Dear kfangurl: What are some shows where a supporting character stole the show?

BE writes:

Recently in the US the great, great American television serial character actor Michael Kenneth Williams died (insofar as I can tell of a drug overdose, though the facts have been slow in coming) at the age of 54.

Just a flat out brilliant actor, Williams has had three especially memorable roles in HBO series.

But one especially stands out, the role of Omar, a kind of lone ronin bad ass, who lived out of his own moral code as a gay, shotgun carrying thief who stole from drug dealing gangs to make his living on the streets of Baltimore during the late nineties, in The Wire, a 5 season series that critics, and I as a watcher of television series, universally have acclaimed as one of the greatest if not the greatest such series ever produced.

While show features a large ensemble, and it would be hard to pin point any single actor as lead, therefore, Williams’ Omar was distinctly a support character, albeit imo the greatest antihero ever filmed.

It is hard to over emphasize what a signature role Williams enacted, except to say in the wake of his death, the outpouring of grief in response, focused in elaborate, admiring, and loving detail in large part upon his role as Omar, his superlative and unforgettable performance, and how its impact upon American culture has been universal.

I cannot myself remember any actor in film or serial drama in a supporting role so iconic; that is, in a drama so universally praised, a supporting character being universally its most memorable.  I wonder if in K drama you can think of any equivalent kind of performance?

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Dear kfangurl: Can you talk about the whats, whys and wheres of noble idiocy?

Antonio writes:

Hi Fangirl,

Recently due to Noble Idiocy I abandoned the vision of a drama that I really enjoyed: Monthly Home Magazine.

Could you do a post with the list of dramas that contain this detestable gimmick?

I remember getting so mad on Clear With Passion With Me Now too and I would like to avoid investing hours of my life to be so disappointed. In the comments your readers could integrate the list and it would be a really useful service in my opinion.

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Year In Review: 2018

What a year, I say.

I know I said last year that Dramaland was exploding with more dramas than ever before, but Dramaland basically outdid itself in 2018 – and then some.

You know when you have only 2 ice-cream flavors, and only room in your stomach for 1 scoop, it’s really easy to choose, but you still wish you had more flavors to choose from?

Well, it’s all fine and good when it increases to 5 flavors, or 10 flavors, right? But when it gets to like, a thousand flavors, your eyes glaze over, you get hit by decision paralysis, and it just feels impossible to choose, anymore? Same thing.

I used to try and keep up with Dramaland, especially after I started blogging. I’d try to stay on top on what dramas were airing, and which ones were good, and I’d try to watch all the reportedly good ones, because I’m a curious cat and FOMO is real, yo.

Well. I think 2018 is the year that I realized it is humanly impossible to keep up with everything that Dramaland is putting out, and there is just not enough time in one person’s world, to watch all the reportedly good ones, and take time for the ones that you wanna watch, whether anyone else is interested or not.

So 2018 is the year that I stopped trying. Uh.. Kinda.

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Review: Fox Bride Star [Where Stars Land]

THE SHORT VERDICT:

The characters and their journeys are the stars of this warm workplace drama with an emotional, humanistic sort of touch.

We get to know and care about key characters and their personal journeys, even as Show serves up human interest side stories relevant to the management of a world-class airport.

Even though large chunks of the cinematography feel quite pedestrian, there are very prettily shot, beautiful poignant scenes sprinkled through the drama as well. The music is also quite lovely and atmospheric, and effectively lifts the watch experience.

Unfortunately, Show’s narrative gets muddied by too much emphasis on shady gangster dealings, which overshadow our key characters in regrettable ways, particularly towards the end of our story.

Show also has a habit of introducing story threads and then dropping them, sometimes without even a hint of resolution. This was a downer.

Still, I found this to be a warm and enjoyable watch overall.

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