A makjang-laced story that leans rather old-school in its storytelling sensibility and melodramatic flair, Lie After Lie works out to be a pretty good time.
When Show is at its best, it’s cracky and delicious, and I felt like I could slurp up all that heightened dramatic tension with a spoon. This is just the kind of underdog story to get my blood pumping, and I was very quickly sucked into rooting for our protagonist Eun Soo. When Show isn’t at its best, however, there are logic lapses, weak plot progression and a resulting loss in dramatic tension. Boo. I was sad when Show wasn’t great, because when it was good, it was really quite excellent.
Show is admittedly stronger in its first three-quarters and weaker in its final stretch, but overall, I’d still call this a solid watch.
If Mask had a report card, and I was its teacher, I would write on it something along the lines of, “Mask displays strong potential in many areas, but seems to have a short attention span and does not work to maximize his potential.” That, and maybe also, “Mask would do so much better if he would seriously apply himself.”
Yes, this does kinda-sorta sound like what I recently said about High Society, but I think because Mask managed to show more real potential, the disappointment here feels, well, more real, too.
I mean, for a good stretch, I actually really enjoyed watching this show.