Overall, I’d say that Show is a reasonably solid remake of its source material, Taiwanese drama Someday Or One Day (SOOD).
It doesn’t quite capture all of the magic of SOOD, but it does make everything easier to process and digest, comparatively speaking, and it does so while being very pretty to look at, since Show’s production values are extremely polished, and its cast, very good-looking.
If you had trouble getting into SOOD, perhaps because you find it hard to dial into the vibe of Taiwanese dramas, or perhaps because you find it hard to watch dramas that aren’t Korean, then this is a drama that would likely work well for you.
Also, if you found it difficult to keep up with all the twists, turns and developments in SOOD, this show could also work well for you.
Absolutely LOVE your blog and best of luck in your journey to keep writing!
Two questions for you I hope you can help with, though they are sort of related:
1) Why is it so rare for kdramas to get more than 1 season?
2) What qualifies a kdrama to get a second season?
To explain a bit, I just finished Vincenzo (so amazing, SJK, JYB and the rest of the cast were brilliant, even if the logic got…stretched in some bits) but SJK’s interview right after the finale seems to indicate it won’t get a second season despite very very good ratings.
This seems to be the norm for kdramas–save very rare exceptions like Hospital Playlist and Age of Youth/Hello My Twenties. So what gives? Is it a different industry/culture thing? I do admit that I am based in the US, where, as long as a show doesn’t completely flop, getting at least 2-3 seasons is incredibly common.
Show is a lot of things, and attempts a lot of things (some with more success than others), but one thing I can say for certain, is that Show is bold, and dares to try new things.
When the things that Show try don’t go so well, Show can come across as rather uneven, but when Show is at its best, it is a wild, absurd and completely absorbing ride of the best kind.
Our story world and our characters lean dark, yet this is all served up with strong lashings of screwball comedy. It sounds weird, but when Show makes it work, it’s glorious.
Our cast is very solid, but hands down, the one who shines the brightest, is Song Joong Ki, as our titular antihero. So much matter-of-fact, cool badassery, served up with a side of comedy; I just couldn’t look away.
Sometimes Show got uncomfortably dark for my taste, but Show gets brownie points, for unabashedly daring to be its own thing, for better or for worse.
Be Melodramatic feels like a more grown-up version of Age Of Youth, in the best way.
Here are Show’s pros, in a nutshell. First of all, Show’s got a slice-of-life, quirky, imperfect feel, and possesses an off-the-wall sense of humor to go with.
Secondly, Show boasts an ensemble cast of characters where everyone feels real and three-dimensional in all of their flawed, idiosyncratic glory.
Third and best of all, the writing feels deft and insightful, as Show takes us on a journey with our characters, and at the same time, gives us a multi-lensed look at this unpredictable, tiring, messy yet hopeful thing that we call Life.
A refreshing, underrated gem of a show that’s funny and quirky, yet real and relatable, that often hits you with the feels when you least expect it.