The Fangirl Verdict

Completely biased reviews and fangirling


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Flash Review: The Best Hit

Y’know, I will always think fondly of the year 2012.

It was a pretty great drama year, serving up a good number of shows that I truly enjoyed, like Arang and the Magistrate, The King 2 Hearts, Gaksital, and Padam Padam, among many others. On top of that, 2012 was also the year I decided to try my hand at the whole drama blogging thing – and hey, look at where we are now, eh?

But. There is one thing that I kinda hold against 2012.. coz 2012 is the year that time travel took over the dramaverse. Suddenly, it felt like time travel was everywhere. Queen In-hyun’s Man, Rooftop Prince, Faith, Dr. Jin, and even Operation Proposal all got in on the time travel action in 2012, with varying degrees of success. Let me just say that there’s nothing inherently wrong with using time travel as a concept, but honestly, it now kinda feels like time travel has become the Trend That Will Not Die.

For the record, I’m not hating on The Best Hit. In fact, I even rather enjoyed this show. It’s just that the whole time travel thing here feels particularly gratuitous – almost pointless, even. I personally feel that this show didn’t need the time travel conceit, to tell the slice-of-life, found-family story it wanted to tell. In fact, Show might’ve been better off just picking one time period and staying there. A pretty novel concept these days, I know. 😉

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Review: Hot Young Bloods [Hot Blooded Youth]

THE SHORT VERDICT:

A heartwarming coming-of-age movie disguised – and therefore heavily misidentified – as a campy comedy.

If you were to approach this movie expecting a dose of pure funny all the way through, I’m guessing you would walk away rather disappointed. It’s true that the (often coarse) comedy reigns supreme for a good stretch of the movie, taking up maybe 50% of total screentime (this is not an exacting number, it’s just my feel-o-meter talking). Eventually, though, the funny gives way to deeper, bigger, meatier things. There’s a good bit of melodramatic angst involved, but it’s played well, and it all serves a larger, more thoughtful message than what one might expect, given the initial camp: What does it mean to grow up? And what does it mean to stand up for what you believe in?

Excellent performances from both the youth and adult actors make this an engaging, ultimately satisfying watch, with a bit of thought-provoking on the side.

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