I was watching kdrama clips and have been wondering. They all look so pretty, even one with jobs in which there is exposure to excessive sunlight and dust look so…. clean. Its all good adding to kdrama fantasy but are there any dramas whose leads look more like normal us…with common jobs and maybe cheaper clothes?
Maybe all I am talking about is more realistic dramas out there. I liked Another Oh Hae Young in that aspect and felt I was more into the story and scenes rather than their appearances.
Confession: this Dear kfangurl post wasn’t actually triggered by a Dear kfangurl question. It just made sense to group it with the other Dear kfangurl posts, coz that’s where the other lists on the blog live, heh.
BUT! This post was triggered by a conversation with my friend Jan on Twitter.
Basically, yesterday, Jan had remarked that she was looking for a Kim Ji Suk fix, and I’d suggested 20th Century Boy and Girl, in which he is the sweet, perfect boyfriend.
Less than 24 hours later, Jan’s super happy with the drama suggestion, and her tweets are filled with happy spazz, and she’s also said that this was the rom-com she’d been looking for.
..Which got me thinking. With all the darker &/or heavier shows that Dramaland’s been serving up of late (like World of the Married, Graceful Friends, Flower of Evil and It’s Okay To Not Be Okay), as solid as these shows are, maybe some – or many? – of you guys might be looking for something lighter to make these dark pandemic days a little brighter.
For the most part, I have trouble understanding dramaland’s penchant for remakes. I mean, if something’s that good, why mess with it? Conversely, if something’s not good, why remake it? Uh, right?
In this case, though, I’m very pleasantly surprised by how much more I enjoy the remake, versus the original.
I’d tried watching the original some years ago, because I’d seen enough affection for it as a classic kdrama, to be curious. BUT. I couldn’t make it through even episode 1, no exaggeration.
Mainly, I remember being bored by the slow pace, feeling somewhat thrown off by retro-everything (from styling, to production values, to storyline), and being shallowly unimpressed by Kang Dong Won’s rather gigantic eye bags.
Now fast-forward to the remake, which I inhaled in what can only be described as a giddy marathon. Woah. What a turnaround, right?
Thanks to the cracktastic Ten Miles of Peach Blossoms, I realize that I no longer have CGI-aversion issues when it comes to dramas, woot!
The unexpected result – unexpected to me, at least – is that I suddenly found that I have a whole new world of dramas to explore. As a drama fan who’s been feeling a little on the jaded side of late, this is good, good news indeed.
Lots of my drama friends loved this show when it first aired last year, but I’d missed that train because of this show’s CGI-heavy gaming scenes. I’d poked at this tentatively, but fled hastily at the CGI.
Not this time, my friends. This time, I found myself actually rather enjoying the fantasy gaming scenes.
If there’s one conclusion I’m drawing this year, it’s that dramaland is literally exploding with new dramas on a regular basis, and it’s just not humanly possible to watch every drama that’s out there.
My drama instinct has always been to try to balance the urge to follow drama buzz (the niggling question of, “Omo! Am I missing out on something?”), and the desire to follow my heart (the “I don’t care that nobody cares about this show, I just feel like checking it out”).
These days, with more drama offerings floating around the dramaverse than ever before, I think it’s even more important that I remember to stay true to my drama instincts.
From here on out, no more hanging on pointlessly to a show that just isn’t quite working for me. It’s just not efficient spendage of drama hours – or time in general.
Next year, I will be more efficient with my use of drama time – and time in general. Ahem. *pinky swears* *resolves*