Thanks again for writing an article for my last blog post idea about archetypes (post is here)! I loved it and shared it with some of my friends who watch kdramas too.
I had another question for you. I did a quick search of your site, but didn’t find anything.
Can you give us a quick explanation of sageuks? I have seen a few, but I’d like to understand more about them.
The different types: fusion sageuk, etc., recommendations in each category, how they are produced (if you have any insight), why they seem to be longer than other dramas, etc.
Part gauzy rom-com and part serious palace intrigue, Show does have some pacing and tonal issues, and, in my opinion, also works out to be a little bloated, at 20 episodes.
However, if you can put aside the pacing and tonal issues, there are stretches in this show which are genuinely enjoyable. The central romance didn’t tilt my world, but was pretty great at serving up cute, reverse rom-com tropes, in Show’s lighter stretch. My interest wavered in Show’s last quarter, but importantly, I found the ending satisfying, and worth hanging in there for.
There are major spoilers in this post, for all 3 shows, and what I’d like to say about that, is, 1, all 3 shows are really good, so if you haven’t seen any of them, I do recommend them! And 2, Elaine’s piece is so lovely, that I’d even suggest completing any of these shows that you haven’t seen yet – so that you can come back to read what Elaine has to say.
Thank you so much, Elaine, for offering to write this piece, and for sharing your reflections in such an honest, raw and thoughtful manner. It is our privilege, to step into your heart, a little bit, via this post. ❤️
In case you missed it, we’re doing something special and different to end off the drama year this year! Guests posts, by patrons on Patreon!
You can read more details, and check out Shahz’s inaugural post, here, and JJ‘s post here!
After today’s post, there will be three more guest posts by mystery guest writers, whose identities will be revealed when their various posts go live. And then we’ll cap everything off with a poll, where you’ll be able to pick YOUR favorites for the year, from among the gems identified in these posts. How exciting! 🤩
..But, wait! Didn’t I already say, last time, that there would be three more..? Heh. Very sharp spotting there! Basically, one more mystery guest writer has volunteered to share their picks for 2021, woot! 🥳
Today’s post is brought to you by Trent, who manages to watch way more drama than I do! While I don’t think that Trent’s taste in dramas is identical to mine, we’ve had similar reactions to so many shows (most recently, Dali and the Cocky Prince 😉), that I tend to take a little extra notice when he recommends a show, coz the chances are pretty good, that I might like it too.
Trent’s got soo many nominees in all the various categories today, that I thought this image, of a sea of awards, fit this post quite perfectly.. I imagine that if Trent could, he’d give out many more awards than he’s given out today, heh. 😁 Thanks lots, Trent, for sharing your drama year with us!!
You might also like to check out Trent’s blog, where he writes more drama thoughts!
You are my go-to source for K-dramas to watch. I’ve watched many dramas based on your reviews, and they never disappoint. There was one drama that I watched even though you dropped it, and it was all because V of BTS was in that drama. Being a middle-aged ARMY, I cannot pass up on anything related to BTS! 🙂
My question is, why do K-drama writers love to have either the male lead or the female lead disappear for a year or more at the end and come back unannounced? Some of the reasons for their disappearance kind of make sense, such as going abroad for medical treatment or some kind of business training.
However, the ridiculous thing is during the time the OTP is apart, there is no communication at all. While one is pining for the other, not knowing when the beloved will return, all of a sudden they show up to surprise them.
Another ridiculous plot is, the lead disappears without a trace and is presumed dead, but a few years pass, they show up alive and healthy, to be reunited with their loved one.
I don’t understand why the writers make viewer suffer for the majority of the series wondering if the two leads will be together, and when they finally are, one has to go away or seemingly is killed, only to show up out of the blue later.
Thank you for all the reviews and the commentaries you’ve posted. You’re a great writer. Keep up the good work!
A tightly written, multi-layered crime thriller that manages to engage both the heart and mind, Beyond Evil lives up to its Best Drama reputation and then some.
Show is amazingly consistent and efficient in its writing; it not only manages to keep episodes compact yet compelling, it also manages to keep up the suspense for its full 16 episodes, which is No Small Deal.
Our cast is very competent all-around, but the stand-outs are undoubtedly Shin Ha Kyun and Yeo Jin Goo, who both put in outstandingly nuanced performances, and who bring equal amounts of skill and presence to the screen. The OST is interesting and well-applied, and adds a good amount of value to lift the watch experience.
Well worth the watch, even if you’re not typically a crime thriller fan.
Show is easy on the eyes, with high production values that bring a creatively conceptualized fantasy world to life, a fabulously rich wardrobe for female lead IU, and several handsome leading men to top it all off.
IU delivers a strong performance, and her character’s personal journey fittingly forms the backbone of this story.
On the downside, I did not enjoy the OTP connection between her and Yeo Jin Goo, and I also felt the writing weaknesses quite keenly. ‘Twas still worth the while, though, for various endearing characters whom I became quite fond of.
A pleasant enough watch, if you’re able to look past Show’s shortcomings.
Dear kfangurl, what makes a kdrama addicting enough that I want to rewatch at least 10 times?
I’m kinda in the middle of a tough transition period at the moment and I found myself going back to rewatching all my favourite dramas – Healer, My Love From Another Star, Because This Is My First Life, Fight For My Way and Suspicious Partner, but with the FF button when it came to the “evil chaebol” or “bad guy” bits.
But when I decided to try a drama that I hadn’t watched but was on my list, I kept dropping them half way. What is it in the above dramas, which I believe you loved as well after reading your reviews (which were amazing btw), or any general drama that makes me come back to these again and again?
It’s that time of the year again, my friends. 2020 is upon us, and 2019 is just about done and dusted. Time to take stock of the year, celebrate the highs, brush off the lows, and get ready to usher in the new year.
Can you believe that this is my 8th year-in-review post?? Imma be honest with you guys; every time I sit down to do one of these, I get visited by a touch of blogger existential crisis.
Essentially, I ask myself, “Where am I going with this? How long will I do this? Is there still.. a point to doing this?”
..And I gotta tell ya, I still don’t know the answer to those questions. What I can say, though, is, I’m still enjoying my dramas reasonably well, and I’m still game to write about ’em, and I’m grateful that you guys are still here on this journey with me. Thanks for sticking it out with me, y’all. ❤️
And now, let me attempt to break down my 2019 drama year for ya.
If you’ve been around the blog for a bit, you might know that I like to give shows a chance to win me over, and I often give shows more time than they might deserve, while trying to adjust my lens to find a winning setting that allows me to enjoy the show in question as best as is possible.
However, given the current drama landscape where more shows are popping out than ever before (I can hardly keep track of ’em all!), drama quality is more patchy than ever (some wonderful gems, but also, so many duds!), and everyone’s drama tastes are just so varied, I’ve been burned more than a few times, trying to love dramas that I never ended up loving after all.
Case in point, my recent foibles with Chinese drama Well Intended Love, which lots of folks loved, but which never ended up working for me (spoiler: I actually legit hated it).
Now, I don’t hate Absolute Boyfriend, but, I do think it’s time that I learn how to quit while I’m ahead. That’s why I’m dropping Absolute Boyfriend, just 10 episodes in.
