What a surreal year 2020 has turned out to be, amiright?
It’s been the year of surprises and curveballs, and I think it’s safe to say that none of us has been unaffected by the events of 2020. As a small silver lining, with lockdowns taking place around the world, and Netflix promoting Asian dramas with unflagging enthusiasm, we’ve welcomed many new drama fans into our midst.
And, our dramas have not let us down. I mean, yes, there’ve been duds, but that’s true every year anyway, yes? 😉 I’m just happy that Dramaland has found a way to continue production while ensuring the safety of cast and crew, coz I know I’m not alone when I say that dramas have helped make 2020 better.
Now, let’s take stock of my drama year in 2020, before 2021 comes upon us!
A restrained, loving study of music, characters, and their relationships, Do You Like Brahms? boasts characters that are carefully and tenderly drawn, relationships that feel patiently and organically grown, and a narrative filled with music-related touches that demonstrate an understanding of and empathy for musicians.
Our cast is very solid all-around, with each actor bringing their character to life in a way that feels real and believable. I loved extra, our sweet, bashful, very well-matched OTP, played by Kim Min Jae and Park Eun Bin. Not only is their romance handled thoughtfully, their individual journeys as musicians and as people, are teased out carefully too.
A very enjoyable ride, particularly if you identify as an introvert &/or a musician.
I like reading your witty and thoughtful musings on dramas and their fans. I would like to read your take on one of the most popular drama tropes, the anti-hero (or heroine). I admit that I am fascinated with conflicted characters because I think that inside each of them is hidden the possibility for redemption. And redemption and character growth are the bread and butter of good storytelling. So if and when you are able, please share your insights about what makes a good anti-hero and why do the drama fans like them.
A meaty, dark, whimsical melodrama that examines the difficulties faced by people suffering from trauma and mental illness, It’s Okay is not an easy watch at all. There is lots to unpack, difficult feelings to feel, and even internal biases to examine. So if you’re looking for a fluffy rom-com, this is probably not for you, for right now.
However, it is remarkably satisfying to witness our characters’ journeys, because those journeys are teased out so organically, that all of the growth and progress feels earned and true. Fantastic performances by our cast – with a special shout-out to Oh Jung Se for his impressively amazing interpretation of an autistic character – brings everything to life, and it’s not hard to get invested in our characters’ journeys.
There are a few bumps in the road, but overall, this proved to be a very satisfying watch.
Today we have a very special guest post by our very own Snow Flower, everyone! 😀
If you know Snow Flower, you might know that she’s a drama fan who’s passionate not just about her shows, but about music too. I learned some time ago that she plays music, but I did not realize that she writes music as well – until she asked if I’d like to share her original IOTNBO-inspired music with my IOTNBO review (the review is here!)
Once I took a listen of her music, however, I immediately felt that these pieces didn’t deserve to just be tacked onto the end of a review; they deserved their own place to shine. Which is how this guest post was born.
I hope you guys enjoy listening to Snow Flower’s lovely compositions as much as I did!