Another idea for a Dear Fangurl post – would you want to do a list of shows that you love but are often passed over or neglected / underrated? Cos every year there are so many new shiny shows but there are so many good ones that pass under the radar because of low ratings or are older etc. This could be a love note or shoutout to them.
Every so often, I like to pop a weekend drama on my drama plate, because the weekenders tend to lean simpler (though that’s not always the case), and those simpler dramas tend to make good drama nightcaps. Usually, they’re easy on the brain, aren’t so intense that they’d keep me up, but just interesting enough to make me want to keep on watching. The only downside is, most weekenders clock in at 50 episodes on average – a major deterrent if you’ve got limited drama hours to spend.
So when My Husband Oh Jak Doo showed up, I thought this fit the drama nightcap bill perfectly. Not only did it seem to fit the weekend drama simple sort of type, it also starred a pair of leads I liked individually, and it clocked in at only 24 episodes instead of 50. Pretty much a no-brainer win, yes?
..well, no, not really. This one ended up being better in concept than in execution, unfortunately, and I found myself dragging my feet to the finish line. Darn my completist streak for rearing its untimely head.
If there’s one conclusion I’m drawing this year, it’s that dramaland is literally exploding with new dramas on a regular basis, and it’s just not humanly possible to watch every drama that’s out there.
My drama instinct has always been to try to balance the urge to follow drama buzz (the niggling question of, “Omo! Am I missing out on something?”), and the desire to follow my heart (the “I don’t care that nobody cares about this show, I just feel like checking it out”). These days, with more drama offerings floating around the dramaverse than ever before, I think it’s even more important that I remember to stay true to my drama instincts. From here on out, no more hanging on pointlessly to a show that just isn’t quite working for me. It’s just not efficient spendage of drama hours – or time in general.
Next year, I will be more efficient with my use of drama time – and time in general. Ahem. *pinky swears* *resolves*
A fairly typical contract-marriage-meets-terminal-illness sort of melodrama that doesn’t pack many narrative surprises. The surprises mostly come in the form of the fantastic deliveries by the main cast. Namely, UEE is flat-out fantastic in this. So is Lee Seo Jin, and so is little munchkin Shin Rin Ah. The chemistry between these three, any which way you slice it, is golden, and alone is worth the watch.