Dear kfangurl: How do I get over a cracky drama?

Eda writes:

kfangurl, now that you defined a cracky drama, I have another question.

how do we get over a cracky drama that completely hijacks our brain and emotions, locks us into itself and locks us out of any attempt to move on to another drama?

I have encountered a few of those, that even when I moved on, nothing seemed satisfactory for a long time, I simply craved another one, like for example Nirvana In Fire or The Rise Of The Phoenixes, just to name a few (there were of course more).

What’s the solution?

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Dropped: The One And Only

So.. I was hoping to take to this one, because I have soft spots for both Kim Kyung Nam and Ahn Eun Jin, and they are both playing leads in this, and both for the first time, too.

That feels like a double breakthrough, doesn’t it? Yay for both of them!

Unfortunately.. after just 2.5 episodes, I’m coming to the conclusion that this show just isn’t for me.

Still, I’ll do my best to lay it all out in this post, so that you can figure out whether this one would work for you – even if it didn’t work for me.

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Stories from the community: Leslie’s story!

If you didn’t already know, we’ve got a special series to kick off the new year! Guests posts, by patrons on Patreon, sharing their personal drama stories, mostly around the topic of “How did you get into dramas?” and “What does your first drama mean to you?” – with flexibility to go off on personal tangents, of course. 😁 Feel free to share your stories too, in the comments!

This guest series is MC‘s brainchild (thanks MC! ❤️). You can check out the earlier posts in this series as follows: MCSeanShahzJJMartinaBeth, Uyen & Ella. After today’s post, there will be one last guest post by one last mystery guest writer, whose identity will be revealed when their post goes live. Woot! 🥳

Today’s post is brought to you by Leslie, who is as sweet, wise and thoughtful, as she is unassuming and modest. When we were planning the year-end awards series of guest posts, Leslie had demurred, saying that she didn’t feel confident to write a post. Now that she’s actually written one, though, I’m blown away by what a great storyteller she is! You rock, Leslie, and don’t let anyone tell you different (even yourself)! 😘

I hope you guys enjoy!

~ KFG ❤️

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Stories from the community: Ella’s story!

If you didn’t already know, we’ve got a special series to kick off the new year! Guests posts, by patrons on Patreon, sharing their personal drama stories, mostly around the topic of “How did you get into dramas?” and “What does your first drama mean to you?” – with flexibility to go off on personal tangents, of course. 😁 Feel free to share your stories too, in the comments!

This guest series is MC‘s brainchild (thanks MC! ❤️). You can check out the earlier posts in this series as follows: MCSeanShahzJJMartina, Beth & Uyen. After today’s post, there will be two more guest posts by mystery guest writers, whose identities will be revealed when their various posts go live. Woot! 🥳

Today’s post is brought to you by Ella, whom you may have seen around the blog, and on Patreon as well. I just love how effusive Ella is, in her drama love, and I’m so glad she’s taken this bold step, of introducing herself properly to us, through this guest post!

I hope you guys enjoy!

~ KFG ❤️

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Dear kfangurl: What are some archetypes in kdramas?

T writes:

Hi kfangurl,

What are some of the archetypes you see in Kdrama characters? Could you recommend other dramas with those types of characters?

For example:

Romance is A Bonus Book’s Kang Dan-i is strong, sensitive, but oblivious to Eun-ho’s love for her. Eun-ho is petty, cocky, but really protective and compassionate toward his loved ones.

Another example:

Strong Girl Bong Soon’s rich heir Ahn Min-hyuk is the hardcore, serious, charming type, but completely caught off-guard and smitten with Do Bong-soon, which makes him fall to pieces. Bong-soon is the epitome of aegyo, but hesitant to embrace her full potential (another type).

What other dramas use these archetypes in similar ways or mix and match them in surprising or refreshing ways?

Thanks.

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Patreon Year End Awards: JJ’s Year In Dramas!

If you didn’t already know, we’re doing something special and different to end off the drama year this year! Guests posts, by patrons on Patreon!

You can read more details, and check out Shahz’s inaugural post, here.

After today’s post, there will be three more guest posts by mystery guest writers, whose identities will be revealed when their various posts go live. And then we’ll cap everything off with a poll, where you’ll be able to pick YOUR favorites for the year, from among the gems identified in these posts. How exciting! 🤩

For those of you who’re keeping track of numbers, yes, this means that one of the guest posts isn’t happening after all. However! That same mystery guest writer has offered to bring us a thematic musings post, next month, so you can look forward to that instead!

Today’s post is brought to you by none other than JJ, who’s also known as Shahz’s bestie around these parts. 😉 And if you didn’t already know, you’ll soon find out from reading this post, that JJ’s got lots of love to give, and is effortlessly effusive about it – which is why I picked this picture below, for her post. 😁 Thanks for doing this, JJ!

I hope you guys enjoy!

~ KFG ❤️

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Dear kfangurl: What are some shows featuring relatable female leads?

MC writes:

What shows have female leads that are relatable? Lately I get tired of watching candy girls with sad life stories yet are so cheery (I mean who would be so cheery if they had such a hard life!?).

I would love to watch shows with relatable female leads who have their good and bad days and grow through the bad days! I’m asking about female leads coz you did something similar for male leads.

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Dear kfangurl: What are some iconic kdramas over the years?

Today’s Dear kfangurl post is inspired by j3ffc‘s and Trent‘s comments on my recent VOGUE India collab post, where I talk about the male gaze vs. the female gaze in kdramas over the years.

In response, j3ffc basically wanted to know which classic dramas I think drama fans should check out (which would demonstrate the shift in gaze over the years), and Trent heartily seconded the idea and expanded on it:

“The question I’ve been thinking about is along the lines of how do you think kdramas have evolved over the last couple decades? Do you see discernible or important trends in that time?

(Broadly considered: thematically, in treatment of tropes, genre or sub-genre expansion (or contraction), production values, stylistic changes, acting and\or casting type trends: it’s all fair game).

You touched on a bit of this in this Vogue interview, but I’d be very interested in a broader look, and I just don’t have the range of experience to even attempt a synthesis. You do, though. 😁”

So today I thought I’d talk about kdramas which I would consider iconic, over the years, and how kdramas have been evolving, in broad strokes.

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Review: Hospital Playlist 2

THE SHORT VERDICT:

Show isn’t perfect by any means, but what it does right, it does so well, that I can’t help wanting to serve my heart up to Show on a plate.

It’s true that Show gets rather indulgent of itself from time to time, and it’s also true that some of the handling feels almost patronizing, in spots.

However, our characters continue to be lovable and wonderful, and Show continues to do an excellent job of teasing out their growth and relationships in a way that feels organic; it just has a way of grabbing my heart.

An absolutely worthy follow up to Season 1.

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Review: Racket Boys

THE SHORT VERDICT:

Essentially, Show is a diamond in the rough; emphasis on diamond, and emphasis on rough, heh.

Show is rough around the edges, with one of those rough edges being a pretty scattered sort of approach to storytelling, but the warmth and community feels that it delivers are so good, and so strong, that you end up being more than willing to look past Show’s shortcomings.

The young cast really shines in this, and the adult characters are mostly there as sources of guidance and support, and that’s one of the things that I enjoy most about this show.

Our young crew is earnest and competent, and all-around believable, not only as their individual characters, but as the team that they form.

The stand-out for me, though, is Tang Joon Sang, whose character kinda functions as our protagonist. He really brings a lot of dimension to the role.

Wholesome and quite excellent, in spite of its flaws.

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