Greetings! Hope you’re doing okay in these uncertain times. Recently, I was asked by a friend why people are watching a lot of kdrama these days and I found myself groping for a good answer. I couldn’t really gush with goggly eyes as I would before a fellow kdrama enthusiast.
There’s the matter of availability and good looking actors, but that didn’t really feel to be at the heart of it. I also felt angry at myself for feeling apologetic about my drama choices (the person’s what you’d call a “serious” type and I didn’t want to be an object of his condescension).
Does this mean I subconsciously subscribe to the notion of kdramas somehow not being up to the mark? I have been agonising about this for a while now. I want to be able to watch what I like without feeling guilty or hesitant to acknowledge my love for it to the world.
And I could think of nobody better than you to provide a thoughtful answer to my predicament. The next time I come across this question, I’d like to bank on your eloquence and insights, please!
What a surreal year 2020 has turned out to be, amiright?
It’s been the year of surprises and curveballs, and I think it’s safe to say that none of us has been unaffected by the events of 2020.
As a small silver lining, with lockdowns taking place around the world, and Netflix promoting Asian dramas with unflagging enthusiasm, we’ve welcomed many new drama fans into our midst.
And, our dramas have not let us down. I mean, yes, there’ve been duds, but that’s true every year anyway, yes? 😉 I’m just happy that Dramaland has found a way to continue production while ensuring the safety of cast and crew, coz I know I’m not alone when I say that dramas have helped make 2020 better.
Now, let’s take stock of my drama year in 2020, before 2021 comes upon us!
Fresh, different and quirky, Into The Ring is much more than its premise might suggest.
Rather than a pedestrian look at politics at the municipal level, it’s more of an underdog story with a dash of superhero flair, and a good dollop of awkward, adorkable romance.
Nana and Park Sung Hoon are great in this, particularly together, and they were the bright spots that I consistently looked forward to, during my watch.
I do have some quibbles with Show’s general handling, but this is, overall, a solid watch that rocks its own brand of weirdness and kookiness, and is, in the end, a pretty unique breath of fresh air, in Dramaland.