Some time ago, a remark by long-time friend of the blog Beez got me thinking.
Basically, we were talking about how I’d dropped The K2, despite Show serving up a whole lotta shirtless via a gloriously nekkid fight scene. Beez then said, and I quote, “Wow. Kfangurl, I think the K-Bloom is off the rose for you.”
Essentially, Beez felt that even though the OTP in The K2 had been uninspiring, that Ji Chang Wook‘s chemistry with second female lead Song Yoon Ah had been so sparky and sizzling, that if that hadn’t been enough to hold my attention, then, well, I must not be as taken with kdramas – or perhaps dramas in general – anymore.
This got me thinking about my evolution as a drama viewer, and what’s captured me each step of the way, and I thought you guys might perhaps find this interesting or relatable, and so here we are.
Show really is everything that many of us have come to love in kdrama. It’s gorgeous to look at, our actors are pretty darn capable all-around, our characters are mostly endearing, there’s amped-up, epic romance to be had between an OTP that shares solid, sparky chemistry, and, well, Hyun Bin is appealing in this, to a rather staggering degree. Flail. As a bonus, Show possesses a cheeky sense of humor around drama tropes, even as it revels in them. In addition, the glimpse into North Korean life feels fresh and novel as well, and is a major highlight.
On the downside, there’s a bit of drag in the mid-to-late episodes, which is compounded by rather heavy-handed narrative angst, and Show’s long episodes. That can feel a bit or a lot hard-going, depending on your appetite for angst.
Overall, though, Show does a great job bringing the feels, and is well worth the watch.
Dear kfangurl, what makes a kdrama addicting enough that I want to rewatch at least 10 times?
I’m kinda in the middle of a tough transition period at the moment and I found myself going back to rewatching all my favourite dramas – Healer, My Love From Another Star, Because This Is My First Life, Fight For My Way and Suspicious Partner, but with the FF button when it came to the “evil chaebol” or “bad guy” bits. But when I decided to try a drama that I hadn’t watched but was on my list, I kept dropping them half way. What is it in the above dramas, which I believe you loved as well after reading your reviews (which were amazing btw), or any general drama that makes me come back to these again and again?
I think it’s time for me to admit that I’m just not this show’s target audience, because try as I might, I keep losing interest in this one.
They say that life’s too short for bad dramas; I think it’s also true that life’s too short to force yourself to keep watching dramas that you’re just not feeling, even if lots of other people love it. I’m now literally just 2 hours away from finishing this one, but I just don’t have it in me to keep going, I’m afraid. I’m dropping out, 28 episodes out of this show’s 32.
You might think that’s a waste, since I’m just 2 hours away from finishing my watch. But looking at it another way, we could say it’s 2 hours gained, that I can spend on some other drama that I’d enjoy more. That’s not a bad silver lining, eh?
Be Melodramatic feels like a more grown-up version of Age Of Youth, in the best way.
Here are Show’s pros, in a nutshell. First of all, Show’s got a slice-of-life, quirky, imperfect feel, and possesses an off-the-wall sense of humor to go with. Secondly, Show boasts an ensemble cast of characters where everyone feels real and three-dimensional in all of their flawed, idiosyncratic glory. Third and best of all, the writing feels deft and insightful, as Show takes us on a journey with our characters, and at the same time, gives us a multi-lensed look at this unpredictable, tiring, messy yet hopeful thing that we call Life.
A refreshing, underrated gem of a show that’s funny and quirky, yet real and relatable, that often hits you with the feels when you least expect it.
Fun, breezy, and so heartfelt, that it’s still considered a classic in Dramaland today.
There are lot of things to love about this show: a drama world that feels real and lived-in; leads with crackling, warm chemistry whether they’re bickering, stealing wistful glances at each other, or getting up-close-and-personal touchy-feely; an excellent ensemble cast that all feel like they belong in their characters’ skins; a well-executed OST. On the downside, some folks find the humor a little gross, so fair warning, I guess? I personally don’t enjoy gross humor, but I didn’t find the humor in this much of a deterrent, to be honest.
The ending can feel a little underwhelming in spots, but overall, this one is well worth a long-term spot in your drama-loving heart.
Funny story, you guys. I actually never intended to watch Goong S, let alone finish it.
It all started a while ago, when I did my rewatch and review of Goong, and discovered to my delight that not only was there new squee to be had, given my better grasp of the Korean language, but even the palace politics were more interesting, given my sageuk exposure since first watching it years ago.
On Twitter, several friends wondered about whether there’d be a similar effect with Goong S, and sort of fun-challenged me to turn my now-better-informed eyes on this show, to see if any of that better insight was to be had with Goong’s spin-off. I didn’t take the challenge seriously, especially since, during the height of my Goong obsession, I’d dipped my toes in for a bit, and, jarred by this show’s differences and similarities to Goong, had dropped it like a hot potato.
To think that now, 8 years later, I’ve not only gone back to give this a try, but have actually finished it! Past Me would be shocked, I tell ya. 😉
A live-manhwa-meets-contract-marriage-meets-sageuk-meets-fusion-fantasy sort of mashup, Goong is something of a modern classic in dramaland.
Despite its multiple elements, Show is cute and adorable a lot of the time, and manages to serve up some very lovely, melty OTP moments through its run. On the downside, with its mostly raw and inexperienced cast, plus some starkly melodramatic tendencies, the watch can feel uneven at times.
Even so, it’s quite a lovely watch, given the right lens.
If Mask had a report card, and I was its teacher, I would write on it something along the lines of, “Mask displays strong potential in many areas, but seems to have a short attention span and does not work to maximize his potential.” That, and maybe also, “Mask would do so much better if he would seriously apply himself.”
Yes, this does kinda-sorta sound like what I recently said about High Society, but I think because Mask managed to show more real potential, the disappointment here feels, well, more real, too.
I mean, for a good stretch, I actually really enjoyed watching this show.