MC writes:
What shows have female leads that are relatable? Lately I get tired of watching candy girls with sad life stories yet are so cheery (I mean who would be so cheery if they had such a hard life!?).
I would love to watch shows with relatable female leads who have their good and bad days and grow through the bad days! I’m asking about female leads coz you did something similar for male leads.
BE writes:
Recently in the US the great, great American television serial character actor Michael Kenneth Williams died (insofar as I can tell of a drug overdose, though the facts have been slow in coming) at the age of 54.
Just a flat out brilliant actor, Williams has had three especially memorable roles in HBO series.
But one especially stands out, the role of Omar, a kind of lone ronin bad ass, who lived out of his own moral code as a gay, shotgun carrying thief who stole from drug dealing gangs to make his living on the streets of Baltimore during the late nineties, in The Wire, a 5 season series that critics, and I as a watcher of television series, universally have acclaimed as one of the greatest if not the greatest such series ever produced.
While show features a large ensemble, and it would be hard to pin point any single actor as lead, therefore, Williams’ Omar was distinctly a support character, albeit imo the greatest antihero ever filmed.
It is hard to over emphasize what a signature role Williams enacted, except to say in the wake of his death, the outpouring of grief in response, focused in elaborate, admiring, and loving detail in large part upon his role as Omar, his superlative and unforgettable performance, and how its impact upon American culture has been universal.
I cannot myself remember any actor in film or serial drama in a supporting role so iconic; that is, in a drama so universally praised, a supporting character being universally its most memorable. I wonder if in K drama you can think of any equivalent kind of performance?
Sharbani writes:
Hi KFangurl
My observations have been (and this may be a generalisation based on the 80 or so K-dramas I have watched) that most male second leads are presented in a way that engenders sympathy. So, by the time the series have ended we are actually rooting for them to find love!! I know that there are exceptions but they are a rare breed in drama land.
In contrast, most female second leads are presented in a more negative light – possibly a throwover to the ‘vamps’ of earlier times!
I know going into the reasons for such portrayals needs a lot of study of human society and the status of women and have probably been the subject of a lot of research! But my question is simple – Are there any dramas that present the second female leads in a positive light?
Hope you are well and staying safe! Your blogs continue to be my first port of call before I pick a new drama to watch so thank you!
MC writes:
Another idea for a Dear Fangurl post – would you want to do a list of shows that you love but are often passed over or neglected / underrated?
Cos every year there are so many new shiny shows but there are so many good ones that pass under the radar because of low ratings or are older etc.
This could be a love note or shoutout to them.
Vaish writes:
Hi kfangurl,
I am now a kdrama fan for quite a few years with several dramas under my cap. Of late, I feel that I’ve grown too critical. The kdrama world is no longer my escapist fantasy and stress buster.
I keep nit picking. I feel disappointed (there’s that magic charm missing) by recent dramas (True Beauty, Lovestruck in the City just a few examples). I would have enjoyed these premises earlier.
Should I just keep watching old dramas? Can you help?
Reka writes:
Dear kfangurl,
I love you blog! Your reviews are very interesting!
I started watching kdramas last year, and haven’t stopped since xD
I was wondering, can you recommend me any kdramas with good, compelling, interesting female characters? Because I find this aspect kind of lacking D:
If there’s one conclusion I’m drawing this year, it’s that dramaland is literally exploding with new dramas on a regular basis, and it’s just not humanly possible to watch every drama that’s out there.
My drama instinct has always been to try to balance the urge to follow drama buzz (the niggling question of, “Omo! Am I missing out on something?”), and the desire to follow my heart (the “I don’t care that nobody cares about this show, I just feel like checking it out”).
These days, with more drama offerings floating around the dramaverse than ever before, I think it’s even more important that I remember to stay true to my drama instincts.
From here on out, no more hanging on pointlessly to a show that just isn’t quite working for me. It’s just not efficient spendage of drama hours – or time in general.
Next year, I will be more efficient with my use of drama time – and time in general. Ahem. *pinky swears* *resolves*
THE SHORT VERDICT:
More than – and therefore possibly mis-marketed as – a typical rom-com, this show possesses a sensitive, thoughtful core that tends to lean melancholic.
Empathetic writing, tender directing, and some outstandingly dig-deep acting come together to bring out the beauty inherent in the melancholy, and it’s quite remarkable to behold.
A deft comic hand to manage the broad comedic elements, a solid supporting cast, and a gorgeous OST round out this show’s appeal.
Not perfect, to be sure, but so worth the watch.