Show starts out pretty strong, with an interesting premise, a big budget and a promising cast. Production values are suitably high, and I found the scenes of a dystopian Seoul particularly impressive. Jo Seung Woo and Park Shin Hye are both solid in this, and they are supported by an excellent secondary cast. When viewed through a comic book, space opera sort of lens, and without too hard of a grip on logic, Show manages to be reasonably enjoyable and entertaining for most of its run.
Unfortunately, the ending was not my favorite thing about Show. Admittedly, your mileage may vary on this point, because what bugs me about the ending might not be an issue for you in the least. If you like the ending more than I did, you’d like Show a lot more overall, as well.
Warm, wholesome goodness dressed in hospital garb, Hospital Playlist is the medical themed drama that even the medical drama-averse can easily love.
Hospital Playlist checks a lot of boxes, for me. The writing and directing is assured; the cast is outstanding individually and together; the overall feel is balanced, with enough attention given to the cases of the day without losing focus on our key characters; the music is heartfelt and breezy, made even more special when performed by the cast.
The slice-of-life approach might feel meandering and slow to some, but in exchange, you really feel like a fly on these characters’ walls, in their professional and personal capacities. The long episodes might feel intimidating at first, but once you grow to love the characters, the length of the episodes become more of a boon than a bane.
I legit didn’t want this one to end; highly recommend.
Ordinarily, I’d be the first to agree with the age-old saying, “Don’t judge a book by its cover” – or, as the case may be, “Don’t judge a drama by its promos.”
After all, sometimes, the watch experience of a show really doesn’t jive with its promo material. Some shows have uninteresting promo material but turn out to be excellent watches (I mean, just think about the old-fashioned, ugly poster that belongs to the fantastic Healer), while other shows have amazing promos but turn out to be duds in the watching (Joseon Gunman comes to mind, among many others).
In this instance, though, I really should’ve paid (much more) heed to this show’s low-rent bad wigs and cheesy posters. On hindsight, I think they were trying to warn me that this show wouldn’t be worth spending hours of my life on, and – silly, foolish me – I didn’t listen. Which is how I ended up wasting 13 hours of my life trying to make the best of this show, before I realized that Show’s best really, really wasn’t doing it for me.
Answer Me 1988 feels like a larger, bigger-hearted story than its predecessors, thanks to expanding its focus to its community of characters, rather than simply fixating on the leading lady’s husband and the lovelines that feed into it. The adult characters get as much narrative care and attention as their kids, and that helps to make this drama world feel altogether pretty balanced and whole. The entire cast is endearing and committed, and – despite a touch of green in spots with the delivery – exponentially add to Show’s generous earthy winsomeness.
It’s true that the handling of the ending is flawed, but overall, I still found this show to be charming, slice-of-life retro at its best.
Despite its flaws and indulgent streaks, Answer Me 1994 is a lovely little show that’s peopled by likable, bubbly characters that not only feel real, but also feel like they’re real friends with one another.
The characters and their relationships are the shining jewels crowning this show, and together, they shine so brightly that it’s not hard to overlook the occasional uneven writing, the consistently bloated episodes and the dreaded Who’s The Hubs game that Show inherited from its predecessor Answer Me 1997.
If there’s one thing that everyone seems to be able to agree on, it’s that time is flying. Like, seriously. Where has 2014 gone?
I can hardly believe that 2015 is almost here, promising/threatening gifts of dramas chock-full of vampires, multiple personalities, and other psychological disorders goodies.
Before 2014 makes her exit, though, I wanted to come out and give credit where it’s due. Coz as much as so many of my friends in dramaland have been talking about a meh drama year, I feel like I had a pretty good drama year, actually.
If you’ve known me for a while, you’d probably know that I generally don’t watch all that many k-movies.
I tend to prefer the dramas over the movies, probably coz so many of the k-movies that I’ve watched seem to either go super gritty & violent, derail, or take weird narrative turns towards the end (Raise your hand if you’ve never had a seemingly harmless k-movie suddenly go all dark, sad and deathy on you!).
Or sometimes, the writers don’t make the best use of their 90 or 120 minutes of available screentime, and the movie ends up feeling more like a highlight reel than a real story. And, well, it’s hard to feel invested in a highlight reel rather than a real story, y’know?
Which is why it makes me so happy to say, Miss Granny is NOT any of those.
I watched this movie on a flight and I loved it. Like, unreservedly, wholeheartedly Loved. It.
A quirky confection that is as sweet as it is strange, It’s Okay serves up an oddball-flavored 3-in-1 love package exploring romance, friendship and family, with a big dose of dysfunction and dramaland psychiatry on the side.
Show is not always big on the logic nor on the medical accuracy, but its characters and relationships are consistently delivered with heart and nuance, helping us to buy into and believe in its world, no matter how surreal things sometimes get. Excellent performances by our leads as well as many of the secondary characters, together with some very sparky OTP chemistry, help to sweeten the deal.
At its heart, It’s Okay’s charm is that it’s an imperfect show peopled by imperfect characters, to appeal to an imperfect audience.