The Fangirl Verdict

Completely biased reviews and fangirling

Review: Flower Boy Next Door

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THE SHORT VERDICT:

A pretty low-key, small story set in a cute, quirky manhwa-esque world.

Within the smallness of the story, the writers manage to tease out some nice characterization, character growth and relationship development. It’s too bad this wasn’t quite sustained throughout the show’s 16 episodes.

Still a fairly enjoyable way to spend 16 hours, especially if you’re in the mood for contemplative with a side serving of zany.

Flower Boy Next Door OST – Talkin’ bout love

THE LONG VERDICT:

Word on the street for this show is that most people were disappointed by it / found it too slow-moving and dropped out after 4/6/8 episodes. At the same time, I have heard whispers of a small segment of viewers who actually really love this show.

While I do like quite a few things about this show, I.. can’t say I love it. There is a lot of cute plus other goodies, and certain stretches were extremely engaging. On the other side of the fence, there are some definite flaws that marred my enjoyment, that I simply can’t overlook.

Let’s take this apart for a bit to see how that all works, shall we? There will be spoilers, but I’ll warn, as usual.

CREATING OUR WORLD

Generally, the world that the show presents us with has a comic, manhwa kind of feel.

The use of split frames and words inserted into the screen, overlaid with light, peppy, poppy music, makes me feel like I’m watching a live-action manhwa. There are even a couple of sound effects thrown in, adding to the manhwa feel.

Although the color palette doesn’t lean as technicolor as I expected it to, thanks to these design touches, everything in this world does tend to pop somewhat. And in the end, the world kinda feels technicolor, even if it doesn’t look technicolor, if that makes sense.

I liked the manhwa-esque design of our world, but as with most things, there is a flip side to this coin.

In my view, the more manhwa-esque – and therefore unreal – the design tends to lean, the trickier it is to create emotional resonance that rings true, from the characters to the audience. The show navigates this tightrope reasonably well, though there are miss-steps along the way.

THE CHARACTERS

While most of the characters are likable and amusing, the writers only really flesh out a few main characters. Side characters tend to stay pretty two-dimensional, although some get a little more attention than others.

While I don’t exactly blame the writers for choosing this route, it does detract from the realness of the characters inhabiting this world. By extension, that in turn detracts from the realness of the world itself.

Basically, if I can’t feel like your world is inhabited by real personalities, it’s that much harder for me to get sucked into your world, y’know what I’m sayin’?

Park Shin Hye as Go Dok Mi

Park Shin Hye is one of those actresses that has grown on me drama by drama. I didn’t think much of her turn as the bumbling, clueless nun wannabe in You’re Beautiful (although I eventually came to accept the character as part and parcel of that campy, kooky, very fun world), and then I liked her a little better in Heartstrings / You’ve Fallen For Me.

Flower Boys Next Door is easily my favorite role of Park Shin Hye’s, among the shows that I’ve seen her in.

Go Dok Mi is a character that is reserved, contemplative and often a touch melancholic, and Park Shin Hye portrays her with restraint and small nuances that I appreciate.

I liked Dok Mi’s growth trajectory the most, among the various story arcs in the show.

Dok Mi’s journey, from being closeted in the safe confines of her apartment, to wrestling with and overcoming her fears in order to step outside into the world, is no simple thing.

I really like the amount of care the writers took with this, allowing us to explore the workings of her mind and the various corners of her heart as she grapples with her own conflicting thoughts and desires about how she wants to experience the world: vicariously, from the inside of her cave with binoculars in metaphorical and literal hand, or by personally stepping outside with her own two feet.

[SPOILER ALERT]

Straightaway, in episode 1, we get a sense of the extent of Dok Mi’s timidity with people, when we see that she can’t even muster up the courage to ask her sunbae for the overdue deposit of the contract money, even though she clearly needs it.

She seems to have an actual psychological fear of facing people. Her most hated sounds: “The sound of pounding on a door. A telephone ring. The intercom. My name being called.”

At the same time, we see that when she is alone with her thoughts, she is extremely eloquent on her own.

Every episode, we are privy to Dok Mi’s inner thoughts as she writes her journal entries, such as this one, from episode 2:

“That woman’s mouth.. is like a broken faucet in a mountain village. Not a single drop comes out when it’s needed, but it’s like a faulty faucet that only works in the silence of a night. All the words that she wasn’t able to say in that moment comes pouring out after that moment passes. ‘Next time, I’ll make sure to respond like this.. This is how I’m going to retort to the comments..’ This, she always vows to herself. That woman always speaks the most impressive lines when she’s alone in her room.”

I like the way the journaling gives us a peek into her thoughts, while giving us a point of reference throughout the show, so that we can compare her outward behavior with others to her inward reflections.

As Dok Mi grows bolder in her interactions with the world, the gap – both in tone and content – between her diary entries and her real-world communications starts to shrink, giving us a regular means of measuring her growth from episode to episode.

I have more thoughts around this diary device, but we’ll save that for later in the review.

[END SPOILER]

Yoon Si Yoon as Enrique Geum

While many viewers took to hyper, motor-mouthed, energizer-bunny Enrique right away, I have to admit that I was slow to embrace him as a character.

I found his manic energy a bit much, and one of my first reactions to Enrique was, “My word. Enrique speaks really really fast. @.@” He made my head spin with his speed-talking. Almost literally.

And while I found his cutesy, aegyo man-child antics amusing, I didn’t find him appealing in a hero sort of sense. I kinda like to at least see the potential for sexy in my drama heroes, and I wasn’t seeing it in Enrique. Not like this:

It takes a couple of episodes for us to see more clearly the layers beneath the manic, and for me, that felt like a long time because I actually took forever to progress past the first couple of episodes. Once I got to see the layers beneath though, Enrique really began to grow on me as a character, and I have to commend Yoon Si Yoon for managing the “switch-on, switch-off” nature of the manic really, really well.

And the more I saw of the layers beneath, into the workings of Enrique’s heart and mind, the more I rooted for him as a character, and the more I grew affectionate of him. And yes, I also began to see the potential for sexy.

[SPOILER ALERT]

It’s only after more than two and a half episodes of manic Enrique that we get the first solid indication that he’s really just trying to hold it all in.

This little scene in episode 3, where Enrique plays a soccer game alone in a PC-bang, is one such moment. Despite his best efforts, Enrique is unable to prevent the tears from spilling out, and even when they do, he doesn’t even really acknowledge the tears except to brush them away as he continues to talk to himself out loud about the soccer game.

This was a definitive moment for me; my heart went out to him because I started to see the melancholy hidden under the feverishly high-energy facade that he adopted as his default setting.

Another early-ish scene that alludes to Enrique’s inner sadness is in episode 5, when he leaves Dok Mi in the car to pat down his sandcastle.

We realize that he’s read Dok Mi’s diary entry on her phone:

What is your truth? Answer honestly. Whenever someone asked her that, she kept her mouth shut. When unwrapped from its wrapping paper of lies, the truth is not a sweet candy or a chocolate that appears with a flourish. In the way that skin is needed to protect blood and flesh, she needed lies to cover her truth. More than being honest and exposing her scars, that woman found it safer to lie with a brilliant smile.”

It’s almost imperceptible, but we see Enrique tearing up as he pretends to pat the sandcastle down. Aw.

We’re not shown whether it’s because her words resonate with his own feelings, or whether it’s compassion that he feels, but his words to the sandcastle seem meant for himself and for Dok Mi as well, “Listen… no matter how strong the waves come crashing at you, don’t crumble easily and you have to endure it for as long as you can, okay?”

Later, to Dok Mi, he says, with cheerful facade back in place, “The sandcastle I built will be washed away by the waves soon, without a trace. Then our one-sided love and first love will be washed clean.”

This is one of the key points where we begin to see the duality in Enrique play out more regularly. Amid the occasional cracks in his overly bright facade, we get fleeting glimpses of his inner sadness and loneliness. And that is how we begin to piece together the real person under the perky chatter.

[END SPOILER]

Kim Ji Hoon as Oh Jin Rak

Compared to Dok Mi and Enrique, Jin Rak isn’t as well-developed a character, but he does act as the main foil to Enrique. Also, outside of our OTP, he is the character that gets the most screentime.

Kim Ji Hoon is pretty pitch-perfect as the hapless, always slightly mussed-up next door neighbor nursing a crush on Dok Mi that’s the size of Mt. Everest, but whose idea of courting a lady is so slow and protracted that fossils could form while waiting for him to make a move.

As a general rule, Jin Rak’s deadpan faces are priceless, and he’s often shown in various states of embarrassment while attempting to furtively observe the object of his affection.

[SPOILER ALERT]

One typical funny Jin Rak moment is in episode 3, where Jin Rak first pretends to be a puking drunk, and then a hobo looking through the trash, all while spying on Enrique & Dok Mi’s conversation nearby. The physical comedy, combined with Kim Ji Hoon’s shifty-eyed, confused  facial expressions, made me laugh out loud.

In a later episode, late one night, Jin Rak is literally beside himself with anxiety, knowing that Enrique is in Dok Mi’s apartment, and resorts to all manner of crazy antics to try to keep tabs on what’s happening on the other side of the wall:

His efforts are fruitless, but give us several truly hysterical moments, thanks to Kim Ji Hoon’s gung-ho, all-in delivery. I never knew that Kim Ji Hoon could do physical comedy so well, seriously.

[END SPOILER]

Park Soo Jin as Cha Do Hwi

For a relatively significant secondary character, Do Hwi is painted in a singularly two-dimensional fashion. She is the typical paper cut-out of the simpering Bitchy Ex-Friend, a character that Park Soo Jin strikes me as having played too many times.

To that end, Park Soo Jin does pretty well, I suppose, because I disliked her more and more as the show progressed, just like the writers intended.

It’s too bad that Do Hwi never really comes across as a real person, but a caricature. Her motivations are never fully fleshed out, both in the past and the present, and her reasoning and subsequent actions never fully make sense. It’s like the writers painted her in broad strokes and then forgot to fill in the finer details. When we zoom in for a closer look, all we get is a pixelated blur instead of a finely drawn character.

By the end of the show, I honestly couldn’t care two snips about what became of her, coz really, it’s hard to care about a cartoon parody.

[SPOILER ALERT]

Do Hwi’s entire thought process for how she turned on Dok Mi in high school rang completely false to me.

I mean, you are BFFs with Dok Mi for the longest time, and super-close and everything. And then, just because some random girls pay you some attention, you drop your BFF and start taunting her with disdain?

And then, when you suspect in your twisted mind that the Literature teacher and Dok Mi might have a thing going on, you ruin your ex-BFF’s life without even a hint of regret?

Seriously? I.. can’t make sense of it. Any person with a shred of decency would at least be a little conflicted about unleashing such malice on someone that they used to be so close to.

I really think more care could have been put into the plotting of Do Hwi’s character. Her characterization feels lazy, convenient and even a little slipshod.

When the writers don’t bother to create a believable character with believable motivations, I can’t find a reason to understand or to care. And also, it takes me out of the moment when stuff doesn’t make sense, and that’s just not helpful to the overall story.

[END SPOILER]

Flower Boy Next Door OST – 사귀고 싶어 (Yoon Si Yoon)

THE SECONDARY CHARACTERS

Like I mentioned earlier, the secondary characters aren’t really fleshed out very much at all. Some characters get a little more attention and screentime, however, and this makes for a couple of pretty endearing and memorable personalities.

Kim Seul Gi as The Editor

Hands-down, my favorite secondary character is the webtoon editor, played to endearing OTT perfection by Kim Seul Gi.

Kim Seul Gi makes the Editor (who doesn’t even get a name, actually) a cracktastic combination of bug-eyed crazy and blushing schoolgirl, complete with unwashed greasy hair and dark circles the size of saucers.

She makes shrill demands of Jin Rak and Dong Hoon (Go Kyung Pyo) and almost always punctuates her orders with a “Right! NOW!”

She consistently steals each and every scene she’s in, and she’s just all-around awesome. You just can’t help but love her.

Go Kyung Pyo as Yoo Dong Hoon

Friendly, outgoing and amiable Dong Hoon seems mostly positioned to be a companion and foil to Jin Rak. (Ooh.. A foil to the foil, geddit?)

He sometimes is the voice of reason, or simply the voice of opposites for Jin Rak, and the two often bring the laughs, such as this hilarious missed high-five where Dong Hoon gets slapped in the face instead:

Somewhere around the mid-point of the show, Dong Hoon’s character suddenly gets a little more attention, complete with a rather adorable love line.

The attention per se doesn’t feel completely like an afterthought, since we do get hints of his late-night activities from early on in the show. The love line does feel tacked on, though it’s so cute that I forgive the writers.

On top of that, Go Kyung Pyo makes Dong Hoon a very likable character, which makes me happy to have more Dong Hoon in my story and therefore I shan’t nitpick too much.

A Random Handful of Characters

There are some characters that I expected to be fleshed out a little more, and which weren’t. Like Han Tae Joon (Kim Jung San) and Yoon Seo Young (Kim Yoon Hye):

I thought these 2 characters would have been given fuller story arcs and more well-rounded characterization.

Instead, both characters make fairly abrupt exits around the mid-point of the show, and we never actually find out what happens to them both. I found that a little strange.

And then there’s Mizuta Kouki as Watanabe Ryu, who seems to serve no narrative purpose whatsoever, except to be one of the requisite flower boys:

Conveniently, Watanabe is a Japanese chef who is in Korea to learn about Korean cuisine. And he does so at Bibigo, which is ludicrous, really, and so obviously PPL.

(Bibigo does not serve traditional Korean food, but more of a fusion, modern, “healthy” version of Korean food. Think bibimbap served with purple/black rice, and hot sauce in sachets on the side. I know this because I ate at a Bibigo chain store 2 weeks ago. It’s kinda like saying you’re going to Japan to learn about Japanese cuisine, but you do so at a ramen chain store that’s not only fusion but even a little bit fast food-ish. Kinda ridiculous, eh?)

Of course, there’s also Security Guard ahjusshi Hong Soon Chul (Lee Dae Yeon) who’s clearly crushing on the lady tenant in apartment #404, Im Jung (Kim So Yi).

Ahjusshi’s attempts to woo Ahjumma never take up very much screentime, and instead the brief moments are peppered throughout the show, offering a cute bit of on-going side entertainment.

All in all, it would have been really nice if these secondary characters could have been fleshed out more, but as it stands, they were a fun, rather amusing bunch to have around, and helped to make our Flower Boy neighborhood a quirky, fun place to hang around.

THE RELATIONSHIPS

Similar to how only key characters are properly fleshed out in this show, only the key relationships are carefully drawn. With Dok Mi’s trajectory taking centerstage, it is her relationships with Enrique and Jin Rak that are ushered to the forefront and that get to feature some thoughtful writing.

I’m going to just spend a bit of time on the other relationships that I want to touch on, before getting to our OTP. Since theirs is the central relationship of the show, I thought we’d save that for last.

Enrique and Jin Rak

I found the relationship between Jin Rak and Enrique really quite amusing.

As the two men vying for Dok Mi’s attention and affection, one might expect them to be highly overtly combative, but Jin Rak’s sense of propriety and decorum, which seems mostly powered by wimpishness, is no match for Enrique’s persistently friendly, talk-a-mile-a-minute, never-give-up, wide-eyed puppy ways.

Jin Rak’s weak attempts at protest are consistently mowed over by Enrique’s eager chatter, and the two become reluctant friends. Well, reluctant from where Jin Rak’s standing, anyway. Enrique seems to genuinely want to be his friend.

Jin Rak’s reactive nature, combined with his jealousy towards Enrique’s interactions with Dok Mi, translates into quite a bit of passive-aggressive behavior, like in episode 3 when he draws dark circles and a beard on the webtoon version of Enrique. Pfft.

It is also pretty gratifying to see the outwardly more mature Jin Rak actually learn about the real meaning of love from young puppy Enrique. So while Jin Rak was never going to get the girl, he does learn to put away his rose-colored lenses and see love with more insightful eyes.

[SPOILER ALERT]

A Friendship Minted

One of my favorite moments between Jin Rak and Enrique is in episode 5, when Jin Rak, finally driven to action by a huge stockpile of accumulated frustrated jealousy, confronts Enrique and introduces himself.

Enrique is so delighted to make a new acquaintance that he basically eager-beavers a very unwilling, rather horrified Jin Rak into going to the PC-bang with him.

As they game, Jin Rak belligerently tries his darndest to beat Enrique, to no avail. Enrique trounces him blithely and effortlessly, to Jin Rak’s chagrin.

His competitive streak stirred up more than ever, Jin Rak boasts afterward to an adoring Enrique about having been in the special forces in the army, only to have his bragging met with thrilled glee, “You’re totally a man! Wow!”

Jin Rak challenges Enrique to a race, and the two take off, charging down the streets.

By the time they stop for breath, Jin Rak’s grumpy expression has given way to one of genuine exhilaration, and just like that, their new friendship is sealed.

Hee. I love how all of Jin Rak’s defenses are powerless against Enrique’s indefatigable good humor. I think I’ll call this the Enrique Effect. Heh.

A Lesson in Dok Mi

One of Jin Rak’s lessons from Enrique happens in episode 7 when Jin Rak confronts Enrique on the roof for accepting Do Hwi’s memory boxes on Dok Mi’s behalf.

As Jin Rak reasons with Enrique, their very different perspectives on love come tumbling out.

Enrique’s take is that in love, someone always has to confess first. Jin Rak, on the other hand, contends that there shouldn’t be a need for that, “if people take their time and fully get to know one another.”

Jin Rak likens Dok Mi to a still water pond, and accuses Enrique, “You’re saying you’ll crash into her like a tidal wave or something until [you leave]?”

Without batting an eye, Enrique fires back, “That ahjumma is not someone who’d be shaken even if the tidal waves were to move in on her like a tropical storm! And… even though you’ve watched over her for as long as you have, you know even less about ahjumma than I do.” Touche. So true.

And then Enrique adds, “You really were planning on getting to know her really, really slowly, huh?” Pffft.

I had to laugh at that, coz my patience was really wearing thin with Jin Rak’s recurring protest of “But I was here first!”

That’s right, hon. Love just doesn’t work that way.

[END SPOILER]

Dok Mi and Jin Rak

Pretty much all drama long, Jin Rak tries his best to be considerate of what he perceives as Dok Mi’s delicate nature by keeping a respectful distance and passively admiring her from afar, just like he’s done for the past 3 years.

In his own mind – and in his webtoon, too – he’s constructed and fleshed out an entire dossier of the kind of girl that he believes Dok Mi to be, without once daring to inch forward to check his ideas of her against her real personality.

Through the course of the show, Jin Rak slowly and painfully discovers that the Dok Mi that he’s placed on a pedestal in the ivory tower of his mind isn’t quite the same as the living, breathing Dok Mi that inhabits the apartment next door.

I guess it doesn’t quite count as losing your love if you were really only in love with an idea?

[SPOILER ALERT]

Post-It Presents

In episode 5, we get a couple of scenes that represent pretty succinctly Jin Rak’s misguided adoration of Dok Mi.

First, Jin Rak gets drunk and in his intoxicated state, meanders on and on to a bemused Dong Hoon about Dok Mi. We learn that he thinks (1) Dok Mi is so perfect that one can’t sully her by putting the moves on her, and (2) eros is only for jerks.

No wonder he never gets anywhere with his crush, living in fantasyland and all.

Then the next morning, he’s discovered by Dok Mi while furtively adjusting his post-it for the day, which he hastily retrieves.

His final post-it, which never makes it into her hand, reads: “Even if you’re far away, I know you. – This is Apt 401, Oh Jin Rak.”

After Jin Rak’s (rather weak) confession is foiled, we see that the post-it pictures do move when flipped, and they tell a story in stop-motion, about a guy who falls for a girl at first sight and ends up proposing on his knee with flowers. Aw.

I thought it rather poignant that Jin Rak’s sketch figures made more progress in love than Jin Rak himself.

The Confession

In episode 9, Jin Rak musters up the courage to make a halting confession to Dok Mi as they stand outside their respective doors.

“I really hate the winter. In spring, summer and fall…  You keep your windows open…  And I can smell the scent wafting out from your home.” … “I can smell the scent of the herbs… The scent of your rice cooking in the evenings… And I can even see your curtains billowing in the breeze. On rainy days… I can see you stretch your hand out… to feel the rain on your skin. It feels as though you’re right next to me. I just… want to remain by your side for a long time. And after some time of doing that… maybe even some trace of me… like the imprint of that hat… could remain, couldn’t it? All you need to do is… just as you are already… remain where you are now.”

Jin Rak’s confession sounds romantic in an almost literary sense, but honestly doesn’t show any understanding of Dok Mi as a person, only an almost-creepy, intimate knowledge of her routine.

Plus, his confession is basically an invitation for her to stay still so that he can slowly, really, really slowly maybe-kinda-sorta become a small trace in her life. Um. Not very practical for most girls, I would think.

Doing the Decent Thing

Despite Jin Rak’s overly romanticized ideas of love, he’s really a decent guy, and we see him choose to do the decent thing in episode 11, even when it means sending Dok Mi to Enrique.

I felt so sorry for Jin Rak in this episode, really.

First, he gets all happy and pleased that Dok Mi actually asked him to the Van Gogh exhibition, and he primps for their date, only to realize that her thoughts are elsewhere with Enrique.

Then, he gets all teary-eyed as Dok Mi tells him to stop with the post-it notes, and he anticipates her good-bye with a mix of fear and defeat written on his face.

And then Dong Hoon calls him with news of Enrique being attacked and sent to hospital. Talk about having a bad date.

Jin Rak doesn’t even hesitate and tells Dok Mi the news, despite knowing that this will curtail whatever remaining time he has with her. He then takes a shocked Dok Mi to the hospital to see Enrique.

Oh, Jin Rak. Your affections may be completely misguided, but your principles are not. You’re a good man.

A Moment of Truth

In episode 13, when Enrique discovers that Dok Mi is missing from her apartment, Enrique springs into action to search for her.

Enrique rattles off possibilities as he darts in and out of Dok Mi’s apartment, “Her Grandma’s. Do I have to call her colleague at work? She has places that she wants to go, and the pictures. We will just need to check that.”

After Enrique dashes off, Jin Rak, looking sobered and stunned in one, finally says, “Dong Hoon-ah. I don’t know anything. If Dok Mi disappears one day… I won’t even know where to look.”

Aw. The moment when Jin Rak realizes that he really knows nothing about Dok Mi is sad, but true. I think this is the pivotal point when Jin Rak begins to come to terms with how distant he really is, from Dok Mi.

New Wisdom

By the end of the show, though, Jin Rak’s arrived at a much more self-aware place.

During one of their meetings, Editor challenges Jin Rak, “Flower Boy Next Door discusses love? Are you kidding? Do you know love? You said there was no such thing as a timid confession! What does a guy who’s done nothing but stare out his window know about love?!”

Jin Rak smiles, “I didn’t know love. Love is something that people do, so you can be rejected or make mistakes… but I put love in too high a place, and just looked up at it. So I want to tell people not to be like me, to give courage to those who can’t confess, and I want to comfort hurting loves.”

A lesson learned in perhaps an unnecessarily protracted manner, but a lesson worth learning all the same. Good on ya, Jin Rak.

[END SPOILER]

Flower Boy Next Door OST – 너였으면 좋겠어

Dok Mi and Enrique

When we first meet Dok Mi and Enrique, they seem as different as chalk and cheese, save for the fact that they are both pining for other people in unrequited one-sided loves. She’s all timid reserve, while he’s all tireless animated chatter.

As we get to know both characters a little better, though, we realize that underneath their respective facades, they each nurse a sense of melancholic loneliness that isn’t so very different from the other.

What makes them different from each other in their melancholy is their responses.

Dok Mi puts up her defenses and stoically hides behind them, while Enrique proactively barrels through those defenses, one by one, to get to the kindred spirit that he sees in her.

If I had to summarize Enrique’s and Dok Mi’s relationship, it would be this: He sees her; he hears her; he knows her. And he knows when not to take no for an answer.

Dok Mi sees Enrique too, much as she doesn’t want to at first.

I pretty much love how good Enrique is, for Dok Mi, and in turn, how good she is, for him.

[SPOILERS THROUGH THE END OF THE REVIEW]

He Sees Her:

I find it significant that Enrique is the first one (and only one, come to think of it) who sees Dok Mi peeking out from her apartment and insists on calling her out on it. He pounds on her door and refuses to allow her lack of response to deter him from seeing her face to face.

It’s the literal play-out of what’s going on at a deeper level.

She doesn’t want to be seen, but he sees her anyway. She doesn’t want to open her door, but he finds a way in anyway. She doesn’t want to talk, but he talks to her anyway. And he just keeps talking until she starts talking back.

He basically insists on seeing her, and in the end, it’s how the defensive walls around Dok Mi begin to crumble.

Not only does Enrique see her, he treats her like an active participant in life, instead of the dead wallflower that she prefers to be.

In episode 3, when Dok Mi faints and Enrique takes her back to Tae Joon’s apartment, he promptly considers her a friend and treats her so.

When Dok Mi tries to leave, he pulls Dok Mi close and stops her. With a slight crack in his voice, he whispers hoarsely, “Don’t go, ahjumma.” … “Help me. Please.” Compelling, to say the least.

And so it is, that Dok Mi ends up staying on in the apartment and helping Enrique, despite it being completely out of her comfort zone.

Clearly, Enrique has a knack for getting Dok Mi to engage with him, with others and with life in general.

In fact, in episode 6, Enrique even writes a book, just to create a formal reason to spend time with Dok Mi. Ha. Talk about going to great lengths.

It’s even more interesting to know that at the point of writing the book, Enrique isn’t even aware that he might have feelings for Dok Mi. In his mind, he’s just doing all he can, to teach Dok Mi how to come out into the world.

It’s only in episode 11 that Enrique, after his accident, hallucinates that Dok Mi is looking down over him and realizes, “I’ve… fallen in love” as a tear rolls down his cheek. Aw.

While Enrique’s hallucination speaks to his desire to be with Dok Mi, I also find it symbolic that Enrique sees her, even when she’s not physically there. It’s like she doesn’t need to actually be there, for him to see her, because he sees her so clearly.

He Hears Her:

There’s a recurring motif in the show, of Enrique being able to hear Dok Mi’s thoughts.

It first surfaces in episode 2, when Enrique is talking to Dok Mi about their earlier misunderstanding, and Dok Mi thinks to herself, “I miss my room.”

Enrique seems to hear her thoughts, coz he says, “Stop thinking about wanting to go back to your place.”

Enrique’s seeming ability to hear Dok Mi’s thoughts becomes his barometer for how connected he feels to her.

In episode 10, when Dok Mi comes knocking on his door to give him the money for her hospital bill (and to say goodbye), Enrique puts a finger to her forehead and says somberly, “When I looked at you, I strangely used to think I could hear your voice. But now… I can’t hear anything. I don’t know. I really don’t know.”

After Dok Mi finally confesses that she likes him in episode 11, Enrique pronounces, “I can hear it again. The sound of Ahjumma’s heart.” Aw.

And right away, the little “talk-to-the-thought” thing between them starts again.

Enrique shows Dok Mi the definition of “dating” in a dictionary, which reads, “A close friendship between two people who are in love.”

Dok Mi thinks to herself, “Lo… love? All I said was that I liked him.” To which Enrique blithely replies, “Liking someone and loving someone means the same thing.” Cute.

I found it rather cheesy at first, but this little thing between them where Enrique answers Dok Mi’s thoughts really grew on me, and by the later episodes, I genuinely found it rather cute and sweet.

He Knows Her:

One of the things that Enrique says several times during the course of the show, is that to know someone is to love them. And I love how he knows Dok Mi.

He refuses to tiptoe around her nor handle her gingerly or delicately as if she’s a fragile item. He gives her what she needs, rather than what she wants, and essentially helps her to overcome her demons in spite of her own fears in facing them.

In episode 9, we get a scene of Enrique giving Jin Rak advice on what to do for Dok Mi:

“Once in a while… just leave her be. And then one day… go knock on her door, and go out to the world together. Then you’re going to show her a really beautiful scenery. So that she starts to think… the world is worth living, and that her heart is starting to heal. And also… you’re going to let her be free. And then once in a while… “I know your pain… and that I’ll never ignore you… Since I know your heart better than anyone else does. So can you… step a little closer to me?” That’s the kind of signal you’re going to give her.”

Aw. The advice Enrique gives Jin Rak is exactly what Dok Mi needs. It’s also totally what he wants to do for Dok Mi himself, and the way Enrique says it all, so dreamily and tenderly, it’s like he’s doing all these things for her in his mind already. It’s so sweet, particularly in that all these things have to do with helping to heal Dok Mi of her hurts while giving her space to find that healing.

I love too, that despite his plan to return to Spain, Enrique makes a game for Dok Mi, to bring her out into the world, just like he promised he would. I found that so sweet. Really.

And that he does it for her, while masking his own pain with cheerful words, double aww.

One of my favorite scenes around how well Enrique knows Dok Mi, is when he encourages her to talk honestly with Do Hwi about their past in episode 12.

It’s such a great thing, truly, that Enrique doesn’t indulge Dok Mi’s desire to hide, but instead gives her encouragement and strength to face her demons.

Jin Rak can’t take Do Hwi’s outburst and wants to stop the entire conversation to protect Dok Mi, but Enrique knows better. He knows Dok Mi needs to talk, and he knows that she can do it. And he’s right.

And after she does, he has this little flash of pride flitter over his face, which is so gratifying to witness. He knows her. And like he’s already said, to love someone is to know them.

What I love even more about this story beat, is that afterwards, Enrique doesn’t allow Dok Mi to find comfort in his arms either.

Instead, he gives her a way to find her own calm, with the pencil sharpening. And then he watches from afar, giving her space to find that calm. More powerful than a hug, perhaps. And he really does seem to know her. Which I love.

Aw. And when he leaves, he tells her that when she looks out the window in the morning (ie, when she’s ready), she’ll see him.

Such a lovely balance between giving assurance and giving space.  Love that. So much.

She Knows Him Too:

As much as Enrique sees and knows Dok Mi, she too, sees and knows him right back. She looks past Enrique’s bright facade and sees the loneliness beneath that everyone else misses. It’s partly the fact that she’s working on Enrique’s autobiography, but it’s mostly because of her interactions with him where she’s seen through the cracks in his facade.

In episode 7, when Enrique and Dok Mi argue, it’s clear as day that these 2 know each other’s most painful buttons. They sear each other with their words, hitting where it hurts the most, as they both tear. They see through each other’s protective shells so clearly that they know where it hurts the most.

Enrique’s hurt response to Dok Mi’s words is telling:

“I don’t care about the key words made up by people who don’t know me. But you know who I am. Even if it’s a little bit. Calling me a hollow shell? That’s a bit harsh. I’ll just take it that you said those words so you can cut me out of your life… so I’ll cut you out of mine too.”

Enrique is more hurt by the notion of Dok Mi not seeing him for his true self, rather than the opinions of others that she throws at him. He cares about what Dok Mi thinks about him, not what other people think of him. We see this too, when Enrique is most concerned about Dok Mi misunderstanding him, when the handphone thief uploads couply photos of him with Seo Young.

We see the significance to Enrique in his autobiography, where he writes, “When rejected by the person you love most, when betrayed by the person closest to you – that’s when self-abasement begins. You hide in a space that’s all your own, and close your heart. I can’t just pass by people like that.”

While Enrique seems to be the more proactive one in their interactions, Dok Mi’s gift to Enrique is the way she sees him for his real self, knows him, and still accepts him.

Other Dok Mi-Enrique Thoughts

One of the things I love about Dok Mi’s and Enrique’s relationship is their unique love language.

In episode 12, Dok Mi says to Enrique, “I want to try going outside. Out into the world.” And he practically bursts with joy.

And it truly is the biggest thing she could say to him. Not “I love you,” or “I miss you,” but rather, “I want to try going out into the world.” Aw.

Later, when Enrique asks Dok Mi to go to Spain with him, Dok Mi writes in her diary:

“How many meanings are there in the words I’m sorry? Sadness and scars. Misunderstanding and repentance. Regret and reconciliation. Innumerable feelings are mixed up within. That man believes that you can’t express your heart with one short word. “Will you come to Spain with me?” What that man spoke was love.”

I love that these 2 are so tuned in to the subtext of what the other says. They truly do listen to each other’s hearts, and I love that.

Sort of still in line with language, I really like the scene in episode 16 where Enrique and Dok Mi “practice” making sentences using the words ‘sorry’, ‘thank you’, ‘I love you.’

Not only is it a romantic, sweet little scene, it actually encapsulates the essence of their relationship.

Pressed by Enrique to go first, Dok Mi says, “I’m sorry that I pushed your feelings away until now. It was a long road but you didn’t lose your way and came… thank you. Because of you, I came to love myself.”

Enrique’s sentences go, “I’m sorry that I couldn’t come earlier. Thank you for letting me love you. I love you.” Aw. That is so sweet.

The title of Dok Mi’s photo album in her phone after Enrique tells her to capture the world is “Her world.” Dok Mi discloses, “The first thing I saw of the world to capture was you. It’s what I realized as I wrote the title… You are my world.”

She then re-does her sentences, “For only making my confession now, I’m sorry. Thank you for becoming my world. I love you.” Double aw.

Later, Enrique thinks, “I thought love was giving half of myself and the other person filling the other half. That woman thought her half was dark and shameful, and so she pushed love away. That love is taking an incomplete half and going towards completion… is something that woman only now realizes.”

I really like that thought, that love is taking something incomplete, and moving towards completion. Not necessarily in finding the completion in the other person, but even in the process of loving, to find personal growth, and to mature and blossom towards a completion of oneself.

A Kissing Aside:

Ok, I just want to make a quick fangirl aside to comment on the kiss that we get in episode 11.

I absolutely love the build-up towards the confession and the kiss. BUT. I’m really quite disappointed in the execution of the kiss itself. It’s so stiff and static, and our OTP’s lips are barely touching.

Seriously, I expected better.

I can buy that Dok Mi would be stiff because that jives with her character, but it makes sense that Enrique would express more tenderness. And I have heard on good authority that Yoon Si Yoon is capable of much, much better.

And this is cable, too! I blame the PD, seriously. Tsk.

Dong Hoon and Editor

I just wanted to give a quick spotlight to this adorable couple.

I loved the humorous touch that the writers gave all their relationship interactions, from Jin Rak’s “speak softly” tip which Editor then uses to hilarious effect on Dong Hoon, to Dong Hoon’s jealousy over Editor going starry-eyed over Enrique.

It’s extra funny that through it all, these 2 don’t even seem to realize their relationship is evolving.

In episode 16, Jin Rak talks about the new love story that he’s working on, which is clearly built on Dong Hoon’s and Editor’s relationship. I get that this was supposed to be sweet, but I found it sorta lame.

But, Dong Hoon’s and Editor’s stunned reaction is cute. In unison, they ask incredulously, “Are we in love?”

So funny, and so adorable, these 2. ♥

Flower Boy Next Door OST – 그날의 기억들

DOK MI’S JOURNEY OF GROWTH

I just wanted to do a quick spotlight on Dok Mi’s journey of growth, which really, is the main point of the entire drama.

From the moment that we first meet her in episode 1 through to the end of the drama, Dok Mi makes some huge strides in terms of overcoming her fears and learning how to step out into the world with strength and confidence.

Here are just a couple of my favorite Dok Mi growth moments.

1. In episode 7, when Dok Mi steps outside to save Jin Rak from the suspicious looking men who want to arrest him, she says:

“Excuse me… Does Oh Jin Rak know that he’s being indicted? Isn’t it that you can only arrest people who’s been proven to be guilty? Which department are you two from? Do you two have proper identification to prove who you are? If you two can’t provide proper identification… You wouldn’t mind if I called the police?”

Aw. & Wow. How about that, for a display of strength?

2. In episode 10, when Dok Mi comes face to face with the Literature teacher again, thanks to Do Hwi’s conniving scheming, and everyone else pretends like everything is as fine as can be.

I love that Dok Mi doesn’t play along with them. Even though she says it haltingly while fighting tears, she calls them on it, and I consider that a strength on its own.

“You’re all… acting like everything is fine. You’re all… asking me questions like nothing happened. You’re all… so cruel.”

She’s not hiding behind a wall, but facing a situation for what it is, and speaking directly to it. This is one of the bravest things I’ve seen her do.

3. In episode 11, Dok Mi does a lot of reaching out. She reaches out to the woman who got hurt, and she reaches out too, to Enrique. Big steps, especially considering how we started with everyone reaching out to Dok Mi instead.

4. In episode 14, when Dok Mi finally speaks with Do Hwi about their past, she struggles. But when she finally speaks, it is with steely confidence. Dok Mi really shows her mettle, and I love it.

THE WRITING

I’m just going to come right out and say it: I have issues with the writing in this show.

Yes, there is some very nice stuff in here, especially when it comes to our key characters and the key relationships.

I can even overlook some of the weird comic shifts in tone, which were sometimes seriously distracting. Like in episode 15, when our OTP has had a major fallout, and Enrique shows up at Dok Mi’s apartment dressed like Sherlock Holmes with a ponytail in his hair. After leaning towards raw emotional intensity, this sudden shift towards physical comedy felt strange and I felt that it completely diluted the emotional potency of the scenes prior.

I can even live with the sometimes overly heavy-handed use of metaphors. Like in episode 16, Dok Mi asks if Jin Rak if he’s seen the security booth lately, and notes that the hat is no longer there. In its place is a picture of the couple, and she says that someday it’ll leave a mark just like the hat did, but of the two of them and their life together. All these metaphors. They mean well, but too much of a good thing really just makes a lotta cheese. But I can live with even that.

My real beefs with the writing have to do with the flawed use of quite a few plot devices.

PLOT DEVICES

The Psycho Fan Arc

Seriously. The psycho fan arc surfaced again and again – and yet AGAIN in our story.

As the episodes wore on and she kept surfacing, I had less and less patience with this plot device. It got really old, really fast.

The psycho fan arc was definitely shoe-horned in there to Make Something Happen. Instead of focusing on the emotional core which is the best part of our story, we instead were inundated with interferences from this external, irrational source.

The show’s tone suffered as a result, becoming uneven and jerky in spots. Plus, I honestly felt manipulated. And that never feels nice.

The Fakeout

Argh, the fakeout. This show used way, way, wayyy too many fakeouts. Haven’t the writers heard that too much of a good thing is, well, not a good thing?

Let me count off just a few fakeouts, for the record:

  • Episode 8. Dok Mi’s upset when she sees the couply images of Enrique and Seo Young. The doorbell rings, and Dok Mi just knows that Enrique’s at the door, and thrusts his panda hat at him as she opens the door. Except it’s all a fakeout.
  • Episode 10. Dok Mi faints, and is caught by Enrique. Except it’s really a fakeout, and it’s actually Jin Rak who catches her.
  • Episode 10 again. Enrique sees Dok Mi hovering over him after his accident. Except it’s a fakeout, and it’s actually psycho fangirl peering over him. I get the mirror effect we’re going for, but still. 2 fakeouts in a single episode.
  • Episode 14. The boys’ crazy mafia stunt plays out according to plan. Except it’s a fakeout.
  • Episode 16. We start the episode after a one year time skip, and we’re shown Dok Mi and Jin Rak being all chummy and couple-like. Except it’s a fakeout, and the show comes back to the scene later, and changes up a few details to neutralize the couple-tone. I call fakeout.

Listen, I see what you’re trying to do there, but when you keep faking out, it doesn’t work anymore.

It’s kinda like the boy who kept crying wolf. We stop believing you. Plus, it gets boring.

Noble Idiocy

When noble idiocy reared its ugly head in episode 14, I sighed and rolled my eyes.

Dok Mi says to Jin Rak, “I can’t be happy watching [Enrique] like that by my side. Will you help me, so that he can leave?” Classic nobly idiotic words.

With the show’s refreshing emphasis hitherto, on open conversations and promises to be truthful, this was a huge disappointment. It felt like the writers were looking for filler and decided to fall back on the ol’ trusty noble idiocy. This felt like a cop-out, seriously.

Surely there could have been other worthy ways to spend our last couple of episodes, that would align with the foundations that the earlier episodes had built? Surely we could have spent the time better, say, on exploring the emotional core of our characters?

Not only did this insertion of noble idiocy feel jerky, pacing-wise, I felt like it also compromised the thematic throughline of the entire show.

Really wish we didn’t have to go there.

The Diary

Like I mentioned earlier in this review, I actually liked the diary device, for giving us access and insight into Dok Mi’s mindscape. I just wish it had been used better. Let me explain.

Dok Mi consistently writes about herself in the third person, and this struck me as really rather odd at first.

Later, I had what I’d thought was a completely brilliant insight into why Dok Mi writes about herself in the third person: Because it feels safer, and removes her from her own world, so that it doesn’t feel so scary. Bingo!

BUT. By the time I finished watching the show, I realized this mustn’t have been the reasoning of the writers after all, because Dok Mi continues to write in the third person. Drat.

There are a couple of times that she does write in the first person, when writing about “that man” instead of “that woman,” like she does in episode 13:

“I try following that man’s way of laughing. I try seeing the world through that man’s eyes. I try thinking with that man’s feelings. To that man, love is seeing with both people’s eyes and feeling with both hearts, seeing the world more deeply.”

I thought that was a nice way to show that her perspective and way of looking at and processing the world had started to change.

Right at the end, though, in episode 16, Dok Mi’s still referring to herself in the third person. We see her open a new file, titled “That Woman’s World.”

I would have liked the diary device so much more, if she’d moved into writing in the first person, and titled that file “My World.” That would have been so much more impactful, I feel. From distancing herself from her existence as “that woman,” I would have loved for her to have embraced herself and her world by writing as “I,” “me,” and “my.”

Still. I have to concede that I liked the entry Dok Mi wrote in That Woman’s World: “Knock on a closed door. Wrap your arms around a tired shoulder. Wipe away tears. Listen to the sound of each other’s hearts. Love each other like that.” Very nice.

The Ending

The show’s ending was neatness and rainbows all around, and while that felt just a little bit pat, I didn’t mind that so much as I did the whole “you are my world” turn that Enrique’s and Dok Mi’s conversations took.

As the cameras take us from scene to happy scene, we hear our OTP in voiceover:

Enrique: “One person can’t change the world. But you can become another person’s world. A warm, bright, and peaceful world. If all people could be someone’s bright, peaceful, good world, one becomes ten, and then a hundred, and the good world grows. Ke Geum’s world, Go Dok Mi.”

Dok-mi: “Go Dok Mi’s world, Ke Geum-ie.”

I had to really think about why these sweet-sounding words didn’t sit right with me. And I think I’ve found the reason.

While I do think that Dok Mi’s growth was more central than the romance, the show didn’t execute that in a way that made it clear for the viewer. If the show had gone lighter on dressing it up as rom-com angst, and been more upfront and detailed in showing us her growth, I would’ve felt it sit better, I’m pretty sure. I enjoy character pieces, as long as they aren’t dressed up and disguised as rom-coms, coz that just misleads the viewer. Don’t point left when you really want me to look right, is what I’m saying. Enrique’s departure and all that was presented as the rom-com Separation Trope, and that weakened the sense of Dok Mi’s growth that we could’ve enjoyed, if Show would’ve allowed the spotlight to linger on that.

If Dok Mi’s growth was the whole point, then I would’ve liked to have seen at least a montage of scenes of what she did after Enrique’s departure, to make inroads into her new world. I want to actually witness that part of the journey in some way, if the journey is the main point.

And if her making inroads into the world is the point, then I kind of think it’s misguided to then have her decide that Enrique is her world. Coz that negates the whole point. And is in direct contrast with Enrique’s earlier approach, which I much preferred: not to shield her from the world, but to help her be strong enough to step back out into it, and walk tall.

Many people hated on Operation Proposal because they went in expecting a rom-com and it was way slower than a rom-com should be. But I saw it as more of a character piece, and that made the whole thing work for me. The slow steps that our hero took inching forward weren’t so much to do with romance, but at a deeper level, more to do with his character.

Why that worked for me, though, is because I got to witness the journey. Slow and painful as it could be at times, I got to see Baek Ho (Yoo Seung Ho) grapple with himself and wrestle with his character in order to achieve positive change.

And that’s kind of where FBND lost me in the last stretch. I wanted to see Dok Mi’s continued journey of growth, particularly in Enrique’s absence, so that I could disconnect her growth from him. I wanted him to be the catalyst and companion that he’d originally promised to be, as she stepped out into the world, rather than become the world itself.

By actually telling me, in both characters’ voiceovers, that they’ve become each others’ worlds, I feel it dilutes the growth, and even negates some of the earlier awesome. Which is a huge shame, really, coz there was quite a bit of awesome.

CONCLUDING THOUGHTS

Despite all its flaws, though, Flower Boy Next Door brings us a meaningful message:

  • That to love someone is to know them, really and truly, and not just in the way of seeing a person every day and thinking you’ve got them all figured out;
  • That love should be born out of understanding, communication and acceptance;
  • That love means giving the other person what they need, more than what they ask for;
  • That, like it or not, we leave traces of ourselves with others.

And so I’ll end this review with one of Dok Mi’s diary entries:

“A sunflower that smiles up at the sun every day eventually turns into a little sun. A clamshell that’s been playing all day with the ocean gets patterned with grooves in the shape of affectionate waves, little by little. Things that are ardent grow together in likeness – that woman now understands this a little.”

A nice little bit of food for thought, I thought.

THE FINAL VERDICT:

A show that I like, but wish I could love. I guess that makes it a show that’s been friend-zoned. Heh.

FINAL GRADE: B-

VISUAL TREATS:

Here’s a Dok Mi-Enrique-centric MV which is nice for a revisit, and not overly spoilery if you haven’t seen the show. I also really like this acoustic track from the OST.

This MV includes Jin Rak in the mix, and is moderately spoilery, so be warned. This is my fave track from the OST, which I’ve also posted above, at the section covering Dok Mi’s and Enrique’s relationship.

This is for those of you who just can’t get enough of Dong Hoon and his editor. This vid is spoilery (including for OTP-related scenes), but has so much squee!! They look super cute and comfortable doing this MV together. These 2 are adorable, seriously. ♥

Author: kfangurl

Proud to be a k-fangirl since 2007. Main diet of kdramas with movies and kpop on the side.

60 thoughts on “Review: Flower Boy Next Door

  1. Your dedication to your recaps is amazing. i wish more dramas would be as thorough in their writing as your analysis of them!

    I was really intrigued with FBND and loved its fresh, quirky feeling in the beginning, but you echoed many of my feelings about what wasn’t quite right. In the end, it was mostly enjoyable, but by the time I got there I had lost my enthusiasm for it. It did introduce me to Kim Ji Hoon, though, for which I am eternally grateful!

    Once again, thanks for all your hard work and wonderful insights!

    Liked by 1 person

    • Aw, THANKS KLnoona!! ❤ I wish more dramas would be better written too, though I don't know if my analysis should be taken as a benchmark! 😄

      I did feel let down by FBND by the end too, even though they served up the sweet in super-sized spadefuls. It felt like the writers were trying to make up for their failings by throwing sweetness at us. It just didn't gel properly and everything felt hastily pasted together. A huge shame, I thought. But definitely, the show has some great stuff which I did really like.

      And while FBND did the good deed of introducing you to Kim Ji Hoon, for me, it was the introduction to Yoon Si Yoon. This is the first thing I'm seeing him in (except for High Kick 2, which I'm only 16 eps into), and I'm liking him very nicely! Some silver linings are very worthwhile, I must say! ;D

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  2. Terrific overall synopsis of the show! You managed to touch on all the important stuff! Excellent!

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  3. Pingback: A Liebster Award. Kinda. [Liebster the Eighth!] | The Fangirl Verdict

  4. Thanks for the detailed review! Of course your reviews always rock because you spend a lot of quality time on them!
    Okay first you’re comment about friendzoning the show made me laugh out load.
    I really liked this show, but I think you do a good job of pointing out its flaws. I think my biggest problem with the show was Do Hwi and her non character. I loved this show for its well-developed characters who actually had layers like onions (casual Shrek reference anyone?) I didn’t mind as much the fakeouts-correction once I knew they were fakeouts-maybe because if they had been true I would have been really frustrated so I was just so happy they weren’t. I felt like the noble idiocy stent was another fakeouts because Dok Mi couldn’t pull it off because Enrique saw right through her. For me it was a fangirl victory moment because whenever noble idiocy happens I always want the couple to just, you know, TALK like anyone in a relationship should and suddenly the need for noble idiocy disappears. I think I loved the OTP so much, their character growths and that the second lead was a good guy but seriously just not the right guy for Dok Mi because he only liked his idea of her (I get tired of the flawless second lead who loses to arrogant first lead for no other reason than he was too nice trope) I think I can overlook its flaws to love it. But I really enjoyed your review because I’m really good and ignoring shows flaws (cough nice guy cough).
    Also, I struggle to know if pacing would have been more of an issue if I hadn’t watched it live. Waiting a week for an episode took away my impatience for completing the show and instead made me savor every minute.
    Also, I forgot about the fangirl stalking (i had those fangirl glasses on) and I agree that subplot was not handled very smoothly.

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    • You’ve got a point – THANKFULLY Dok Mi wasn’t able to pull off the noble idiocy!! I would’ve been so peeved if she’d succeeded, I tell ya! 😄 I guess I should be grateful that the writers didn’t drag us fully down the path of noble idiocy! *counting my blessings on my fingers*

      And yes, I have to agree that Jin Rak was a more down-to-earth 2nd lead than most 2nd leads, who are often so perfectly designed that they seem almost super-human. That was definitely refreshing.

      In terms of pacing, I can only say that I didn’t watch it live, but neither did I rush through my watch either. It was a very leisurely marathon, and yet the pacing was still an issue for me at parts.

      Maybe I just have too analytical a lens on. I sorta envy your ability to look past a show’s flaws to love what’s good.. I’ve done that too, for other shows (Big definitely comes to mind!), but lately, I can’t seem to stop putting a show under an unrelenting microscope. It makes for a thorough review, sure, but it also definitely makes me into a much pickier watcher, and I don’t know how I feel about that 😛

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      • I found it troublesome when I’m trying to review something and all I can think about is how much I loved the show. (Normally it’s because I have a huge fangirl crush on the lead and I can only see Oppa walking around on screen) It doesn’t lead to the most thoughtful reviews! I’m trying to put the analytical lenses on while your trying to take them off maybe we can figure out a way to trade them off? 😛

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        • Lol! I don’t know if I want to take off the analytical lens completely, since I do find satisfaction in examining as many of a show’s workings as I can.. But I do want to explore shifting the lens a bit, so that I can enjoy the fangirl lens a little more ^^ Let’s see how that works out, the next time I encounter a terrible drama featuring someone I like! Although, I did avoid Iris 2 very studiously, despite it coming out while I was in Jang Hyuk spazz mode! 😄

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  5. This is one EPIC review of a drama I watched on the fly and promptly forgot about once it ended, LOL! How do you do it?! I bow at your awesome review prowess. 🙂

    What’s in store for us next?

    I hope you pick up Heartless City as that’s one drama I’d LOVE to get the goods by you. There is so much stuff to meta about but unfortunately I don’t have what it takes. My contribution is mostly just “OMG! This.Is.So.Good ” *flails about* 😄

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    • Aw, thanks Timescout! I’m glad you enjoyed the review!! I’m just so happy that there are people who actually enjoy reading these long reviews that I seem to keep churning out of late! 😄 Your enjoyment does spur me on to keep at it, so thank you for your encouragement!! ❤

      Up next.. I'm guessing Chuno, coz I'm planning to resume my rewatch, which got shelved for a couple of weeks. I'm also planning to finally get on the Nine train (so late, I know! I've heard so many good things!), so that ought to come after Chuno.

      Heartless City is also definitely on my list of dramas to check out. I hadn't thought too much of it when teasers and stills started coming out, but now the positive buzz is so strong that I just HAVE to check it out now! I guess the upside of being late to the party is I know which ones have a reputation for awesome? Plus, if Heartless City can get you to flail about, it's definitely got some swag! ;D

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      • Oh, Chuno – I’m looking forward to that as it was excellent in many so ways and yet had parts that didn’t work all that well. It was such a feast to the eyes, the cinematography was to die for. I don’t generally ship but I got uncommonly invested in Tae Ha/Hye Won. 🙂 I also love the OST, it was on repeat for weeks. Yup, got the CD too.

        I’ve been meaning to pick up Nine again from where I left when I got distracted by something else and then the ‘too busy with school’ happened. I really liked what I saw of it but somehow it wasn’t what I was looking for right then so…..

        Heartless City is wonderful in so many ways, though it’s not totally flawless. I’m sorta paraying the minor bumps I’m seeing now don’t turn into bigger roadblocks as I’d hate it to happen to something otherwise this excellent. I think that many sort of wrote HC off as it doesn’t have a big-name cast and it’s not of a popular genre, but as you’ve probably picked up, I like crime stories so of course I was going to give it a go. 😄 Never expected to get this invested in it though. I’m almost afraid to watch each new episode for fear it’s suddenly gone to the dogs, LOL!

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        • Yes, the Chuno soundtrack is gorgeous!! I even had a fairly recent k-dream where Unnyeon randomly showed up, and one of the songs from the Chuno soundtrack was playing as background music to my dream. I kid you not! 😄 And yes, I definitely agree that Chuno is top-of-the-line where cinematography is concerned, but there are definitely things that don’t work for me either. I’m not too sure what that review will look like at this moment, but we’ll see. I didn’t expect this FBND review to top 10,000 words, but apparently, it did. 😛

          It’s interesting that I’m hearing mostly good things about Nine, and at the same time, there are people who share your experience, of liking it but not getting sucked in. I’ll have to see where I land on this.. Though I will say that I’ve become quite a picky watcher of late.. I hope that doesn’t mess with my ability to enjoy the good!

          On Heartless City, I feel ya, Timescout! So many dramas have started out awesome and turned turkey, that everyone’s always on pins and needles when a show starts being super awesome, and the internetz start buzzing with the collective mantra: “Please don’t suck, Show, please. Don’t. Suck.” 😄 Crossin’ my fingers for ya, that Heartless City will keep bringing the awesome!! ^^

          Like

  6. WOW This is awesome! Thank you! I loved FBND despite all the flaws because the OTP was just too amazing individually and together. And Editor + Dong Hoon are the most adorbs thing I’ve seen in a long long time. Such a nice touch.

    Liked by 1 person

    • I’m sorry I’m replying your comment so late, emilyrliu93! Somehow, your comment got buried in my spam folder, which I’d neglected to check while prepping for my work trip! I’m so glad I caught this! It shouldn’t happen again, now that I’ve un-spammed you! ^^

      Yay that you enjoyed the review, even though I did manage to point out a lot of the show’s flaws.. I agree that there was some really nice stuff with our OTP, and I was very taken by some of their scenes. And seriously. Editor + Dong Hoon = SO MUCH ADORBS! ❤ ❤ Now I want them to get their own ridiculous little drama spin-off, where they can charm my socks off all over again!! 😀

      Like

  7. I liked the show but didn’t love it……It started pretty good but later lost steam somewhere and I had to force myself to complete it 🙂

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    • I feel ya, snow_white. I like it, but I don’t love it either. I do love some parts of it though, and that’s something. I think out of the Flower Boy shows so far, my favorite is still Shut Up ❤

      Like

  8. Friend-zoned! Hee! …and I have more thoughts but am about to have guests knocking on the door so just wanted to say — epic review as always! Filled me full of thoughts (as always!) and… I’ll be back! 😀

    Like

    • Aw, thanks Betsy!! I’m always extra stoked when our thoughts start to flirt and think about having thought babies! ;D Go tend to your guests as a gracious hostess totally should – we’ll still be here when you’re ready and in the mood to hash! ^^

      Like

      • Aaand back! 🙂 So — I totally adored this drama and while I do agree there were some flaws, I didn’t see some of the flaws you’ve mentioned as flaws. (If that makes any sense at all!)

        For example: the fleshing out of the side characters. I actually liked that we just got fleeting glimpses of Enrique’s cousin and best friend and their romance. Because, in a normal rom-com, they’d be the main couple. They fit all the cilches (she’s fiery and passionate, he’s cold and with-drawn). And Enrique is the perfect second-lead in their story. But this time, we’re getting the second lead’s story — seeing how he gets the girl. So of course, the other couple fades away as his focus changes. (Like how the second-lead might suddenly turn up with a girlfriend at drama’s end in a standard story.)

        I do agree Watanabe got sidelined. I think much more than the writers were planning going in. But I strongly suspect that was because the editor and Dong-hoon were an unexpected hit — so they sacrificed Watanabe to their story. And I’m okay with that, because their story was awesome. 🙂

        As to Dok-mi’s growth… I think both she and Enrique (who had a lot of the same issues she had, but dealt with them in a totally opposite way — being uber-out-going and talkative) grew together as they… well, grew together. 😉 So her deciding to actually go to the office to work, her willingness to buy a ticket to Spain when she thought Enrique was delayed — those were enough for me to show the follow through of her growing strength.

        I took their defining each other as their worlds to be less a, “I live only for you,” and more of a, “I have someone to love and who loves me,” statement. Both of them were extremely lonely and were well used to it. They both knew how to survive by themselves and Dok Mi’s way of coping was to actually walk away from anyone who got too close and would therefore demand too much (and have too much power to hurt her). By willingly embracing Enrique, allowing him to see her, hear her, know her (loved that bit of insight by the way!) and then staying with him… that was growth for her. And by trusting him, it allowed her to begin to trust others.

        Enrique also had to learn to slow down and really listen to Dok-mi (he got it wrong in the beginning — trying to push her into rekindling her friendship with Do-hwi) and then he had to make a decision to commit to her. Not just leap in, rumple things up, then leap out again content he’d made a few changes (be the magical elf character his fans saw him as being). His willingness to commit to her, and his willingness to trust her commitment to him… that was his step forward. By allowing someone the power of being their worlds — I saw that as both of them actually opening up to the world, one person at at time.

        This comment is already ridiculously long (you totally bring it out of me, I swear! ;)) but I’ll just add that I do agree there was some flaws in the writing. Because I really did love it, but enough people didn’t that I feel like there must be some things they should have done a bit differently. (I’m leaning towards too many fake-outs, myself. Like, the Noble Idiocy was actually a fake-out, but it was made into such a cliff-hanger it really did feel like it was going to happen.) I think I see why they went that route — they broke a ton of rom-com rules but used the fake-outs to try and either hide that they were breaking them or maybe do a wink-wink nudge-nudge towards them. So I think I got what they were trying to do, but I think they may have tripped up a bit in the doing.

        Okay wow! I’m stopping now! 😀

        Like

        • You really make me think, Betsy! And that’s part of the reason I love you! ❤ After this epic comment, I had to really take some time to chew on what you said, kinda like, try on the thoughts for size, to see how they sat.

          I love how you're able to paint a lot of context in your mind without the show overtly directing you there. I really think that's why you're able to love this show so much more than the rest of us.

          Like how you see Tae Joon and Seo Young as the more quintessential kdrama OTP types. That's an interesting perspective for sure, though I didn't see it for several reasons.

          First, the cold aloof male lead is usually paired with someone of a more bubbly disposition and Seo Young's passion was portrayed in a more negative light. I was appalled at how rude and self-centered her character was. If a female kdrama lead is painted this way, she's usually paired with a male lead who's kind and sunny and is able to see her good points in the midst of her bad behavior. Here, it's like we get the 2 types of OTP-pairings gone cross-wired, and that's part of the reason I didn't see them as the usual OTP.

          Second, I think it also had a lot to do with the casting. The actors portraying these 2 characters just didn't have the presence that I'd expect of the classic kdrama OTP. If that's where the writers were going with Tae Joon and Seo Young, I think it would've been way cooler if they'd cast some big names in extended cameos instead. That would've been fun for us as viewers, as well as clearer, in terms of the flipped-OTP wink-wink nudge-nudge device. Then if the writers had let them exit the show with a clear hint of some kind, that's completely in line with classic kdrama tropes (one leaves out of noble idoicy, or amnesia or something, & the other leaves in hot pursuit, for example), that would've been a whole lotta fun, I think! I'm having giggles just imagining that re-write, possibly with big names like Lee Sun Gyun & Gong Hyo Jin rekindling their Pasta chemistry as Tae Joon and Seo Young! 😄

          I actually rather like your take on Dok Mi's and Enrique's growth, in terms of their not literally becoming each other's world, but a symbolic start to both of them opening up to the world. I think my main issue with how the show delivered that beat, is taking the word "world" and freely applying that to a different context. Without your insight, I'd felt like the writers had switched out the actual world, and replaced it with Enrique (for Dok Mi) and Dok Mi (for Enrique), and that had felt like SUCH a cop out. For the sake of viewers at large, who need a little more overt direction, I think the writers would've done better, to have phrased that differently. Like, instead of saying "You ARE my world" which is, really, completely misleading, they could've gone with something like "The beginning of Go Dok Mi’s world, Ke Geum-ie.” You know what I mean? Coz without some kind of distinction, it feels like a complete swop-out. And I really wanted their growth in relation to the world not to be overshadowed by the OTP relationship, even if said relationship played a critical role in drawing them both out into the world.

          Like you said, I do think the writers had some pretty refreshing ideas in this show, but the execution really could've been better. And yes, Watanabe really seemed sidelined. And Editor and Dong Hoon really seemed like an afterthought. But who can really complain, about more awesome Editor and Dong Hoon moments, right? ;D

          Like

          • So you’re totally right that the “quintessential K-drama OTP” not being very overt and that got me thinking. Because I really, really can stick things into a story that aren’t there (years of b-scifi training, I suspect ;)). And if FBND were really and truly writing Tae-joon and Seo-young the way I saw them… they failed, didn’t they? Because it should be easy to see if that’s what they were doing. (Your example on how to do it: I think you’re right.)

            But it still works for me. And that’s the rub. Would I have liked it more if it’d been clearer? Or would it have lost something in doing so? Felt a little too comic, maybe? i honestly don’t know that answer. But I do wonder on dramas where you’ve got a small group that really liked something but the majority saw flaws, like with FBND, is it badly written or just narrow in its appeal? And would broadening the appeal have dialed down the enjoyment for those who did enjoy it?

            I’m leaning towards it being flawed — which should have been improved and then more viewers would have loved it. But for those it spoke to, well — it was speaking to me so I loved it, and in loving it gave everything the most graceful interpretation possible — my critical eye was in soft-focus. Which leads me to think that if they’d spoken a little clearer? I’d have loved it even more.

            Like

            • Your ability to give a show the benefit of the doubt is pretty darn cool, I hafta say, coz it makes me see possibilities that I hadn’t seen before. Before you’d mentioned the flipped OTP that you saw in Tae Joon and Seo Young, I didn’t even see the possibility. Now that you’ve highlighted it, though, I see some fantastic opportunities in a hypothetical rewrite! ;D

              That rewrite would make the focus & intent of the writers clearer, and would’ve done a world of good in terms of broadening this show’s appeal, I think. In my head, that just levels up this drama to all kinds of awesome, and now I really, really want to watch that show! 😄

              Like

  9. As always, you wrote it beautifully <3. I enjoyed the drama for the most part but I got confused with the second half. It started really, really great. The cuteness, bubblyness energy of the characters simply died by mid series. Had I known the writers' energy were died out, I should have made a pit stop and give them some energy drinks for some encouragement LOL. I love the colors of the show, btw and the manhwa style is sooooo to my liking. It gives a quasi 70s atmosphere to it. I hope there will be more dramas like FBND, with better writing of course 😀

    p/s: is Chuno next? ^^

    Like

    • Aw thanks Nelly, I’m so glad you enjoyed the read!! ❤

      Yes, this show seemed to lose track of the things that did work for it partway through its run.. I found myself wondering why I wasn't as engaged by it, once I got to the later episodes. Maybe we *should* have sent you over to the writers with those with energy drinks – they certainly seemed to need it! 😄 Very interesting take on the colors, Nelly – it DOES sort of give it a 70s flavor, which hadn't occurred to me. I did like the design of the show.. Too bad the execution couldn't hold up to the end.

      Tee hee! I can see you're REALLY looking forward to the Chuno review! ^^ It should be up next, yes. I haven't gotten back into the rewatch, and I'm only at E16, so it'll take a while for me to get to the end and get to the review.. I'll get there, though!

      Like

  10. Wow! I’m very happy I came across this comprehensive article of FBND. I can’t thank u enough for writing it 🙂

    It reminded me of the miracle of a couple Dok Mi and Enrique were and because of their harmonious awesomeness I’m welling to ignore all the faults which you masterfully pointed out.

    P.S: I laughed like crazy when I read this “nursing a crush on Dok Mi that’s the size of Mt. Everest, but whose idea of courting a lady is so slow and protracted that fossils could form while waiting for him to make a move.”

    Like

    • Aw thanks, lumiere! I’m so glad you enjoyed the review! You’re definitely a more accepting viewer than I am.. As much as I liked the writing around most of Dok Mi and Enrique’s arc, I couldn’t overlook the flaws in the rest of the writing. It’s too bad this wasn’t more well-written overall, so that the awesome could’ve been more properly showcased!

      Like

  11. I agree on much of your what you wrote, i liked the drama, but didn’t love it. I think the first half of the drama was very good, but in the last half the drama lost some of the steam became a bit less fun. But compared to you I had problem with Enrique (Yoon Shi-yoon) most of the drama, he was just a bit too much 😛 I don’t like when they have a too childish personality, I liked Shi-yoon much more in the drama “Me too, Flower!”.

    Park Shin-hye, great actress, even if I only have seen her in “You are beautiful” before. An actress that you read about more than you actually see here.. lol. But as you also mentioned, the web ton editor was the funniest of them all to watch. 🙂

    Like

    • I’m with you, Patrik_k, on having trouble with male leads leaning too childish.. It makes it that much harder for me to get on board with them. I struggled with Enrique’s cutesy, manic persona quite a bit. It was only in the quieter moments that he managed to win me over. That, and his awesome understanding of what Dok Mi really needed. That really got me in a big way 🙂

      Park Shin Hye’s really grown on me with each drama, and I thought she did really well in FBND. I liked her performance much better here actually, than when I first saw her in You’re Beautiful. I feel like she’s showing a lot more depth as an actress, and that can only mean good things for future projects, I hope! ^^

      And definitely, our Editor was just fabulous! I love how gung-ho Kim Seul Gi is, and I hope she takes on more acting projects that show off her very endearing brand of awesome ❤

      Like

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  13. Hey! Nice Blog. I just finished this drama today. xd.

    Like

    • Thanks 🙂 So how did you like the drama?

      Like

      • The Flower Boys part was fun when they reunite. Park Shin Hye’s role was pretty dull in this drama. Yoon Shi Yoon was a pleasant to watch. I kinda struggle finishing the second half of this drama though. Is it me or I find Jin Rak’s character not so developed?

        Like

      • I blog mainly HK Drama with some korean dramas thrown in. Weird combination right?

        Like

        • FBND definitely is a drama that divides viewers.. Some love it, and some hate it, and some are conflicted about it. I did find some stretches harder to like, but overall, I thought it was a reasonably pleasant watch. Park Shin Hye’s character was definitely a quiet, restrained, understated one, so I can see why you might find her dull. I agree with you, that Jin Rak’s character could have been developed further. That would have been fun, I think 🙂

          Your blog’s mix of HK & K dramas is interesting.. I don’t think I’ve come across another blog that does that. I personally don’t watch HK dramas myself, though I’ve watched a couple in the past, very casually, when they were broadcast here locally. Maybe one day you could do a post comparing the similarities & differences between HK & K dramas in general? ^^

          Like

  14. Thank you! The link works now.

    Me reading your reviews after a watch is becoming a habit now. Why? I come to appreciate the drama even more after reading your analysis of them. Thank you.

    I did not know much what to expect from this drama. I figured out its better not to expect anything. That way I don’t get disappointed that much and I get to focus on the good. 🙂 I just wanted to see YSY. I first saw him as Kim Tak Gu and before this in some episodes of Barefoot Friends. I thought he’s overly childish but I did enjoy him here. Refreshingly adorable! I liked PSH’s acting as well too, though, somehow I feel there’s something lacking about our OTP here. Whether it was called for by Dok Mi’s character, I find them not immersed 100% in their tender moments. *sigh* Like that first kiss in ep 11, if we can even classify that as one. 😦

    What I enjoyed much are the realizations and development of the leads. This put me into, as you said, contemplative mood. I felt like I’ve grown and healed with them. HAHAHA! And that alone is enough for me. The last time I was in such a level of reflection was when I read The Celestine Prophecy, and that was a long long time ago. I’m reminded coz the book also talks of becoming full circle. Though I subscribe to the idea that one must be able to come full circle on her own first before she can complete someone else’s half. Its basically on the line that what we do not have, we can not give. Oh, this reminds me. When Dok Mi said she doesn’t know what it is to be loved or how it is to be loved, Enrique told her to just accept whatever he gives her. That’s it! He’s helping her to complete her circle first and to learn to accept love that she may know how to give it herself. Hayy…. see this is just one of the AHA! moments which makes me like this show.

    I thought Enrique was bipolar. Heh! He was extremely childish one moment and a mature-person-beyond-his-age the other. My recurring question, even as early as the first episode, was “Where do Enrique’s nuggets of wisdom come from?”. How did he lived before he came to Korea? What was his truth? These thoughts gave me focus on the character development arc which helped me get through to the end without being bothered much by the not-so-good attributes of the show.

    One more question I had was, why did he wanted so much to lure Dok Mi out of her seclusion even before he started liking her? Was it just out of anger? Or curiosity? Then there was this in his autobiography; “When rejected by the person you love most, when betrayed by the person closest to you – that’s when self-abasement begins. You hide in a space that’s all your own, and close your heart. I can’t just pass by people like that.” I find that so noble.

    Oh my! This comment is turning to be a saga and I still haven’t reacted to every thought you have! This is how contemplative, yeah that the operational word, this drama made me. 🙂

    Like

    • Aw, YAY that reading the reviews helps to add to your experience of the drama!! That makes me happy, it really does! 😀

      Like you, I’d tamped down my expectations for this drama.. I’d heard so many disappointed sighs over this drama compared to squees of happy that I approached it with a cautious sort of mindset. In the end, it felt like a show that had some lovely potential, and that potential got tragically short-circuited by haphazard writing and uneven characterization. It could’ve been a much better show, with some tweaks, imo.

      And yes, that kiss left me all ??? as well. I loved the build-up, but the execution was terribly stiff and unnatural. Their lips barely touched, and they just froze there for the camera. I’ve heard that YSY kissed his leading lady very well in Me Too, Flower, so it’s not a case of a problem with him. And it’s cable, so it’s not a question of network guidelines. It must’ve been the PD’s choice, and I really, really wish the PD could’ve decided differently. The stiffness of that kiss was a huge let-down, and detracted from the emotional goodness that we got between our OTP.

      We cannot give what we cannot have – I SO AGREE WITH THIS, kaiaraia!!! It’s one of the biggest lessons I’ve learned in life, and I didn’t even pick up on that in the show! Thanks for pointing that out! And THIS is what I wanted to show to focus on, so much. And that last bit, where we get Enrique and Dok Mi talking about the other person becoming their worlds.. that just went against everything that I felt the show had been building on prior.. that they are each their own person, and are helping to heal and strengthen each other to go into the world. Not BECOME each other’s worlds. I didn’t like that bit so much. But I love the foundation that was built prior.

      I can see why Enrique might appear rather bipolar.. I saw it as him masking his true, more reflective self with an outer shell of manic energy. Underneath, though, he’s reflective and contemplative and has many thoughts. And that’s probably where his wisdom comes from.. Reflection born out of the pain that he doesn’t share with anyone else. And I think the reason that he went to such lengths to help Dok Mi, even before falling in love with her, is because he saw in her a similar kind of self-abasement, except that she dealt with her self-abasement differently. I feel like he saw in her a kindred spirit – they both feel lousy about themselves; they both pine after someone who doesn’t love them back; they both feel like nobody really cares nor understands. In a way, perhaps Enrique felt like helping Dok Mi was, in a way, helping himself?

      Like

  15. I agree. The show has more potential for greatness.

    It might have been better if they did not kiss at all. That look on Enrique’s face after Dok Mi told him what she thinks of him as revealed in the authobiography was even more romantic. A truly heartfelt hug would have been better. But then again the hugs were stiff as well. I understand that youth is the target audience, so that’s probably the reason the PD decided it to be that way.
    Sorry PD, but it was a bummer!

    I do understand your sentiments against that your world, my world thingy. After going through all those pains to be out into the world, it reduces to just one person’s world… what??? Perhaps they thought its romantic.

    Oh yeah, he was also helping himself. He did mention at the zoo that it was the first time he revealed those thoughts and feelings. As the Swedish proverb says, shared joy is a double joy; shared sorrow is half a sorrow. Wonderful!

    Like

    • Yes, the kisses were a let-down, no question about it.. I’ve come to sort of anticipate that to some extent, since the static lip-press is such a common kiss in kdramas. Despite that, though, I was still massively disappointed with the way the kisses were handled in FBND. It COULD’VE been better, even if the PD wanted to go with static lip-press, is what I’m thinking. Their lips didn’t even look like they were touching!! It was like an air-kiss, which, bleah.

      I’m guessing the writers (or SOMEBODY) thought the “you’re my world” thing was romantic.. And maybe, just maybe, I might’ve bought it when I was an impressionable teen, but now.. NO. I just can’t. It was a sudden shift that didn’t ring true with everything they’d built in the beginning, and felt like such a let-down. What a waste, really. If they’d just treated those things differently, we could’ve had a MUCH more satisfying ending without sacrificing any of the romance. Writer-nim, are you listening??

      Eep, I realize I got a little ranty there. Let me just say that I DO appreciate a lot of the themes and characterizations earlier in the show.. I truly loved certain moments in the show. Maybe that’s why it feels like SUCH a waste when everything went awry. SO much wasted potential. Sigh..

      PS: LOVE that Swedish proverb you shared. Very apt!!

      Like

  16. I just couldn’t have enough of Lee Jung’s Wish It Was You which I discovered in this drama’s OST. Have been listening to it in a loop for month’s now. Such beautiful, heartfelt rendition.

    Like

  17. Great review! I am actually watching this drama now, so I skipped some of the spoilery parts which I will go back and read later. I just finished episode 5, and although I’m really liking the story and characters so far, I’m actually getting put off by the over use of music in this drama. I’m all for music to accent certain moments, but I’m finding the over use of it in this drama intrusive and distracting. Does it continue like this through the whole thing?

    Like

    • Thanks, Lora.. I’m glad you enjoyed the review!

      Hm.. I don’t remember being distracted by the music in this show, actually.. perhaps because I went in expecting it to be full of manhwa touches. It probably does ease up a little as you get into the later stretches, coz the emphasis on this being a manhwa world sort of fades a little by then.

      Like

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  22. I agree about this being a friend-zoned drama. I kept watching, because there were a lot of things about this show that intrigued me, but it never actually reached the point of GOOD. I think that the main problem for me is that I never believed Dok Mi and Enrique’s romance. As much as I wanted to, I just couldn’t. I argued it to myself using the same logic you did, yet it never came out in the actors’ eyes. *sigh*

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