Surprise, everyone! We have another guest post today! 🥳
Today, we have Sean sharing with us his various insights into how well the CEOs in our beloved dramas stack up – when compared to real life.
As many of you might know, Sean’s had a lot of experience in both the CEO life, and the drama life (we have no idea how he’s managing such a full existence on both planes; he must be existing in multiple dimensions – but that’s another story for hopefully another day! 😁).
And therefore, Sean’s probably one of the best positioned people on the planet, to comment on such a comparison.
This post was first published on Sean’s own blog, where he regularly writes about leadership. You can check out his blog here, and the original post here.
Thank you phl1rxd, for suggesting this, and thank you so much Sean, for allowing me to share your fabulous post in this space!
A makjang-laced story that leans rather old-school in its storytelling sensibility and melodramatic flair, Lie After Lie works out to be a pretty good time.
When Show is at its best, it’s cracky and delicious, and I felt like I could slurp up all that heightened dramatic tension with a spoon.
This is just the kind of underdog story to get my blood pumping, and I was very quickly sucked into rooting for our protagonist Eun Soo.
When Show isn’t at its best, however, there are logic lapses, weak plot progression and a resulting loss in dramatic tension. Boo. I was sad when Show wasn’t great, because when it was good, it was really quite excellent.
Show is admittedly stronger in its first three-quarters and weaker in its final stretch, but overall, I’d still call this a solid watch.
It’s that time of the year again, my friends. 2020 is upon us, and 2019 is just about done and dusted. Time to take stock of the year, celebrate the highs, brush off the lows, and get ready to usher in the new year.
Can you believe that this is my 8th year-in-review post?? Imma be honest with you guys; every time I sit down to do one of these, I get visited by a touch of blogger existential crisis.
Essentially, I ask myself, “Where am I going with this? How long will I do this? Is there still.. a point to doing this?”
..And I gotta tell ya, I still don’t know the answer to those questions. What I can say, though, is, I’m still enjoying my dramas reasonably well, and I’m still game to write about ’em, and I’m grateful that you guys are still here on this journey with me. Thanks for sticking it out with me, y’all. ❤️
And now, let me attempt to break down my 2019 drama year for ya.
Have you ever been hearts-in-eyes infatuated with someone – charmed by their good looks, sweet words, and thoughtful chivalry – only to be later disappointed by their glaring flaws, on deeper acquaintance?
Whether it was with a real-life crush or with a celebrity Oppa, I feel like many of us would likely have felt this way at some point in our lives.
That feeling, my friends, is how I felt, watching this drama. For Show’s first half, I was very much smitten, and gobbled up episodes back-to-back, pacing myself only because I sincerely dreaded running out of new episodes.
The bum thing was, Show became a lot less cracky for a good chunk of its second half. On the upside, Show comes back with a reasonably solid finale, so it wasn’t all downhill.
I know I said last year that Dramaland was exploding with more dramas than ever before, but Dramaland basically outdid itself in 2018 – and then some.
You know when you have only 2 ice-cream flavors, and only room in your stomach for 1 scoop, it’s really easy to choose, but you still wish you had more flavors to choose from?
Well, it’s all fine and good when it increases to 5 flavors, or 10 flavors, right? But when it gets to like, a thousand flavors, your eyes glaze over, you get hit by decision paralysis, and it just feels impossible to choose, anymore? Same thing.
I used to try and keep up with Dramaland, especially after I started blogging. I’d try to stay on top on what dramas were airing, and which ones were good, and I’d try to watch all the reportedly good ones, because I’m a curious cat and FOMO is real, yo.
Well. I think 2018 is the year that I realized it is humanly impossible to keep up with everything that Dramaland is putting out, and there is just not enough time in one person’s world, to watch all the reportedly good ones, and take time for the ones that you wanna watch, whether anyone else is interested or not.
So 2018 is the year that I stopped trying. Uh.. Kinda.