Based on its synopsis alone – that this story is about a Queen who does everything she can, to protect her sons – Show could have been boring and dry, revolving around court politics.
In execution, though, Show is vibrant, engaging and absolutely compelling, and the secret to that, I think, is because our story is just so personal.
I love that this is more about a Mama Bear protecting her babies with all her heart, rather than about bearded men standing around and talking and talking about politics. THAT I can get on board with, and get on board, I did.
Our cast is solid, with some excellent stand-outs, but the one who stands out the most, for me, is Kim Hye Soo as our titular Queen. She’s commanding, yet vulnerable and full of heart, at the same time, I couldn’t help but love her, and by extension, her babies too.
Dear Kfangurl, Are supporting actors too funny to ever cast as leads?
I keep waiting for my favorites – Park Jin Joo, Kim Seul Gi and my all time favorite, Kim Sung Oh to be part of an OTP or at least a single lead in their own dramas. I’ve seen all of them give snippets of really moving scenes so their acting talent is not in question. What gives?
And phl1rxd writes:
I would love to see an article on your favorite supporting actors|actresses.
There are so many that pop up in our drama world all the time, and while they are not the leads, their work is great none-the-less.
A dark horse of a show that took a tiny bit of getting used to, but eventually surprised me by sneaking under my skin to grab my heart in a big way.
Search: WWW truly is a rarity in Dramaland.
First of all, it’s women-centric and puts the spotlight on the relationships among our main female characters, which in itself is a big plus.
But even more surprising than that, is that while each of our 3 main ladies has her own loveline with a perfectly matched love interest, those romance arcs never take centerstage in our narrative, even at their most melty.
Instead, the romances are positioned as just one aspect of our women’s very full lives. Seriously, how refreshing and cool is that?
Thoughtfully written, solidly directed, and brimming with consummate performances by the cast, this is one drama that I won’t be forgetting anytime soon.
A well-plotted, solid story from start to finish, The Crowned Clown is a show that has quite a bit to offer.
The palace intrigue isn’t always the most compelling, but on the upside, there’s a real king, a fake king, a forbidden romance, all the complications that arise from it all, a touch of levity to lighten things from time to time, and a stirring OST to score it all.
Our main cast is excellent all-around, but it’s Yeo Jin Goo who knocks it out of the ballpark and then some, playing both king and clown.
I’ve always considered Yeo Jin Goo an excellent actor, but Yeo Jin Goo has never been more amazing to my eyes, than in this show. Some minor lens adjustments are necessary, but once you’ve got that down, Show is such a good ride.
Meaty enough to chew on, yet affecting enough to deeply engage the heart.
YOU GUYS. Remember how much I loved Answer Me 1988? (Hint: a lot, with cherries & rainbows on top)
Well, it’s like Answer Me 1988’s slightly older, rougher-around-the-edges cousin came to visit, and proved to be almost as engaging and endearing – just in a much more compact package.
At just 8 episodes, I found myself rationing out this show’s episodes like they were the last few morsels in a box of very, very special truffles that someone had brought from an exotic, faraway place; the kind that I can’t simply go out to the store to get more of, once it’s all gone.
And now, this is all gone.
Sniffle. I wish this one was 16 full episodes, y’all. At least.
A heartwarming coming-of-age movie disguised – and therefore heavily misidentified – as a campy comedy.
If you were to approach this movie expecting a dose of pure funny all the way through, I’m guessing you would walk away rather disappointed.
It’s true that the (often coarse) comedy reigns supreme for a good stretch of the movie, taking up maybe 50% of total screentime (this is not an exacting number, it’s just my feel-o-meter talking).
Eventually, though, the funny gives way to deeper, bigger, meatier things. There’s a good bit of melodramatic angst involved, but it’s played well, and it all serves a larger, more thoughtful message than what one might expect, given the initial camp:
What does it mean to grow up? And what does it mean to stand up for what you believe in?
Excellent performances from both the youth and adult actors make this an engaging, ultimately satisfying watch, with a bit of thought-provoking on the side.
A tongue-in-cheek, satirical unveiling of what really happens behind the scenes of our beloved kdramas.
Populated by a large ensemble cast of likable characters, King of Dramas paints a dramatic yet believable picture that is in line with all the BTS drama news that we get off the grapevine.
PPL wars? Check. Scripts delivered to the set in a piecemeal fashion? Check. Madly rushing the final tape to the editing room minutes before the episode is due to broadcast? Check. Such a fascinating peek into the world that doles out to us the dramas on which we subsist.
The show starts out meaty and strong, and even manages to be insanely hysterical at points, buoyed by strong performances and often-cheeky writing. A huge pity, that the ending was more whimper than bang.