In case you missed it, we have yet another guest post series to enjoy, this month!
Unlike our previous guest post series, this one was kind of an accident, almost. I have Ele to thank for this one, because it was her innocent question about something, that made me casually talk about the off-the-top-of-my-head, hypothetical possibility of a guest post series on love, in the month of February, in honor of Valentine’s Day.
So many folks on Patreon responded enthusiastically to this idea, that I felt that it would be remiss of me, not to actually make it happen, come February.
And so, here we are. This month, we will enjoy a total of nine guest posts from patrons on Patreon, on the topic of love stories. The brief is pretty flexible, in that, each writer is free to go deep, or go wide, on anything around the topic of love stories in Dramaland. I feel like we have a lot to look forward to, this month! 🥰
Recently in the US the great, great American television serial character actor Michael Kenneth Williams died (insofar as I can tell of a drug overdose, though the facts have been slow in coming) at the age of 54.
Just a flat out brilliant actor, Williams has had three especially memorable roles in HBO series.
But one especially stands out, the role of Omar, a kind of lone ronin bad ass, who lived out of his own moral code as a gay, shotgun carrying thief who stole from drug dealing gangs to make his living on the streets of Baltimore during the late nineties, in The Wire, a 5 season series that critics, and I as a watcher of television series, universally have acclaimed as one of the greatest if not the greatest such series ever produced.
While show features a large ensemble, and it would be hard to pin point any single actor as lead, therefore, Williams’ Omar was distinctly a support character, albeit imo the greatest antihero ever filmed.
It is hard to over emphasize what a signature role Williams enacted, except to say in the wake of his death, the outpouring of grief in response, focused in elaborate, admiring, and loving detail in large part upon his role as Omar, his superlative and unforgettable performance, and how its impact upon American culture has been universal.
I cannot myself remember any actor in film or serial drama in a supporting role so iconic; that is, in a drama so universally praised, a supporting character being universally its most memorable. I wonder if in K drama you can think of any equivalent kind of performance?
This post is thanks to MeriJ, who suggested the topic “K-Roms Your BF/Husband Might Be Willing To Watch With You.”
I’ve also come across many drama fans who do sincerely wish that their significant others would share in their passion and watch dramas with them.
And since many of us are spending a lot more time at home these days because of the pandemic, and also because we recently had a great time helping Amethystwaves shortlist dramas to watch with her mom, I thought it’d be a good time to attempt to answer the question:
What are some dramas that the man in my life might be willing to watch with me?
It’s that time of the year again, my friends. 2020 is upon us, and 2019 is just about done and dusted. Time to take stock of the year, celebrate the highs, brush off the lows, and get ready to usher in the new year.
Can you believe that this is my 8th year-in-review post?? Imma be honest with you guys; every time I sit down to do one of these, I get visited by a touch of blogger existential crisis.
Essentially, I ask myself, “Where am I going with this? How long will I do this? Is there still.. a point to doing this?”
..And I gotta tell ya, I still don’t know the answer to those questions. What I can say, though, is, I’m still enjoying my dramas reasonably well, and I’m still game to write about ’em, and I’m grateful that you guys are still here on this journey with me. Thanks for sticking it out with me, y’all. ❤️
And now, let me attempt to break down my 2019 drama year for ya.
At its heart, My Country is a polished, beautifully-shot tale of star-crossed brotherhood, and the search for acceptance, meaning, and self.
Granted, Show has its flaws. Sometimes the logic stretches require more suspension of disbelief than I would like; sometimes the emotional tension feels like it’s stretched out for too long and gets tiring; sometimes Show feels like it’s cycling in place, just a little bit.
On the upside, though, Show is filled with strong performances from its cast, knows how to take us on our characters’ emotional journeys, and is scored with a consistently evocative soundtrack that is by turn gloriously epic and plaintively poignant.
If you’re able to roll with Show’s shortcomings, it’s not hard to get sucked into this one.