Heirs

Food in Kdrama: An Obsession?

| kfangurl

Hi everyone!

Today’s post is a throwback sort of deal – surprise? 😁

Basically, not too long ago, JJ emailed me and suggested that I do throwback posts sometimes, to point you guys to older content that exists on the blog, but which you might not have discovered, because there’s just so much of it, now that the blog’s been around for a while.

AND THEN.. while I was auditing the site, checking for various things (like broken links, for one), I came across this post.

Not to toot my own horn, but I read this post, and thought, HEY, this is a pretty great topic, and a pretty good post – which many newer readers might not have come across.

And so, today, I bring you back to 2014 (gosh, has it been 8 years?!?), when I first published this post, where I talk about food as part of Korean culture.

I hope you guys enjoy.

KFG ❤️

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Dear kfangurl: What are some iconic kdramas over the years?

| kfangurl

Today’s Dear kfangurl post is inspired by j3ffc‘s and Trent‘s comments on my recent VOGUE India collab post, where I talk about the male gaze vs. the female gaze in kdramas over the years.

In response, j3ffc basically wanted to know which classic dramas I think drama fans should check out (which would demonstrate the shift in gaze over the years), and Trent heartily seconded the idea and expanded on it:

“The question I’ve been thinking about is along the lines of how do you think kdramas have evolved over the last couple decades? Do you see discernible or important trends in that time?

(Broadly considered: thematically, in treatment of tropes, genre or sub-genre expansion (or contraction), production values, stylistic changes, acting and\or casting type trends: it’s all fair game).

You touched on a bit of this in this Vogue interview, but I’d be very interested in a broader look, and I just don’t have the range of experience to even attempt a synthesis. You do, though. 😁”

So today I thought I’d talk about kdramas which I would consider iconic, over the years, and how kdramas have been evolving, in broad strokes.

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Review: The King: Eternal Monarch

| kfangurl

THE SHORT VERDICT:

This show is very ambitious, in just about every sense of the word. It aims to be this very shiny, expensive, mind-bendy parallel worlds thing, with an epic romance at its center, and it therefore aims to blow your mind and sweep you off your feet, in one fell swoop.

Because Show is that ambitious, though, I feel like it doesn’t quite manage to keep all its ducks in a row, all the way through.

Sometimes it kinda-sorta blows my mind, and sometimes it kinda-sorta sweeps me off my feet, but it doesn’t manage to do either with any degree of consistency.

Ultimately, Show is neither as brilliant as its fans say it is, but neither is it as terrible as its critics say it is, either.

It’s actually not bad, with some slightly hefty lens management.

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Dear kfangurl: How do you choose which dramas to watch?

| kfangurl
Might I spy with my little eye.. a drama that’s worth watching..?

Beez writes:

Dear Kfangurl,

I need help! I know my K-bloom isn’t totally off the rose but I feel as if it’s hanging on by only a couple of wilting petals. I’m not tired of Kdramas but I find I can’t easily decide what to watch these days.

At this stage in the game, where my biases (actors that I watched in ANYthing they starred in next) are getting older so filling less leading roles, I find myself with less that I’m interested in watching unless the synopsis snags me with a unique subject matter or hobby or career/lifestyle that I’m interested in.

So how do you (I’ve noticed you’ve become more selective) choose the shows that are worth your busy time?

For example, I see you reviewed My Unfamiliar Family. I haven’t read your review yet because 1) I never read reviews of shows I have no intention of watching and 2) I never read reviews beforehand of a show I intend to watch.

So looking at the synopsis on AsianWiki for My Unfamiliar Family – sounds like a total snoozefest.

And I learned to never rely on video teasers as they are totally random and can set me up for disappointment when a teaser is hilarious but the show turns out to be a drama and vice versa. So, how do you decide what’s up next to, not necessarily review, but to watch?

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Is The K-bloom Off The Rose? [My evolution as a drama viewer]

| kfangurl
Yes, I know that’s not a rose. I’m going to pretend it’s a rose.. apple. 😉

Some time ago, a remark by long-time friend of the blog Beez got me thinking.

Basically, we were talking about how I’d dropped The K2, despite Show serving up a whole lotta shirtless via a gloriously nekkid fight scene. Beez then said, and I quote, “Wow. Kfangurl, I think the K-Bloom is off the rose for you.”

Essentially, Beez felt that even though the OTP in The K2 had been uninspiring, that Ji Chang Wook‘s chemistry with second female lead Song Yoon Ah had been so sparky and sizzling, that if that hadn’t been enough to hold my attention, then, well, I must not be as taken with kdramas – or perhaps dramas in general – anymore.

This got me thinking about my evolution as a drama viewer, and what’s captured me each step of the way, and I thought you guys might perhaps find this interesting or relatable, and so here we are.

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Dear kfangurl: What are some OTPs that didn’t work for you?

| kfangurl

So many of you asked for this after my last post on some of my favorite OTPs, so here goes – my attempt to answer the question:

Dear kfangurl,

What are some of your worst OTPs?

..Which I paraphrase to mean, OTPs that didn’t work for me / are not my favorite / are kinda blah. Coz worst is a strong word, heh.

Shout-out to Beez, for being the first to ask for this list!

Note: I fully expect that some of the OTPs that didn’t work for me, might be your actual favorite OTPs, and that’s perfectly fine, since this is all subjective anyway. But if you’d prefer to look away now, I won’t be offended, I promise. 😉

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Dear kfangurl: Why do I still fall for drama tropes?

| kfangurl
This is me: kinda-sorta falling, but not quite. 😉

diti writes:

Hi kfangirl it’s me again, I found that your last post reply to my question was very helpful and very well explained so thank you very much and I’m here with another question (sorry).

Basically I was wondering why is it that so many dramas employ the same, sometimes very cringeworthy tropes (wrist grabs, accidental kisses, chaebol family drama etc) and viewers like me, who have seen them so many times before, still continue to lap them up?

That was a very long winded question sorry, and adding to that why is it that writers continue to add in these tropes.

I became interested in this when I began watching Crash Landing on You thanks to my undying Hyun Bin love ever since I watched secret garden. The show definitely has a lot of these tropes and yet I still continue to get sucked in. Am I the only one?

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Review: Prison Playbook [Wise Prison Life]

| kfangurl

THE SHORT VERDICT:

A show that takes the dark topic of prison and crime, and infuses it all with warmth and hope, Prison Playbook is the unlikely contender for your heart that will likely make you laugh, cry, wring your heart dry, and then fill it right up again.

Writer-nim weaves a story that makes primary and secondary character pop, while every actor in our ensemble cast breathes actual life into the characters, and PD-nim’s signature touch comes alive in both the palpable sense of community and the corny jokes.

As a shining bonus, the bromance at the center of our story feels emotionally deep despite its often gruff surface.

Poignant and homey, despite its grim premise.

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Dropped: The Great Seducer

| kfangurl

You know, for a hot second, I thought I might actually like this show.

Right off the bat, it kinda-sorta felt like an off-shoot of Heirs, but better done and more interesting.

Similar to Heirs, Seducer’s drama world is also centered around a bunch of rich kids, with one pair of them sparking off each other, his sexy rebel cool to her prickly pouty petulance.

All that spark, whether acknowledged or not, is blocked – or would that be amplified? – by their parents getting hitched to each other. Oh, plus there’s also an innocent, not-rich girl in the center of it all.

Unlike Heirs, there is no Kim Tan character, which I counted as a huge plus, since I hated Kim Tan, with a passion.

…Too bad my cautiously positive first impression didn’t last very long at all. I lasted 10 half-hour episodes of this one, dragging my feet through the last few of those 10 episodes, and have had zero desire to go back to this one.

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Flash Review: The Best Hit

| kfangurl

Y’know, I will always think fondly of the year 2012.

It was a pretty great drama year, serving up a good number of shows that I truly enjoyed, like Arang and the Magistrate, The King 2 Hearts, Gaksital, and Padam Padam, among many others.

On top of that, 2012 was also the year I decided to try my hand at the whole drama blogging thing – and hey, look at where we are now, eh?

But. There is one thing that I kinda hold against 2012.. coz 2012 is the year that time travel took over the dramaverse.

Suddenly, it felt like time travel was everywhere. Queen In-hyun’s Man, Rooftop Prince, Faith, Dr. Jin, and even Operation Proposal all got in on the time travel action in 2012, with varying degrees of success.

Let me just say that there’s nothing inherently wrong with using time travel as a concept, but honestly, it now kinda feels like time travel has become the Trend That Will Not Die.

For the record, I’m not hating on The Best Hit. In fact, I even rather enjoyed this show.

It’s just that the whole time travel thing here feels particularly gratuitous – almost pointless, even. I personally feel that this show didn’t need the time travel conceit, to tell the slice-of-life, found-family story it wanted to tell.

In fact, Show might’ve been better off just picking one time period and staying there. A pretty novel concept these days, I know. 😉

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