Show manages to be uplifting and aspirational (if you can overcome the over-simplification of everything), and ends up being a reasonably pleasant coming-of-age – or rather, coming-into-your-own – kinda story.
PS: Most viewers have strong feelings about this story’s love triangle, but I didn’t.
It’s that time of the year again, my friends. 2020 is upon us, and 2019 is just about done and dusted. Time to take stock of the year, celebrate the highs, brush off the lows, and get ready to usher in the new year.
Can you believe that this is my 8th year-in-review post?? Imma be honest with you guys; every time I sit down to do one of these, I get visited by a touch of blogger existential crisis.
Essentially, I ask myself, “Where am I going with this? How long will I do this? Is there still.. a point to doing this?”
..And I gotta tell ya, I still don’t know the answer to those questions. What I can say, though, is, I’m still enjoying my dramas reasonably well, and I’m still game to write about ’em, and I’m grateful that you guys are still here on this journey with me. Thanks for sticking it out with me, y’all. ❤️
And now, let me attempt to break down my 2019 drama year for ya.