I don’t know if you guys know this about me, but I really do enjoy a good family drama. The best ones give me such cozy, heartwarming feels; it’s like getting wrapped in a fuzzy, floofy blanket, as you sink into the feels.
In the course of one of our chats scattered across the blog, where I was trying to think of dramas to recommend to Jesse, I’d suggested Romance Is A Bonus Book.
He’d ultimately sounded quite happy with this suggestion and said that he would probably check it out soon, but, he’d also said this, about the first time he’d considered watching the show:
“I remember at the time that I came across the show in a search awhile back, I saw the word “success” (as in Cha Eun-ho is a successful author) and completely lost interest.
I didn’t want to see successful characters! I wanted to see losers and average Joes, because that’s who I could relate to at the time. I wanted to see love interacting with unremarkable people so I could nod and say, “See, Jess – it happens. Just you wait…”
..And that made me realize that Dramaland’s been so focused on creating everygirls and everywomen to give the female viewers (traditionally a majority) someone to identify with, that it’s forgotten that our growing number of male viewers would also appreciate an everyman to identify with.
So I set about coming up with a list of dramas featuring regular guys – instead of the usual chaebol prince, or requisite geeenius – as romantic leading men.
If there’s one conclusion I’m drawing this year, it’s that dramaland is literally exploding with new dramas on a regular basis, and it’s just not humanly possible to watch every drama that’s out there.
My drama instinct has always been to try to balance the urge to follow drama buzz (the niggling question of, “Omo! Am I missing out on something?”), and the desire to follow my heart (the “I don’t care that nobody cares about this show, I just feel like checking it out”).
These days, with more drama offerings floating around the dramaverse than ever before, I think it’s even more important that I remember to stay true to my drama instincts.
From here on out, no more hanging on pointlessly to a show that just isn’t quite working for me. It’s just not efficient spendage of drama hours – or time in general.
Next year, I will be more efficient with my use of drama time – and time in general. Ahem. *pinky swears* *resolves*
When you think about it, family dramas are pretty expensive in drama hour terms, aren’t they? I mean, they cost the equivalent of at least 3 whole prime-time mini-series’ worth of drama hours, after all.
Which is why, even though I really enjoy a good family drama every once in a while – not the makjang-fests where screaming, scheming, kimchi slaps, birth secrets and trucks of doom are regular everyday features, but the kind of family drama that’s warm, comforting, hopeful and tends to make you feel all toasty-warm inside – I don’t often actually commit to one.
This is one of those rare times where I did commit myself to one, and I’m super pleased to report that Five Children is solidly worth the drama hour spendage.