A noona romance that isn’t actually all about the romance, and yet, it works, and so well too.
While I don’t think that this would sit as well with a younger audience, I do feel like this would resonate well with a slightly older audience, particularly if said audience is female.
Show takes the premise of a divorcee’s struggle to re-enter the workforce, and makes it come alive with poignance and heart, while managing to slip a charming noona romance in there, to sweeten the whole experience.
A capable cast and a lovely OST round out this drama’s strengths, and I also wanted to say, Lee Na Young is extra incandescent to my eyes, as our female protagonist.
Not a show that would work for everyone, but if it works for you, it works so well. <3
I was late to the party, and started my watch of this show when everyone else was well into Show’s middle stretch. I struggled enough with Hyun Bin’s character in this show’s first two episodes, that I was legit on the brink of dropping this show.
And then, Show ended, and there was such a heated furore among viewers for Show’s reportedly terrible-horrible-couldn’t-be-worse-let’s-boycott-this-writer-forever ending, that I was so sure that I had dodged a bullet.
But then, I saw a couple of tweets by viewers who actually felt satisfied with Show’s ending. Well, now. That sure got my attention.
If you’ve been around the blog for a while, you might know that I’ve been known to, on at least several occasions in the past, buck general audience trends by feeling completely differently about certain shows versus the majority of viewers.
It was like that when I started the blog in 2012 (my first ever post was for Operation Proposal, which I really liked – and which most people hated), and it was like that recently too, when I’d been very solidly satisfied with the ending of The Third Charm – which most people also hated.
So this curious cat (with a reasonable amount of FOMO) decided to do an experiment. Instead of dropping the show, I adjusted my viewing lens using all the fragments of information I had, and jumped in for a marathon.
The big question I wanted to put to the test was: With the right expectations and the right lens adjustment, would this show – could this show – actually turn out to be, well, good?
If there’s one conclusion I’m drawing this year, it’s that dramaland is literally exploding with new dramas on a regular basis, and it’s just not humanly possible to watch every drama that’s out there.
My drama instinct has always been to try to balance the urge to follow drama buzz (the niggling question of, “Omo! Am I missing out on something?”), and the desire to follow my heart (the “I don’t care that nobody cares about this show, I just feel like checking it out”).
These days, with more drama offerings floating around the dramaverse than ever before, I think it’s even more important that I remember to stay true to my drama instincts.
From here on out, no more hanging on pointlessly to a show that just isn’t quite working for me. It’s just not efficient spendage of drama hours – or time in general.
Next year, I will be more efficient with my use of drama time – and time in general. Ahem. *pinky swears* *resolves*
I’m thinking that we all have that one friend; you know, that one person that we know, who’s so unpredictable on a regular basis, that after a while, they become almost predictable in their unpredictability?
I mean, in the beginning, it’s all very surprising, and you find yourself rather stunned at said friend’s antics, and you sorta look forward to the kind of stuff said friend will get up to, coz it’s always something so unexpected and fresh.
As time goes by, though, you can’t help but start to expect the unexpected from said friend, and it just becomes that much harder to feel surprised anymore. Said friend is still pretty much the same; just, you’ve gotten used to it, is all.