Another idea for a Dear Fangurl post – would you want to do a list of shows that you love but are often passed over or neglected / underrated? Cos every year there are so many new shiny shows but there are so many good ones that pass under the radar because of low ratings or are older etc. This could be a love note or shoutout to them.
First of all, I am an avid fan of your blog and am so grateful for your detailed, thoughtful reviews of various Korean dramas. You probably don’t remember me, but I loved The Third Charm and posted once on your blog using the handle “erstwing” about how much your review of the show resonated with me.
I have a question about genre that I was wondering if you might address/discuss on your blog one day. What do you make of the label “slice-of-life?” What are some “slice-of-life” Korean dramas and what makes them so? Based on the shows you have reviewed, I feel like you enjoyed this category of dramas, and thought you might have some wisdom to share. If you do enjoy “slice-of-life” dramas, what are some reasons? The label is used a lot in Kdrama discourse, but unlike other more established genres like the melodrama and the rom com, “slice-of-life” seems to be much hazier as a concept. I even did some research into American analogues and/or antecedents, but haven’t been able to find anything meaningful. Full disclosure: I am a college professor and my current research project investigates the slice-of-life genre in Korean dramas. I’m teaching in the US but I am actually from Singapore, so your blog is literally close to home for me. 🙂
Thanks again for all your insights and for the time you’ve generously given to cultivating this Kdrama fan community. 🙂
I am now a kdrama fan for quite a few years with several dramas under my cap. Of late, I feel that I’ve grown too critical. The kdrama world is no longer my escapist fantasy and stress buster. I keep nit picking. I feel disappointed (there’s that magic charm missing) by recent dramas (True Beauty, Lovestruck in the City just a few examples). I would have enjoyed these premises earlier. Should I just keep watching old dramas? Can you help?
What a surreal year 2020 has turned out to be, amiright?
It’s been the year of surprises and curveballs, and I think it’s safe to say that none of us has been unaffected by the events of 2020. As a small silver lining, with lockdowns taking place around the world, and Netflix promoting Asian dramas with unflagging enthusiasm, we’ve welcomed many new drama fans into our midst.
And, our dramas have not let us down. I mean, yes, there’ve been duds, but that’s true every year anyway, yes? 😉 I’m just happy that Dramaland has found a way to continue production while ensuring the safety of cast and crew, coz I know I’m not alone when I say that dramas have helped make 2020 better.
Now, let’s take stock of my drama year in 2020, before 2021 comes upon us!
A restrained, loving study of music, characters, and their relationships, Do You Like Brahms? boasts characters that are carefully and tenderly drawn, relationships that feel patiently and organically grown, and a narrative filled with music-related touches that demonstrate an understanding of and empathy for musicians.
Our cast is very solid all-around, with each actor bringing their character to life in a way that feels real and believable. I loved extra, our sweet, bashful, very well-matched OTP, played by Kim Min Jae and Park Eun Bin. Not only is their romance handled thoughtfully, their individual journeys as musicians and as people, are teased out carefully too.
A very enjoyable ride, particularly if you identify as an introvert &/or a musician.
So my question is: Is it just me or is it really hard to find likable leads these days in dramas? I mean most female leads these days annoy me compared to older dramas. But also male leads are just sometimes you know …. facepalm material.
Is that me or is there actually something changing in dramas? Back in the day I liked 9/10 of the dramas (and their leads) that I watched but now it is more like 3-4/10…