A slice-of-life second-chance sort of romance that manages to pack a good amount of emotional heft, despite its rather unassuming trappings.
I don’t love all of Show’s decisions, but by and large, I found this story and its characters to be thoughtfully written, and excellently delivered, such that everything comes across as raw, honest, relatable and so, so heartfelt.
The standouts are undoubtedly Choi Woo Sik and Kim Da Mi, who both inhabit their characters with so much detail and nuance, that I can’t actually picture other actors playing these characters.
Add on a very lovely, very immersive OST, and this was pretty much drama catnip, for me.
Show is a lot of things, and attempts a lot of things (some with more success than others), but one thing I can say for certain, is that Show is bold, and dares to try new things.
When the things that Show try don’t go so well, Show can come across as rather uneven, but when Show is at its best, it is a wild, absurd and completely absorbing ride of the best kind.
Our story world and our characters lean dark, yet this is all served up with strong lashings of screwball comedy. It sounds weird, but when Show makes it work, it’s glorious.
Our cast is very solid, but hands down, the one who shines the brightest, is Song Joong Ki, as our titular antihero. So much matter-of-fact, cool badassery, served up with a side of comedy; I just couldn’t look away.
Sometimes Show got uncomfortably dark for my taste, but Show gets brownie points, for unabashedly daring to be its own thing, for better or for worse.
A meaty, dark, whimsical melodrama that examines the difficulties faced by people suffering from trauma and mental illness, It’s Okay is not an easy watch at all.
There is lots to unpack, difficult feelings to feel, and even internal biases to examine. So if you’re looking for a fluffy rom-com, this is probably not for you, for right now.
However, it is remarkably satisfying to witness our characters’ journeys, because those journeys are teased out so organically, that all of the growth and progress feels earned and true.
Fantastic performances by our cast – with a special shout-out to Oh Jung Se for his impressively amazing interpretation of an autistic character – brings everything to life, and it’s not hard to get invested in our characters’ journeys.
There are a few bumps in the road, but overall, this proved to be a very satisfying watch.
Dear Kfangurl, Are supporting actors too funny to ever cast as leads?
I keep waiting for my favorites – Park Jin Joo, Kim Seul Gi and my all time favorite, Kim Sung Oh to be part of an OTP or at least a single lead in their own dramas. I’ve seen all of them give snippets of really moving scenes so their acting talent is not in question. What gives?
And phl1rxd writes:
I would love to see an article on your favorite supporting actors|actresses.
There are so many that pop up in our drama world all the time, and while they are not the leads, their work is great none-the-less.
Not too long ago, lots of people on my Twitter feed were going gaga over Meteor Garden 2018, and so I dipped my toes in too, out of curiosity (yes, despite stating firmly that I had had my fill of the story via the J- and K-versions).
I really liked the first episode, but found myself losing interest in the next few episodes, so much so that I ended up dropping out early, after just 4 episodes.
BUT! Plot twist!
I found similar tsundere-male-lead-campus-romance crack in My ID is Gangnam Beauty instead.
This kinda-sorta gave me the addictive feels I once had over Boys Over Flowers many, many moons ago (ironically, I can’t bear to watch BOF now), but I liked this one better, and slurped up the first 10+ episodes back-to-back. Woah, indeed.
Yes, there are caveats, but they aren’t dissimilar to the ones you’d need to make for Meteor Garden 2018 too, so – fair play? 😉