Designed to be light, easy and feel-good, Show tends to lean more simplistic than I would like, particularly in the areas of business and technology and how that all works. The characters took a while to grow on me, but I did eventually grow fond of almost all of them.
At the same time, there are definitely some stand-outs that endeared themselves to me early, like Kim Hae Sook as Gran.
Ultimately, Show manages to be uplifting and aspirational (if you can overcome the over-simplification of everything), and ends up being a reasonably pleasant coming-of-age – or rather, coming-into-your-own – kinda story.
PS: Most viewers have strong feelings about this story’s love triangle, but I didn’t.
I am on a roll, you guys. I had an inkling, from watching Show’s trailer, that today’s in-flight pick was going to pack a bit of a heart punch, but I had no idea just how much this movie would make me feel, once I hit play.
By Show’s last stretch, I was gratefully serving up my heart on a plate, my emotions pulling in so many directions as I did so.
So. Good. <3
Also, I’m starting to suspect that it’s quite possible that any show featuring classical piano as a key theme will turn out to be a good one.
I mean, first, Secret Love Affair, then Page Turner, and now this? I might have to make it a point to check out any show featuring classical piano, going forward, for reals.
If there’s one conclusion I’m drawing this year, it’s that dramaland is literally exploding with new dramas on a regular basis, and it’s just not humanly possible to watch every drama that’s out there.
My drama instinct has always been to try to balance the urge to follow drama buzz (the niggling question of, “Omo! Am I missing out on something?”), and the desire to follow my heart (the “I don’t care that nobody cares about this show, I just feel like checking it out”).
These days, with more drama offerings floating around the dramaverse than ever before, I think it’s even more important that I remember to stay true to my drama instincts.
From here on out, no more hanging on pointlessly to a show that just isn’t quite working for me. It’s just not efficient spendage of drama hours – or time in general.
Next year, I will be more efficient with my use of drama time – and time in general. Ahem. *pinky swears* *resolves*
I’m beginning to wonder if this is a Thing with piano-themed dramas.
Like, are they just consistently good? Coz I loved Secret Love Affair, and I really really liked this, and honestly, the only thing they have in common is classical piano. And this, when I’m not even a fan of classical music.
I started on this one when I was in a bit of a drama rut, where nothing that I watched seemed to grab me, and I wondered (all over again, as I always do, when I find myself in a drama rut), if I’d simply watched too many dramas and therefore had become too hardened and jaded to invest my heart in a drama. (Gasp! The horror!)
Well, whaddya know, I liked this one, and right away too. Very quickly into my watch, I was all, OMG I LIKE IT, AND I WANT MORE. RIGHT NOW, IF POSSIBLE.
Clearly, it wasn’t my heart that was the problem, but Dramaland in general! Phew.
The great thing is, this stayed grabby-good through to the end. The only downside? It’s only 3 episodes. Sniffle.