Show takes the heavy, delicate topic of death, and gives it a warm, tender and hopeful sort of treatment which I personally find extremely soothing. It’s true that some of the cases are painful to watch, but Show always finds a way to bring a heartfelt, healing touch to each case, which makes the journey feel worthwhile.
On top of this, we also get meaningful character and relationship development for our key characters over the course of the show, and this ties everything together in a way that feels meaningful.
Our cast is excellent, but the stand-out for me is Tang Joon Sang, who does a fantastic job of portraying Geu Ru, a character who’s on the Asperger’s spectrum. I also love that Show often makes Geu Ru our MVP, because this demonstrates so well, that Geu Ru isn’t disabled; he’s just differently abled.
It’s true that Show makes my heart ache, but even so, my heart aches so good.
Thoughtful, understated, and yet so full of accurate teenage feels, At Eighteen is the youth drama that we didn’t know we needed, but which we absolutely deserve.
You don’t even need to generally be into youth dramas to enjoy this one, methinks, because this is arguably the most “grown up” youth drama I’ve seen yet.
There’s no hyperbolic cutesy here; growing pains and teenage euphoria are portrayed in such an organic way that it makes me feel like these writers remember exactly what it’s like to be a teenager growing up, and with amazing attention to detail, to boot.
Show manages to create a world that feels real and raw, while still retaining enough pretty and polish to give it that drama lift. The entire cast does an excellent job, but extra kudos goes to our young actors, for making their characters come to life in such an organic-feeling manner.
As a bonus, the music in this is by turn breezy-heartfelt, tinkly-ethereal and gently poignant; all astutely applied just so, to give the watch experience that extra dimension of immersion.