THE SHORT VERDICT:
This drama has a gorgeous color palette and the cinematography is excellent.
I thought Winter Sonata (done by the same PD) was pretty when I first watched it, but fast forward 8 years – that’s like a whole century in technology years – and everything is way, way prettier.
That’s the main – perhaps only – change, really. The PD maintains the rest of the style that he used in the Seasons dramas. The slow pace hasn’t changed. The bent towards classic melo and its associated tropes hasn’t changed.
Only go here if you’re feeling nostalgic for the Seasons dramas of yore.
THE LONG VERDICT:
The early set-up in the 70s was a little trying on the patience. I guess you really do need to be in the right mood for this show.
I found myself being bored by the slow pace, even though the cinematography was very pretty. The hairstyles on the men were awful and ugly, and the storyline is very much reminiscent of the Seasons dramas, and that feels way too old-school, somehow.
I found myself getting annoyed and impatient with Jang Geun Suk’s character for being so wishy washy. Have I mentioned how much I hated the hair?
Quite a lot of people enjoyed the episodes that were set in the 70s. I wasn’t one of them.
I found it way too slow, and basically, boring. I found it a welcome change of pace when the time skip happened.
After the time skip, the hair didn’t get better. It was just different. Ok, maybe the hair got just a tiny bit better.
I found the writing around the meeting and sparking of the OTP odd and uneven. I understood that they fell for each other, but I didn’t quite get how that happened or why, other than they were supposed to.
But ok, that happens in some other dramas too, and sometimes, you just have to suspend disbelief and go with it.
I was rewarded with several episodes that were truly cute, light and enjoyable. Jang Geun Suk’s and Yoona’s characters meeting and bickering, then denying the growing attraction, was the stuff that we kdrama romantics are always hungry for and are ever ready to lap up in spades.
That’s when I actually looked forward to the next episode, and I might have even done some back-to-back episodes. Alas, that was short-lived.
[MINOR SPOILER ALERT]
When the discovery of the parent pair was made, the story took a dive and everything became mostly mopey and sad with noble idiocy as the attitude of the day, with a sprinkling of sweet and cute thrown in very sparsely.
With the addition of the Evil Mother who thinks the entire world is at fault for her misery and owes her a living, and the back-and-forth plot mechanics towards the end, I became impatient for the drama to end. I had to literally endure the scenes with Evil Mother. Ugh.
[END MINOR SPOILER]
At this point, I feel like I should give Seo In Guk an honorable mention.
To be honest, Love Rain was where I first laid eyes on Seo In Guk. And I found both of his characters seriously annoying.
BUT. Then I watched Answer Me 1997 and I loved him to bits. And now on hindsight, I find him quite amusing in this show.
I mean, look at this:
And this:
So if you’re a Seo In Guk fan, I think you’d enjoy him in this. Context really is everything.
I think suspension of disbelief is the order of the day, if you want to even remotely enjoy Love Rain.
First of all, there’s that thing where almost every character in the 70s portion gets a doppelganger after the time skip. Even Seo In Guk gets cloned in the character of a nephew. Convenient, that, since his earlier character remained single and never had a son.
Also, the Evil Mother plot device gets really, really old by the time we get to the end of the series. Yes, she was easy to hate, but the writers also made the leads – and everyone else too, for that matter – look like idiots for basically indulging her very, v-e-r-y extended tantrum.
A big distraction was the hair.
Specifically, Jang Geun Suk’s hair. It was bad in the 70s, but honestly, the stylists outdid themselves. Jang Geun Suk’s hair became uglier and uglier as the episodes progressed, and that’s saying a lot, coz he never had good hair at any point of the show anyway.
Conversely, Yoona’s hair got better and better as the show progressed, so that was some consolation.
I have such mixed feelings about this show.
The cinematography was pretty throughout, and the music was serviceable. And the final episode had some very pretty cinematography around the OTP.
And like I said, Yoona’s hair was much prettier than Jang Geun Suk’s, so I rather liked looking at her hair, especially after the final time skip when she had long curls. So pretty.
In the end, though, I think the bits that I liked just don’t stack up well against Evil Mother. They never stood a chance against Evil Mother.
I can’t see myself watching this show again no matter how pretty it is.
CLOSING THOUGHTS
Be very careful with this one. I know people who loved this to bits, and I know people who will never touch this one again. Sadly, I’m not one of those who loved this.
Timing is everything. You need to be in a very specific mood for this, and you need to be very, very nostalgic for the Seasons dramas.
Because this show will either feed your nostalgia, or kill it.
THE FINAL VERDICT:
Pretty to look at, but more melodramatic than what it’s worth.
FINAL GRADE: C
TEASER:
https://www.youtube.com/watch?v=qpP9rwg6dDg
MV:
WHERE TO WATCH:
You can check out this show on Viki here.
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Just finished watching this after You Are beautiful and I’ve been a bit annoyed by the similarities between the two characters played by Jang Geun Suk. The first part was a bit slow to say the least, but I thought it was interesting for Jang Geun Suk to play a character so far away from his own personality. I liked Yoona in both her 70s and 2010s versions, but I disagree with you on her hair! I liked her hair being messy and wavy. But for both 2010s characters, I saw that they were gradually going toward their parents’ 70s look (there is certainly an allegory of some sort there). I learnt from you the term “Noble Idiocy” ahahaha it is so, so fitting for many dramas :p
Lol. Yes, noble idiocy is seen in wayyy too many dramas, unfortunately! 😆 Glad you managed to enjoy this one, even though I personally didn’t love it. 🙂
I actually liked old 70s timeline maybe its because it reminded me of movie the classic and i really hated the father selfish guy i kinda liked 70s version of father but he was a coward (i liked his awkward side but he should have told his friend that he likes her) overall i dint complete this drama after 6 episodes
Ah, I don’t think you missed much by dropping this one, Rajesh. I watched this back when I didn’t know how to drop a drama, and I often felt so frustrated in the second half of my watch. 😛 Like you, I enjoyed the 70s timeline more as well. 🙂
I felt weird because I keep seeing all these reviews complaining about the first 4 episodes when I personally thought they were the best. I liked how the quiet, reserved In-ha learned to stand up for himself instead of continuing to be a doormat who continuously sacrificed his happiness for others.
I really wanted to like the “modern” episodes, and I did finish it, but it ruined the characters you’re introduced to in those first 4 episodes (spoilers below if you ever change your mind about finishing).
You find that instead of learning from his experience, In-ha went back to being miserable-for-the-sake-of-others, and when he learns Yoon-hee is still alive he becomes an obsessive, stalker-level creep. More than your common kdrama pursual of a reluctant romantic interest (like Joon and Ha-na), he refuses to listen to Yoon-hee calmly and evenly tell him she’s not interested, finding out where she lives and showing up at her home unannounced and unwanted.
Yoon-hee also hasn’t learned from her experience, and is still the same person she was in the 70s – letting Hye-jung push her around, stubbornly standing against In-ha when she wants him (disregarding the creepy behavior I think should have prompted a call to the police).
Hye-jung, who I personally found (mostly) likeable in the 70s becomes a manipulative and controlling b**** who never moved on, largely because In-ha just gave in to her after believing Yoon-hee had died.
The modern era kids aren’t awful, but they’re nothing special, either. Joon is your typical spoiled-brat-who-always-gets-what-he-wants male lead. Ha-na is supposed to be the foil to this attitude, and at first seems to have a bold sense of character to stand up to him, but quickly she becomes as passive as her mother – seeming to just go along with Joon’s wishy-washy, hot then cold then hot attitude. The competition for Ha-na’s affection, both Sun-ho and Tae-sung, don’t genuinely feel like a threat to Ha-na’s interest in Joon once she (very quickly) gives up her crush on Tae-sung.
Overall, I think it would be an improvement to have told the 70s story through flashbacks, or after introducing the modern characters (so we become interested in them first); to have Ha-na not suddenly turn into a weak, complacent girl; and to have Joon’s rivals seem like they actually present some threat to Ha-na’s affections toward Joon.
Why wasn’t there a grown up version of In Sook in the second part?
I’m really late to this drama, but I actually find Yoona’s acting incredibly distracting. I don’t think I can watch this till the end :/
Heh. I feel you, sparrow! I didn’t enjoy Yoona in this either. In fact, I didn’t love this show on the whole. Some folks loved it though, so I guess it really depends on your appetite for classic Hallyu angst. 😛
Awwww man this grade kinda makes me sad because this was my 2nd or 3rd Kdrama and it really hooked me. But in retrospect ur grade is spot on LOL. The acting and over the top melo really was 2 much but I lapped it up back then. With a more mature and seasoned viewers lens( as you would say) I see the flaws and I actually haven’t been able rewatch. It still holds a fond place in my early addict memories though.
Aw, we all have big soft spots for our early dramas, so I perfectly understand, Shountae! 🙂 I can totally see why this would’ve hooked you as a drama newbie.. The tropes wouldn’t have felt tired to you at that early point in your drama journey, and there is something about makjang plots that keep people watching. On the bright side, Love Rain is super pretty to look at, for the most part. And you could have picked a much worse show to initiate you into the world of kdrama.. I know LOTS of people started with BOF, and who now concede that it’s terrible. In fact, my dear friend Jo recently reminded me that her first drama was Heirs. Eek. I’m surprised she even kept watching other kdramas! XD
I actually enjoyed the drama. The fact that I grew up in the 70’s is probably one of the reasons. I have followed Jang Geun Suk’s dramas since Beethoven Virus.
Great that you enjoyed the drama, Kenneth! 🙂 Personal context definitely shapes how we respond to a show, and in this case, it’s cool that yours allowed you to enjoy the show. Because I’ve seen similar plotlines in many other, older kdramas, this one didn’t really impress me. I did really like Beethoven Virus though. That really was a heartwarming, underrated little gem 🙂
With this drama , i came to dislike the father so very much , he’s so boring !!!!When he learned his son is in love with the daughter of his first love, the lack of instant withdrawal from the first love to give way to the young couple made me dislike him even more !
IDK , but for me, as a parent , not sounding judgemental , and it’s just me talking big since I was never in this situation of a 20 yr old thwarted love affair, i would instantly give way to my child no questions ask.
I know what you mean, Nancy! I was aggravated by the father too! So many Korean parents are portrayed in similarly selfish ways, in our dramas. I mean, yes, we see a fair share of good parents who would do anything for their kids, but we also see lots of selfish parents who only seem to care about their own happiness, never mind what happens to their kids.
I’m currently watching Wonderful Days, and one of the characters abandons her 2 kids to pursue her own happiness, and when the father of the kids tries to persuade her to come back, she pleads with him to let her go, because she finally has a life, and finally feels happy. As I was watching this, I couldn’t help wondering if this was realistic, since most mothers have strong maternal instincts and wouldn’t want to cut off ties with their children for the sake of their own happiness and success. But, I suppose the writers do this to create more Drama on our screens, to make our shows more compelling.
Come to think of it , these unlikely situations become life lessons for people who came across these kind of drama. I will take it a be a better parent for my children. I’m sure you will agree with me 🙂
That’s a great thought, Nancy! I do love it when dramas provoke thought and cause us to come away with learning and life lessons, even if it’s the “I’m not gonna do THAT” kind! 😉