Surprise, everyone! We have another guest post today! 🥳
Today, we have Sean sharing with us his various insights into how well the CEOs in our beloved dramas stack up – when compared to real life.
As many of you might know, Sean’s had a lot of experience in both the CEO life, and the drama life (we have no idea how he’s managing such a full existence on both planes; he must be existing in multiple dimensions – but that’s another story for hopefully another day! 😁).
And therefore, Sean’s probably one of the best positioned people on the planet, to comment on such a comparison.
This post was first published on Sean’s own blog, where he regularly writes about leadership. You can check out his blog here, and the original post here.
Thank you phl1rxd, for suggesting this, and thank you so much Sean, for allowing me to share your fabulous post in this space!
In response, j3ffc basically wanted to know which classic dramas I think drama fans should check out (which would demonstrate the shift in gaze over the years), and Trent heartily seconded the idea and expanded on it:
“The question I’ve been thinking about is along the lines of how do you think kdramas have evolved over the last couple decades? Do you see discernible or important trends in that time?
(Broadly considered: thematically, in treatment of tropes, genre or sub-genre expansion (or contraction), production values, stylistic changes, acting and\or casting type trends: it’s all fair game).
You touched on a bit of this in this Vogue interview, but I’d be very interested in a broader look, and I just don’t have the range of experience to even attempt a synthesis. You do, though. 😁”
So today I thought I’d talk about kdramas which I would consider iconic, over the years, and how kdramas have been evolving, in broad strokes.
Technically, someone did ask the questions – what makes it different than usual, is that that someone was representing VOGUE India, and it was for a collab of sorts, where I answered a bunch of questions over email, for a VOGUE India article!
Hasina Khatib (@thejoblessjourno on Instagram), who writes for VOGUE India, reached out to me a couple of weeks ago, and asked if I’d be interested to participate in an article that she was writing for VOGUE India. I said yes, and you can check out the article, where she quotes me selectively, here!
At the same time, there was a lot that I said, that didn’t make it into the final article, so with Hasina’s permission, I’m sharing the actual interview questions and answers here with you guys – because my gut tells me that this is just the sort of topic that you guys would enjoy digging into.
The only difference is that I’ve added screenshots and linked my reviews where relevant, to make this more reader-friendly. I hope you all enjoy! ❤️
Show really is everything that many of us have come to love in kdrama.
It’s gorgeous to look at, our actors are pretty darn capable all-around, our characters are mostly endearing, there’s amped-up, epic romance to be had between an OTP that shares solid, sparky chemistry, and, well, Hyun Bin is appealing in this, to a rather staggering degree. Flail.
As a bonus, Show possesses a cheeky sense of humor around drama tropes, even as it revels in them. In addition, the glimpse into North Korean life feels fresh and novel as well, and is a major highlight.
On the downside, there’s a bit of drag in the mid-to-late episodes, which is compounded by rather heavy-handed narrative angst, and Show’s long episodes. That can feel a bit or a lot hard-going, depending on your appetite for angst.
Overall, though, Show does a great job bringing the feels, and is well worth the watch.
Slick, dark, and appropriately fierce, Bad Guys is a short little series that packs a pretty big punch.
Everything is carefully and beautifully filmed, and for the most part, Bad Guys manages to hit that sweet spot where the writing is complex enough to be interesting, yet simple enough to be accessible to the average viewer.
Add a pretty excellent cast to flesh out the interesting premise, and Show is a winner in almost every checkbox.
My beef with the show is that it gets too melodramatic at parts, which detracts from its unique brand of cool, and instead places it closer to standard kdrama fare than it needs to be. The cinematography also feels less deliberate as we get into the later episodes.
Despite its shortcomings, though, Show remains an interesting and engaging watch.
Gritty and disturbing at times, yet heartening and uplifting at others, Bad Guys manages to be badass with heart.
Quiet, low-key and unassuming, Miss Korea is the modest little drama that could.
What Miss Korea lacks in big plot movement, it makes up for with attentive character establishment and development, which gives this series its almost-but-not-quite slice-of-life, almost-family-drama feel.
Populated by earnest characters who feel ordinary, real and likable, Miss Korea is the kind of show that one develops a slow but enduring affection for.
Another helpful thing to know: Despite its title and premise, Miss Korea isn’t really about beauty pageants per se.
It’s more about how ordinary people muster up their inner mettle, to face seemingly insurmountable challenges; not only to survive, but to pursue meaning and happiness in their lives.
Fresh, fun and earnest, and backed by a breezy soundtrack that’s easy on the ears, Dream High ranks as one of my all-time favorite music-centric, high school dramas. Heck, it’s one of my favorite dramas, period.
Despite its youth-y premise, Dream High has a pretty universal appeal, with its emphasis on friendship, loyalty and finding & pursuing your dreams.
What the idol-heavy cast lacks in finesse, they more than make up for with earnestness. And then there’s Kim Soo Hyun, Uhm Ki Joon and Lee Yoon Ji in the main cast, lending acting cred and nuance to the overall package.
The drama takes an episode or two to get into its groove but once it does, it’s cracky, delicious goodness.
A drama that’s got a light, frothy and often comedic outer shell, but harbors an inner core that’s poignant, stirring and heart-in-your-throat moving.
To be sure, if one put on a hard logical lens, this show’s flaws may be too glaring for one to overlook.
But for those who can turn that logical lens to a blurry soft-focus, and amp up the emotional lens to a setting high enough to engage with the characters on a more visceral level, that touching inner core is the satisfying, gratifying reward.
Separately, Jeon Ji Hyun and Kim Soo Hyun are both truly excellent in their roles. Even better? Together, they are pure magic.
So I was determined that I would post something other than Pure Pretty, after unveiling 2 Pure Pretty posts one after the other. Y’know, so that the blog wouldn’t appear too frivolous and fangirly. *clings to denial*
But after a pretty exhausting work trip, followed by a long and hectic weekend, I just didn’t have the mental bandwidth to continue writing my review of You From Another Star. *contrite*
When my brain’s had enough time to recover its drama-appreciating faculties, I promise that the YFAS review will be the first thing I tackle. *pinky swears*
While resting my brain, I thought I’d do some research for Pure Pretty. And we know how that’s gone before, heh. A little research soon turned into a sizable haul of pretty, which I couldn’t wait to share with you guys.
And so I bring you Daniel Henney, who single-handedly commanded almost all the votes for future Pure Pretty that got floated after the first 2 posts.