If you don’t mind a heavy emotional emphasis in your mystery thrillers, this show might work for you. Show serves up a good amount of tension around its main hook, that Moon Chae Won’s character discovering that her perfect husband may not be as perfect as she’d thought. At the same time, though, emotions often take precedence over things like protocol, due process, and well.. good ol’ logic. Show makes up for it with a healthy serving of twists and turns which work to keep you on the edge of your seat – but these will only really work, if you’re not wearing an overly analytical lens.
Lee Jun Ki and Moon Chae Won put in excellent performances, and together, they share a chemistry that is engaging and compelling. I’d even go so far as to say that their chemistry as a couple is what holds the show together even when logic falls apart, because I am rooting for them that much.
I thought Show’s ending leaned a touch underwhelming, but I’d say this is still a solid ride.
After feeling pretty underwhelmed by Lee Jun Ki’s dramas in recent years – namely, 2014’s Joseon Gunman, 2015’s Scholar Who Walks The Night and 2016’s Moon Lovers – I was starting to seriously wonder if I would get to see Lee Jun Ki in a show that I truly enjoyed, ever again. (I didn’t check out 2017’s Criminal Minds, but I heard that I didn’t miss much.)
Now, I’m really pleased to report that I did enjoy his 2018 outing, Lawless Lawyer, and quite thoroughly too. This, when I’m not even usually that drawn to the action / legal genre. Not bad at all, I say.
After the epic awesomeness of Healer, and the oodles and oodles of Ji Chang Wook melty in it, I had high hopes for his next project, especially if said next project had any kind of action slant. I mean, literally Every. Single. Time. Healer parkoured off a building, I swooned. (I guess I kinda have a thing for a hero who also happens to be an action superhero, heh.)
Sadly, even though The K2 diligently delivered on the action front (perhaps too diligently, even), this show just didn’t work out for me. I couldn’t make it to the end of this one, even if Ji Chang Wook got to kick butt quite regularly, and looked pretty sharp in his suit – or out of his suit. Ahem.
The moment Lotte Duty Free announced this little web series for the festive season, I knew I’d be tuning in, no matter what. I mean, to have Lee Jun Ki, Park Hae Jin, Ji Chang Wook, Kai, Taecyeon, Lee Jong Sukand Lee Min Ho in the leading men line-up? Even the most big-budget blockbuster movie production would have trouble pulling that off.
So tune in I did; which wasn’t hard to do, really, with each episode topping out at a very compact 7-8 minutes. And y’know what, for what it is (an unabashed, extended CF for Lotte Duty Free, in case you were wondering), this show’s a fun little ride.
A highly-buzzed, high-profile drama project that boasted strong credentials, a big budget and an even bigger cast, but which ultimately failed to deliver the expected awesome.
Patchy writing, jerky direction & execution, and uneven acting all contribute to Show’s general lack of oomph. For the tenacious viewer, though, there are small stretches of soapy crack to be had, and quite a lot of pretty to gaze at, for the most part. Lee Jun Ki is mesmerizing and quite wonderful in this, despite his character getting off to a somewhat shaky start.
When I first heard the set-up for Scholar Who Walks the Night, I was really excited. I mean, a supernatural drama world featuring Joseon-era vampires with glorious bone structure, and a girl who goes undercover as a boy to earn a living and support her family? It sounded like the perfect mashup combining the best of Arang and Sungkyunkwan Scandal, both of which are dramas I really love.
Plus, Scholar stills promised that I would get to see Lee Jun Ki wearing guyliner and a deeper red lip, sorta like how he did so spectacularly in his breakout role in The King and The Clown.
Basically, I couldn’t not watch this one. And I couldn’t wait to feast my eyes on the Pretty too.
Long before Joseon Gunman actually aired, I was already chomping at the bit for the show to hurry up and air already, mostly coz of its stylish, gorgeous posters that just reverberated with promises of epic-ness and badassery.
I mean, just look at ’em. The posters are So. Freaking. Gorgeous. I seriously want the folks responsible for those posters to make all the posters for all the dramas in all of dramaland.
On top of the very effective posters, the other thing adding to my interest in the show, is the fact that I also have a big soft spot for Lee Jun Ki, and couldn’t wait to see him be all edgy and kickass as a rebel gunman.
If there’s one thing that everyone seems to be able to agree on, it’s that time is flying. Like, seriously. Where has 2014 gone?
I can hardly believe that 2015 is almost here, promising/threatening gifts of dramas chock-full of vampires, multiple personalities, and other psychological disorders goodies.
Before 2014 makes her exit, though, I wanted to come out and give credit where it’s due. Coz as much as so many of my friends in dramaland have been talking about a meh drama year, I feel like I had a pretty good drama year, actually.
A stage swiftly set with strong stakes; a capable cast; deft execution. Two Weeks has all three and is one tense rollercoaster ride from start to finish.
Two Weeks has quite a few narrative pieces to juggle, what with life-and-death literally hanging in the balance, emotional baggage the size of a small country along for the ride, and a poignant, heartwrenching-heartwarming father-daughter relationship blossoming at its core through it all. Admirably, the show manages to deliver it all in a way that feels satisfying, well-paced and coherent through the very end.
The entire cast is pretty excellent, but the stand-out is Lee Jun Ki, who truly is mesmerizing as our resident fugitive daddy on the run, finally faced with a reason to live that is bigger than himself: his little girl.