Thanks again for writing an article for my last blog post idea about archetypes (post is here)! I loved it and shared it with some of my friends who watch kdramas too.
I had another question for you. I did a quick search of your site, but didn’t find anything.
Can you give us a quick explanation of sageuks? I have seen a few, but I’d like to understand more about them.
The different types: fusion sageuk, etc., recommendations in each category, how they are produced (if you have any insight), why they seem to be longer than other dramas, etc.
If you didn’t already know, we’ve got a special series to kick off the new year! Guests posts, by patrons on Patreon, sharing their personal drama stories, mostly around the topic of “How did you get into dramas?” and “What does your first drama mean to you?” – with flexibility to go off on personal tangents, of course. 😁 Feel free to share your stories too, in the comments!
This guest series is MC‘s brainchild (thanks MC! ❤️). You can check out the earlier posts in this series as follows: MC, Sean, Shahz, JJ, Martina, Beth, Uyen & Ella. After today’s post, there will be one last guest post by one last mystery guest writer, whose identity will be revealed when their post goes live. Woot! 🥳
Today’s post is brought to you by Leslie, who is as sweet, wise and thoughtful, as she is unassuming and modest. When we were planning the year-end awards series of guest posts, Leslie had demurred, saying that she didn’t feel confident to write a post. Now that she’s actually written one, though, I’m blown away by what a great storyteller she is! You rock, Leslie, and don’t let anyone tell you different (even yourself)! 😘
My observations have been (and this may be a generalisation based on the 80 or so K-dramas I have watched) that most male second leads are presented in a way that engenders sympathy. So, by the time the series have ended we are actually rooting for them to find love!! I know that there are exceptions but they are a rare breed in drama land.
In contrast, most female second leads are presented in a more negative light – possibly a throwover to the ‘vamps’ of earlier times!
I know going into the reasons for such portrayals needs a lot of study of human society and the status of women and have probably been the subject of a lot of research! But my question is simple – Are there any dramas that present the second female leads in a positive light?
Hope you are well and staying safe! Your blogs continue to be my first port of call before I pick a new drama to watch so thank you!
I have a Dear kfangurl question to ask! My question is whether you’ve ever had a problem watching the same actor in a different role, because you have such a strong impression of him/her in the first show you saw the actor in?
Asking because I just started watching K dramas last year, and i started with highly rated ones like Crash Landing on You and Healer, where the OTPs are so smashing that I was reluctant to see the actors in other shows as it would feel to me almost like they were cheating on their original OTP! Lol.
So far I haven’t “repeated” any actors besides Lee Jun Ki – I first saw him in Arang and the Magistrate and a few months later in Flower of Evil. But to me that felt ok as his performance made the two characters feel completely different. It probably helped that his Flower of Evil character was supposed to have antisocial personality disorder so has flattened emotions.
But now almost a year after watching Healer, I’m watching Park Min Young in Her Private Life and I keep getting flashbacks to her Healer performance, especially when the two characters overlap on certain traits like optimism, pluckiness and sunny smiles.
It’s probably a personal quirk but I do wonder if anyone faces this issue too! For now there are so many dramas out there that I can avoid repeats of actors but soon it won’t be an option! Ha ha.
It’s that time of the year again, my friends. 2020 is upon us, and 2019 is just about done and dusted. Time to take stock of the year, celebrate the highs, brush off the lows, and get ready to usher in the new year.
Can you believe that this is my 8th year-in-review post?? Imma be honest with you guys; every time I sit down to do one of these, I get visited by a touch of blogger existential crisis.
Essentially, I ask myself, “Where am I going with this? How long will I do this? Is there still.. a point to doing this?”
..And I gotta tell ya, I still don’t know the answer to those questions. What I can say, though, is, I’m still enjoying my dramas reasonably well, and I’m still game to write about ’em, and I’m grateful that you guys are still here on this journey with me. Thanks for sticking it out with me, y’all. ❤️
And now, let me attempt to break down my 2019 drama year for ya.
In a drama landscape where characters have been traditionally subscribed to a patriarchal way of thinking, and where women – especially women in sageuks – have often been relegated to being pushed around by men who believe they know better, Rookie Historian stands out for daring not only to present a different perspective, but for presenting it as the better way.
Say, what?
Make no mistake, Rookie Historian is not a perfect drama by any means.
I’ll talk more about why that was the case for me, shortly, but really, for its bold stand alone, I feel like Show deserves some acknowledgement and praise.
