LaurenSophie writes:
Hello,
I’m a longtime lurker and have never posted, but I love your “Dear kfangurl” column and think I finally have a question you haven’t already covered.
My question is: what makes a kdrama “cracky?”
Not just good or fun to watch or a classic, but really, truly so addictive that you either binge watch it in just a day or two if it’s an older drama or feel like you’re suffering from withdrawal if you have to wait for new episodes to air?
T writes:
Thanks again for writing an article for my last blog post idea about archetypes (post is here)! I loved it and shared it with some of my friends who watch kdramas too.
I had another question for you. I did a quick search of your site, but didn’t find anything.
Can you give us a quick explanation of sageuks? I have seen a few, but I’d like to understand more about them.
The different types: fusion sageuk, etc., recommendations in each category, how they are produced (if you have any insight), why they seem to be longer than other dramas, etc.
Part gauzy rom-com and part serious palace intrigue, Show does have some pacing and tonal issues, and, in my opinion, also works out to be a little bloated, at 20 episodes.
However, if you can put aside the pacing and tonal issues, there are stretches in this show which are genuinely enjoyable. The central romance didn’t tilt my world, but was pretty great at serving up cute, reverse rom-com tropes, in Show’s lighter stretch. My interest wavered in Show’s last quarter, but importantly, I found the ending satisfying, and worth hanging in there for.
Not bad, overall.
In case you missed it, we have yet another guest post series to enjoy, this month!
Unlike our previous guest post series, this one was kind of an accident, almost. I have Ele to thank for this one, because it was her innocent question about something, that made me casually talk about the off-the-top-of-my-head, hypothetical possibility of a guest post series on love, in the month of February, in honor of Valentine’s Day.
So many folks on Patreon responded enthusiastically to this idea, that I felt that it would be remiss of me, not to actually make it happen, come February.
And so, here we are. This month, we will enjoy a total of nine guest posts from patrons on Patreon, on the topic of love stories. The brief is pretty flexible, in that, each writer is free to go deep, or go wide, on anything around the topic of love stories in Dramaland. I feel like we have a lot to look forward to, this month! 🥰
In case you missed it, we have yet another guest post series to enjoy, this month!
Unlike our previous guest post series, this one was kind of an accident, almost. I have Ele to thank for this one, because it was her innocent question about something, that made me casually talk about the off-the-top-of-my-head, hypothetical possibility of a guest post series on love, in the month of February, in honor of Valentine’s Day.
So many folks on Patreon responded enthusiastically to this idea, that I felt that it would be remiss of me, not to actually make it happen, come February.
And so, here we are. This month, we will enjoy a total of nine guest posts from patrons on Patreon, on the topic of love stories. The brief is pretty flexible, in that, each writer is free to go deep, or go wide, on anything around the topic of love stories in Dramaland. I feel like we have a lot to look forward to, this month! 🥰
You can check out Uyen’s inaugural post here. Today’s post is brought to you by Jaco_4950, whom you may have seen around the blog, as well as on Patreon. Today is the first time Jaco_4950’s introducing herself to us properly, though, and I’m so glad that we have this chance, to get to know her better!
I hope you guys enjoy!
~ KFG ❤️
T writes:
Hi kfangurl,
What are some of the archetypes you see in Kdrama characters? Could you recommend other dramas with those types of characters?
For example:
Romance is A Bonus Book’s Kang Dan-i is strong, sensitive, but oblivious to Eun-ho’s love for her. Eun-ho is petty, cocky, but really protective and compassionate toward his loved ones.
Another example:
Strong Girl Bong Soon’s rich heir Ahn Min-hyuk is the hardcore, serious, charming type, but completely caught off-guard and smitten with Do Bong-soon, which makes him fall to pieces. Bong-soon is the epitome of aegyo, but hesitant to embrace her full potential (another type).
What other dramas use these archetypes in similar ways or mix and match them in surprising or refreshing ways?
Thanks.
Sharbani writes:
Hi KFangurl
My observations have been (and this may be a generalisation based on the 80 or so K-dramas I have watched) that most male second leads are presented in a way that engenders sympathy. So, by the time the series have ended we are actually rooting for them to find love!! I know that there are exceptions but they are a rare breed in drama land.
In contrast, most female second leads are presented in a more negative light – possibly a throwover to the ‘vamps’ of earlier times!
I know going into the reasons for such portrayals needs a lot of study of human society and the status of women and have probably been the subject of a lot of research! But my question is simple – Are there any dramas that present the second female leads in a positive light?
Hope you are well and staying safe! Your blogs continue to be my first port of call before I pick a new drama to watch so thank you!
Shahz writes:
Hey KFG. Hope you are well. An idea for “ask KFG” post was one around what your guilty pleasures are? And opening that same question up to the KFG community. In particular those that you couldn’t explain to a non K drama lover.
So for me three immediately come to mind. The first being “Secret Garden”. Body shifting, toxic couple. Female lead sometimes one note, an annoying mother but even though I watched this ten years after it was shown I still fell for all the iconic lines.
The second ” “You are Beautiful”. Cross dressing nun joins a pop band pretending to be her male twin. The chemistry between the OTP never sizzles but it is oh so sweet and actually what develops is a nurturing relationship despite the communication problems. And Jang Keun-suk is so mesmerising beautiful that you can’t take your eyes off him.
The third is” Don’t dare to dream”. Questionable OTP and questionable decisions and at one point the female lead dates both the ML and the second lead at the same but the sparkling chemistry between the leads makes this a great binge watch.
And an honourable mention for Masters Sun. FL sees ghosts and ML acts as a barrier to those ghosts but uses this power to manipulate the FL into furthering his interests but again the sizzling chemistry between the leads makes the show so bingeable”
THE SHORT VERDICT:
A well-plotted, solid story from start to finish, The Crowned Clown is a show that has quite a bit to offer.
The palace intrigue isn’t always the most compelling, but on the upside, there’s a real king, a fake king, a forbidden romance, all the complications that arise from it all, a touch of levity to lighten things from time to time, and a stirring OST to score it all.
Our main cast is excellent all-around, but it’s Yeo Jin Goo who knocks it out of the ballpark and then some, playing both king and clown.
I’ve always considered Yeo Jin Goo an excellent actor, but Yeo Jin Goo has never been more amazing to my eyes, than in this show. Some minor lens adjustments are necessary, but once you’ve got that down, Show is such a good ride.
Meaty enough to chew on, yet affecting enough to deeply engage the heart.
In the spirit of making better use of my drama hours – and making better use of time in general – I’m calling it quits earlier on this show than I would, normally.
Usually, if I can make it past the first episode or two of a show, I like to give it another couple of episodes at least, y’know, to give Show a chance to pull me into its story properly.
Lately, though, my drama hours have been much more limited than before, because I’ve been in the thick of getting ready to move (houses, not countries).
And, I’ve also learned a lesson with the moving; when you have very little space to accommodate all your stuff, you quickly learn to set the bar a lot higher, and become a lot more ruthless about culling stuff.
Turns out it works the exact same way with drama hours; because my drama hours are so much fewer now, I find myself setting the bar a lot higher, and becoming a lot more ruthless about dropping dramas.
Who knew, that moving house would teach me such an important lesson about managing my drama hours, and honing my Dropping Reflex? Heh.