This little 4-episode drama special really gives you everything you’d want in a drama – just in a small, compact serving, where you only need to invest 4 hours of your time, instead of 12, 16 or more hours.
We get a winsome protagonist, a main conflict, a cute love interest, and a growth arc.
Plus, our story even manages to arrive at a conclusion that feels satisfying. What’s not to love, right?
You know a show’s gotta be Quite Something, if it’s luring me out of the writing-hiatus-cum-drama-rut I’ve found myself ensconced in for the last couple of months.
I literally just finished watching the last episode of Father Is Strange today, and liked it enough to start poking around to craft a review right away.
Considering that 1, Father Is Strange is a 52-episode family drama, and 2, I’ve been feeling pretty uninspired on both the writing and drama fronts, this is a Big Testament to how likable I’ve found this show and its characters.
Even if you’re not usually into family dramas, I really do think you might like this one.
A stage swiftly set with strong stakes; a capable cast; deft execution. Two Weeks has all three and is one tense rollercoaster ride from start to finish.
Two Weeks has quite a few narrative pieces to juggle, what with life-and-death literally hanging in the balance, emotional baggage the size of a small country along for the ride, and a poignant, heartwrenching-heartwarming father-daughter relationship blossoming at its core through it all.
Admirably, the show manages to deliver it all in a way that feels satisfying, well-paced and coherent through the very end.
The entire cast is pretty excellent, but the stand-out is Lee Jun Ki, who truly is mesmerizing as our resident fugitive daddy on the run, finally faced with a reason to live that is bigger than himself: his little girl.