If there’s one thing that Doctors has taught me, it’s that medical dramas are really not my thing.
I mean, I already knew, going in, that I’m generally not one to get at all excited about medical emergencies and the like.
Still, the positive buzz and high ratings got me curious enough to dive in (sometimes I am too curious for my own good, I think!) – and when I eventually became bored with Show at large, Kim Rae Won’s strong, leap-off-my-screen warmth persuaded me to stay.
His deep velvety voice and crinkly, cozy-toasty smile didn’t hurt either.
You know how, when you drive past an accident on a highway, and your brain says not to waste time staring, since that’ll just slow down traffic even more, but as you crawl past in your car, the curious cat in you can’t help but stare in morbid fascination anyway?
Yep. That’s sorta what happened with me and Cheese In The Trap.
Because I wasn’t able to keep current with the episodes as they aired, I was only at episode 8 (ish?) when all the behind-the-scenes drama erupted and everyone got really upset with Park Hae Jin’s heavily reduced screen time in the last third of the drama.
A big part of my brain said then, that I ought to just drop the drama and look away while the going was good, but the curious cat in me was morbidly fascinated by it all. Was it as bad as everyone said, I wondered.
I guess there’s something to be said for spoilers, since I went into the finale stretch having had the ending quite thoroughly spoiled (I couldn’t help reading ending spoilers, even though I’m usually much more spoiler-phobic; not only was I morbidly fascinated, I was also – at times, anyway – trying to decide whether or not to keep watching).
That prepped me for the ending really well, and in the end, I didn’t actually hate it. Gasp!
A quirky confection that is as sweet as it is strange, It’s Okay serves up an oddball-flavored 3-in-1 love package exploring romance, friendship and family, with a big dose of dysfunction and dramaland psychiatry on the side.
Show is not always big on the logic nor on the medical accuracy, but its characters and relationships are consistently delivered with heart and nuance, helping us to buy into and believe in its world, no matter how surreal things sometimes get.
Excellent performances by our leads as well as many of the secondary characters, together with some very sparky OTP chemistry, help to sweeten the deal.
At its heart, It’s Okay’s charm is that it’s an imperfect show peopled by imperfect characters, to appeal to an imperfect audience.