My observations have been (and this may be a generalisation based on the 80 or so K-dramas I have watched) that most male second leads are presented in a way that engenders sympathy. So, by the time the series have ended we are actually rooting for them to find love!! I know that there are exceptions but they are a rare breed in drama land.
In contrast, most female second leads are presented in a more negative light – possibly a throwover to the ‘vamps’ of earlier times!
I know going into the reasons for such portrayals needs a lot of study of human society and the status of women and have probably been the subject of a lot of research! But my question is simple – Are there any dramas that present the second female leads in a positive light?
Hope you are well and staying safe! Your blogs continue to be my first port of call before I pick a new drama to watch so thank you!
First of all, I am an avid fan of your blog and am so grateful for your detailed, thoughtful reviews of various Korean dramas. You probably don’t remember me, but I loved The Third Charm and posted once on your blog using the handle “erstwing” about how much your review of the show resonated with me.
I have a question about genre that I was wondering if you might address/discuss on your blog one day. What do you make of the label “slice-of-life?” What are some “slice-of-life” Korean dramas and what makes them so?
Based on the shows you have reviewed, I feel like you enjoyed this category of dramas, and thought you might have some wisdom to share. If you do enjoy “slice-of-life” dramas, what are some reasons?
The label is used a lot in Kdrama discourse, but unlike other more established genres like the melodrama and the rom com, “slice-of-life” seems to be much hazier as a concept.
I even did some research into American analogues and/or antecedents, but haven’t been able to find anything meaningful.
Full disclosure: I am a college professor and my current research project investigates the slice-of-life genre in Korean dramas. I’m teaching in the US but I am actually from Singapore, so your blog is literally close to home for me. 🙂
Thanks again for all your insights and for the time you’ve generously given to cultivating this Kdrama fan community. 🙂
My Unfamiliar Family is a drama that feels familiar and yet fresh at the same time, to my eyes.
It feels like a lot of the things I like in family dramas, condensed into a more efficient 16 episodes rather than a sprawling 54 episodes, presented with more polish, and sprinkled with a harder dash of reality, than the average family drama.
Show has more surprises up its sleeve than the average kdrama, which makes this almost (but not quite) feel like a soapy watch experience. Yet, at the same time, there is a solid amount to unpack with this show, which makes it feel meaty and serious.
Altogether, Show feels kind of spicy and interesting, while managing to remain raw, heart-hitting and thought-provoking, at the same time.
An unusual combination of drama flavors that makes for a refreshing watch.
Confession: this Dear kfangurl post wasn’t actually triggered by a Dear kfangurl question. It just made sense to group it with the other Dear kfangurl posts, coz that’s where the other lists on the blog live, heh.
BUT! This post was triggered by a conversation with my friend Jan on Twitter.
Basically, yesterday, Jan had remarked that she was looking for a Kim Ji Suk fix, and I’d suggested 20th Century Boy and Girl, in which he is the sweet, perfect boyfriend.
Less than 24 hours later, Jan’s super happy with the drama suggestion, and her tweets are filled with happy spazz, and she’s also said that this was the rom-com she’d been looking for.
..Which got me thinking. With all the darker &/or heavier shows that Dramaland’s been serving up of late (like World of the Married, Graceful Friends, Flower of Evil and It’s Okay To Not Be Okay), as solid as these shows are, maybe some – or many? – of you guys might be looking for something lighter to make these dark pandemic days a little brighter.
In the course of one of our chats scattered across the blog, where I was trying to think of dramas to recommend to Jesse, I’d suggested Romance Is A Bonus Book.
He’d ultimately sounded quite happy with this suggestion and said that he would probably check it out soon, but, he’d also said this, about the first time he’d considered watching the show:
“I remember at the time that I came across the show in a search awhile back, I saw the word “success” (as in Cha Eun-ho is a successful author) and completely lost interest.
I didn’t want to see successful characters! I wanted to see losers and average Joes, because that’s who I could relate to at the time. I wanted to see love interacting with unremarkable people so I could nod and say, “See, Jess – it happens. Just you wait…”
..And that made me realize that Dramaland’s been so focused on creating everygirls and everywomen to give the female viewers (traditionally a majority) someone to identify with, that it’s forgotten that our growing number of male viewers would also appreciate an everyman to identify with.
So I set about coming up with a list of dramas featuring regular guys – instead of the usual chaebol prince, or requisite geeenius – as romantic leading men.
A dark horse of a show that took a tiny bit of getting used to, but eventually surprised me by sneaking under my skin to grab my heart in a big way.
Search: WWW truly is a rarity in Dramaland.
First of all, it’s women-centric and puts the spotlight on the relationships among our main female characters, which in itself is a big plus.
But even more surprising than that, is that while each of our 3 main ladies has her own loveline with a perfectly matched love interest, those romance arcs never take centerstage in our narrative, even at their most melty.
Instead, the romances are positioned as just one aspect of our women’s very full lives. Seriously, how refreshing and cool is that?
Thoughtfully written, solidly directed, and brimming with consummate performances by the cast, this is one drama that I won’t be forgetting anytime soon.
You guys might remember that this time last year, I pinky-swore-resolved to make better use of my drama hours – and better use of time in general – in 2017.
Now that 2017 has flown by in what feels like a flash, and it’s time to check in all over again, I’m happy to report that I think I did.. pretty ok, all things considered. 🙂
Some of you know that I went through a drama-cum-blogging slump somewhere in the middle of 2017, and ended up not only neglecting the blog in a big way (I’m really sorry you guys!
I did read every single comment, even though I didn’t respond to any, during my slump), but not watching a whole lot of drama either, for about 2-3 months (gasp! The horror!).
When I was watching dramas, though, I paid a lot less attention to what dramas were trending at the moment, and a lot more attention to my mood, and how much I was enjoying the dramas on my screen – or not.
This meant that I ended up dropping more dramas this year than I have in previous years – if I just wasn’t feeling a show, I’d be much quicker to drop it – and, it also meant that I missed out on some good dramas because I just wasn’t in the right mood.
On the upside, though, I found that I ended up feeling happier in general, with my 2017 drama-watching experience. That’s not a bad trade-off, right?