I discovered your blog after watching Crash Landing on You and searching for reviews online. After that I immediately would read your reviews after watching a show and using your ratings for recommendations. I absolutely love your format and style of writing. I have some questions I am highly curious about.
What are the shows you have dropped which are not on the list of shows. This started after I watched Goblin and was searching for your take. It wasn’t on the list and learned reading one of your year end recaps that it was not for you. This got me curious to know which shows you have tried and dropped. No need to write any review or explanation, just a straight up list would be great.
What are shows you dropped but plan to continue. I read on one of your replies that you eventually plan to return to Dear My Friends (a show I loved) and Signal (I loved it as well.) What are famous shows that you have no intention of watching. I remember mentioning Kingdom. Are shows like Dr Romantic and Stranger included in this list?
They don’t have to be 100% complete and maybe they could also help as well by lessening the number of requests you get from new members wondering about some old shows.
Of course if this is too time consuming or not something you are interested in answering then no problem whatsoever.
Fresh, different and quirky, Into The Ring is much more than its premise might suggest.
Rather than a pedestrian look at politics at the municipal level, it’s more of an underdog story with a dash of superhero flair, and a good dollop of awkward, adorkable romance.
Nana and Park Sung Hoon are great in this, particularly together, and they were the bright spots that I consistently looked forward to, during my watch.
I do have some quibbles with Show’s general handling, but this is, overall, a solid watch that rocks its own brand of weirdness and kookiness, and is, in the end, a pretty unique breath of fresh air, in Dramaland.
You guys might remember that I ended up dropping Greasy Melo (despite my love for Jang Hyuk), back when it first aired (Dropped post is here). Show’s brand of whimsy just wasn’t working for me, and I found myself feeling more bemused than anything, the more I watched.
HOWEVER. I’ve learned that friend of the blog Dame Holly (also known around the interwebs as Lee Tennant) is much more attuned to – and gifted at understanding – the use of metaphors, symbolism and visual storytelling than I am, and she definitely has more appreciation for Greasy Melo than I could ever muster.
So I asked her to share her insights on Greasy Melo with us, in the hope that we I could absorb some of her conceptual prowess. I hope you guys enjoy!
Show really is everything that many of us have come to love in kdrama.
It’s gorgeous to look at, our actors are pretty darn capable all-around, our characters are mostly endearing, there’s amped-up, epic romance to be had between an OTP that shares solid, sparky chemistry, and, well, Hyun Bin is appealing in this, to a rather staggering degree. Flail.
As a bonus, Show possesses a cheeky sense of humor around drama tropes, even as it revels in them. In addition, the glimpse into North Korean life feels fresh and novel as well, and is a major highlight.
On the downside, there’s a bit of drag in the mid-to-late episodes, which is compounded by rather heavy-handed narrative angst, and Show’s long episodes. That can feel a bit or a lot hard-going, depending on your appetite for angst.
Overall, though, Show does a great job bringing the feels, and is well worth the watch.
If there’s one conclusion I’m drawing this year, it’s that dramaland is literally exploding with new dramas on a regular basis, and it’s just not humanly possible to watch every drama that’s out there.
My drama instinct has always been to try to balance the urge to follow drama buzz (the niggling question of, “Omo! Am I missing out on something?”), and the desire to follow my heart (the “I don’t care that nobody cares about this show, I just feel like checking it out”).
These days, with more drama offerings floating around the dramaverse than ever before, I think it’s even more important that I remember to stay true to my drama instincts.
From here on out, no more hanging on pointlessly to a show that just isn’t quite working for me. It’s just not efficient spendage of drama hours – or time in general.
Next year, I will be more efficient with my use of drama time – and time in general. Ahem. *pinky swears* *resolves*