(This is a long intro, so skip it if you wish) Hello! I’ve been a silent reader of your blog for a really long time, since I was thirteen and I just made this account to comment!
I’m sixteen now, and I feel like I’ve grown up with your blog- you introduced me to dramas and k-pop, and I still read your older articles when I feel down, it’s like comfort food for me. So thank you for that!
The question I have is: What do you think of idol actors? I don’t know if it’s just me, but it feels like a lot more idols are starring in dramas nowadays, and they may not always be good at acting. The general consensus among some of my other drama-watching friends is that idol actors take away jobs from better-trained rookie actors, and some think it’s unfair that they get to use a drama as an acting class.
Personally, I think it’s a bit of a gray area, since there’s plenty of perfectly well-trained and decently popular actors who can’t reeeallly act that well, but also it kind of ruins the drama for me if the lead cannot act well (fourteen year old me wasn’t that bothered about acting skills so much as ~swoon~ factor and watched The Great Seducer on repeat, but I watched it last week and had to skip a big big chunk of the scenes because the acting was…not the greatest) What do you think?
(But I think we all know idols are going to keep getting casted anyways, lol. They’re far too popular to miss out on for profit-related purposes, and some of them are really really good!)
Would be interesting to read your thoughts on idols turned actors/actresses.
You guys might remember that I ended up dropping Greasy Melo (despite my love for Jang Hyuk), back when it first aired (Dropped post is here). Show’s brand of whimsy just wasn’t working for me, and I found myself feeling more bemused than anything, the more I watched.
HOWEVER. I’ve learned that friend of the blog Dame Holly (also known around the interwebs as Lee Tennant) is much more attuned to – and gifted at understanding – the use of metaphors, symbolism and visual storytelling than I am, and she definitely has more appreciation for Greasy Melo than I could ever muster.
So I asked her to share her insights on Greasy Melo with us, in the hope that we I could absorb some of her conceptual prowess. I hope you guys enjoy!
Many moons ago, when I was in college, I picked as many film courses as I was allowed, coz they were the coolest, and also, the funnest, and therefore, I got to watch a whole lot of movies as part of my curriculum.
(See? Film really was the coolest and the funnest, heh. Especially when we got to the part on animation and sat around watching cartoons together.)
To tell you the honest truth, though, I never was a great film student, and I often didn’t see the genius in certain films, unless it was pointed out to me.
I mean, while most of my classmates were blown away by the brilliance of Prospero’s Books, a strongly avant-garde adaptation of Shakespeare’s The Tempest, I was sitting in my seat, trying to digest – what was to me, anyway – a very, very weird film. I didn’t naturally geddit, y’know?
Kinda the same thing with this show, for me, methinks. I know there are folks who love this one, and some who even revel in its reportedly clever use of metaphors and imagery, but I think it’s time for me to admit that I just don’t geddit, with this one.
Quiet, low-key and unassuming, Miss Korea is the modest little drama that could.
What Miss Korea lacks in big plot movement, it makes up for with attentive character establishment and development, which gives this series its almost-but-not-quite slice-of-life, almost-family-drama feel.
Populated by earnest characters who feel ordinary, real and likable, Miss Korea is the kind of show that one develops a slow but enduring affection for.
Another helpful thing to know: Despite its title and premise, Miss Korea isn’t really about beauty pageants per se.
It’s more about how ordinary people muster up their inner mettle, to face seemingly insurmountable challenges; not only to survive, but to pursue meaning and happiness in their lives.
A noona romance that reminds me all over again why I love kdrama.
There are a good number of reasons to love this drama: a good story, robust themes, a brisk pace that’s well-kept for the most part, engaging characters that are well-written and well-acted, heartwarming relationships all-around (well, almost all-around), a very enjoyable OST, and a fantasy, superpower bent that gives rise to related hijinks, many of the romantic variety. Yes, Omo!
My top reason for loving this show, though, can be summed in this character still right here. Everything about this boy-man, from how he’s written to how he’s portrayed, floats my boat. Melt, melt and melt.
A tongue-in-cheek, satirical unveiling of what really happens behind the scenes of our beloved kdramas.
Populated by a large ensemble cast of likable characters, King of Dramas paints a dramatic yet believable picture that is in line with all the BTS drama news that we get off the grapevine.
PPL wars? Check. Scripts delivered to the set in a piecemeal fashion? Check. Madly rushing the final tape to the editing room minutes before the episode is due to broadcast? Check. Such a fascinating peek into the world that doles out to us the dramas on which we subsist.
The show starts out meaty and strong, and even manages to be insanely hysterical at points, buoyed by strong performances and often-cheeky writing. A huge pity, that the ending was more whimper than bang.